Arte digital e circuito expositivo: um curto em torno do file
Autor(a) principal: | |
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Data de Publicação: | 2012 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Manancial - Repositório Digital da UFSM |
Texto Completo: | http://repositorio.ufsm.br/handle/1/5209 |
Resumo: | The objective of this research is to discuss the expositive circuit of digital art in contemporaneity, verifying how digital art is articulated, what its particularities are and how it fits in the art circuit. This route is based on the experiences in FILE (Electronic Language International Festival), in the São Paulo 2010 and Porto Alegre 2011 editions, in addition to visits to its virtual environment. This is the most representative event of its kind in Brazil and Latin America, a festival with international projection, which allows discussing the matter. To develop a research about art, it is used a qualitative approach. This is established from a literature survey; field research on spaces in loco and virtual environments of the FILE; interviews with one of the idealizers of the event, Paula Perissinotto, and some artists who have excelled in the course of the festival, among them, Anna Barros, Guto Nobrega and Yara Guasque; in addition to a research by the virtual environments of other spaces and festivals that move the exposition circuit of digital art. Are also conducted visits to some of the major events that discuss the production in Brazil, observing their dissemination strategies and analyzing how they debate, disseminate, exhibit, preserve and commercialize digital art. All these instruments allows to think the digital art in the exposition circuit, reflecting on the observations analyzed around FILE. Thus, the proposal of this dissertation is intended to bring a contribution to the field of history, theory and critical of contemporary art through a study based on recent changes in society, provided by communication, science and technology, which reflects in the relationship between the public, work, artists, institutions and expositive circuits. |
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2013-05-202013-05-202012-03-29GASPARETTO, Débora Aita. DIGITAL ART AND EXPOSITIVE CIRCUIT: A "SHORT" AROUND THE FILE. 2012. 191 f. Dissertação (Mestrado em Artes) - Universidade Federal de Santa Maria, Santa Maria, 2012.http://repositorio.ufsm.br/handle/1/5209The objective of this research is to discuss the expositive circuit of digital art in contemporaneity, verifying how digital art is articulated, what its particularities are and how it fits in the art circuit. This route is based on the experiences in FILE (Electronic Language International Festival), in the São Paulo 2010 and Porto Alegre 2011 editions, in addition to visits to its virtual environment. This is the most representative event of its kind in Brazil and Latin America, a festival with international projection, which allows discussing the matter. To develop a research about art, it is used a qualitative approach. This is established from a literature survey; field research on spaces in loco and virtual environments of the FILE; interviews with one of the idealizers of the event, Paula Perissinotto, and some artists who have excelled in the course of the festival, among them, Anna Barros, Guto Nobrega and Yara Guasque; in addition to a research by the virtual environments of other spaces and festivals that move the exposition circuit of digital art. Are also conducted visits to some of the major events that discuss the production in Brazil, observing their dissemination strategies and analyzing how they debate, disseminate, exhibit, preserve and commercialize digital art. All these instruments allows to think the digital art in the exposition circuit, reflecting on the observations analyzed around FILE. Thus, the proposal of this dissertation is intended to bring a contribution to the field of history, theory and critical of contemporary art through a study based on recent changes in society, provided by communication, science and technology, which reflects in the relationship between the public, work, artists, institutions and expositive circuits.O objetivo desta pesquisa é discutir o circuito expositivo da arte digital na contemporaneidade, verificando como se articula a arte digital, quais são suas particularidades e como se insere no circuito da arte. Este percurso tem como base as experiências vivenciadas no FILE (Festival Internacional de Linguagem Eletrônica), nas edições São Paulo 2010 e Porto Alegre 2011, além das visitas realizadas ao seu ambiente virtual. Este é o evento mais representativo do gênero, no Brasil e na América Latina, um festival com projeção internacional. Ao tecer uma pesquisa sobre arte, utiliza-se uma abordagem qualitativa. Isto se estabelece a partir de um levantamento bibliográfico; da pesquisa de campo aos espaços in loco e ambientes virtuais do FILE; de entrevistas, com uma das idealizadoras do evento, Paula Perissinotto, e alguns artistas que se destacaram no percurso do festival, entre eles, Anna Barros, Guto Nóbrega e Yara Guasque; além de uma pesquisa pelos ambientes virtuais de outros espaços e festivais que movimentam o circuito expositivo da arte digital. Também são realizadas visitas a alguns dos principais eventos que discutem a produção no Brasil, observando suas estratégias de disseminação e analisando como debatem, expõem, preservam e comercializam a arte digital. Todos estes instrumentos permitem pensar a arte digital no circuito expositivo em torno do FILE. Assim, a proposta desta dissertação tem a intenção de trazer uma contribuição para o campo da história, teoria e crítica da arte contemporânea, por meio de um estudo baseado nas mudanças recentes na sociedade, proporcionadas pela comunicação, ciência e tecnologia, as quais refletem nas relações entre público, obras, artistas, instituições e circuitos de exposição.Coordenação de Aperfeiçoamento de Pessoal de Nível Superiorapplication/pdfporUniversidade Federal de Santa MariaPrograma de Pós-Graduação em Artes VisuaisUFSMBRArtesArte contemporâneaArte digitalCircuito expositivoMídias digitaisContemporary artDigital artExpositive circuitDigital mediaCNPQ::LINGUISTICA, LETRAS E ARTES::ARTESArte digital e circuito expositivo: um curto em torno do fileDigital art and expositive circuit: a "short" around the fileinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisSantos, Nara Cristinahttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4723509P8Fragoso, Maria Luiza Pinheiro Guimarãeshttp://lattes.cnpq.br/6228855946764716Brites, Blanca Luzhttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4783359E0http://lattes.cnpq.br/1722113830390578Gasparetto, Débora Aita8003000000064003003003003009b26ec9e-36a8-4a53-bfc7-cc636fb71f412f4fd464-14d5-4a61-8b30-677d55d0587a2fdbb008-db61-461f-be39-480dfa2cc186e38c0338-4465-433b-8115-0a6b99e4eeefinfo:eu-repo/semantics/openAccessreponame:Manancial - Repositório Digital da UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMORIGINALGASPARETTO, DEBORA AITA.pdfapplication/pdf3862474http://repositorio.ufsm.br/bitstream/1/5209/1/GASPARETTO%2c%20DEBORA%20AITA.pdf87fda766d9f1ec34465550b69dc0569bMD51TEXTGASPARETTO, DEBORA AITA.pdf.txtGASPARETTO, DEBORA AITA.pdf.txtExtracted texttext/plain435464http://repositorio.ufsm.br/bitstream/1/5209/2/GASPARETTO%2c%20DEBORA%20AITA.pdf.txt0e1470cc04c17012df6d07adcd169198MD52THUMBNAILGASPARETTO, DEBORA AITA.pdf.jpgGASPARETTO, DEBORA AITA.pdf.jpgIM Thumbnailimage/jpeg4415http://repositorio.ufsm.br/bitstream/1/5209/3/GASPARETTO%2c%20DEBORA%20AITA.pdf.jpg5e5867cdaf3856928c0814bbf6ad8032MD531/52092022-01-12 15:17:30.062oai:repositorio.ufsm.br:1/5209Repositório Institucionalhttp://repositorio.ufsm.br/PUBhttp://repositorio.ufsm.br/oai/requestopendoar:39132022-01-12T18:17:30Manancial - Repositório Digital da UFSM - Universidade Federal de Santa Maria (UFSM)false |
dc.title.por.fl_str_mv |
Arte digital e circuito expositivo: um curto em torno do file |
dc.title.alternative.eng.fl_str_mv |
Digital art and expositive circuit: a "short" around the file |
title |
Arte digital e circuito expositivo: um curto em torno do file |
spellingShingle |
Arte digital e circuito expositivo: um curto em torno do file Gasparetto, Débora Aita Arte contemporânea Arte digital Circuito expositivo Mídias digitais Contemporary art Digital art Expositive circuit Digital media CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
title_short |
Arte digital e circuito expositivo: um curto em torno do file |
title_full |
Arte digital e circuito expositivo: um curto em torno do file |
title_fullStr |
Arte digital e circuito expositivo: um curto em torno do file |
title_full_unstemmed |
Arte digital e circuito expositivo: um curto em torno do file |
title_sort |
Arte digital e circuito expositivo: um curto em torno do file |
author |
Gasparetto, Débora Aita |
author_facet |
Gasparetto, Débora Aita |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Santos, Nara Cristina |
dc.contributor.advisor1Lattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4723509P8 |
dc.contributor.referee1.fl_str_mv |
Fragoso, Maria Luiza Pinheiro Guimarães |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/6228855946764716 |
dc.contributor.referee2.fl_str_mv |
Brites, Blanca Luz |
dc.contributor.referee2Lattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4783359E0 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/1722113830390578 |
dc.contributor.author.fl_str_mv |
Gasparetto, Débora Aita |
contributor_str_mv |
Santos, Nara Cristina Fragoso, Maria Luiza Pinheiro Guimarães Brites, Blanca Luz |
dc.subject.por.fl_str_mv |
Arte contemporânea Arte digital Circuito expositivo Mídias digitais |
topic |
Arte contemporânea Arte digital Circuito expositivo Mídias digitais Contemporary art Digital art Expositive circuit Digital media CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
dc.subject.eng.fl_str_mv |
Contemporary art Digital art Expositive circuit Digital media |
dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
description |
The objective of this research is to discuss the expositive circuit of digital art in contemporaneity, verifying how digital art is articulated, what its particularities are and how it fits in the art circuit. This route is based on the experiences in FILE (Electronic Language International Festival), in the São Paulo 2010 and Porto Alegre 2011 editions, in addition to visits to its virtual environment. This is the most representative event of its kind in Brazil and Latin America, a festival with international projection, which allows discussing the matter. To develop a research about art, it is used a qualitative approach. This is established from a literature survey; field research on spaces in loco and virtual environments of the FILE; interviews with one of the idealizers of the event, Paula Perissinotto, and some artists who have excelled in the course of the festival, among them, Anna Barros, Guto Nobrega and Yara Guasque; in addition to a research by the virtual environments of other spaces and festivals that move the exposition circuit of digital art. Are also conducted visits to some of the major events that discuss the production in Brazil, observing their dissemination strategies and analyzing how they debate, disseminate, exhibit, preserve and commercialize digital art. All these instruments allows to think the digital art in the exposition circuit, reflecting on the observations analyzed around FILE. Thus, the proposal of this dissertation is intended to bring a contribution to the field of history, theory and critical of contemporary art through a study based on recent changes in society, provided by communication, science and technology, which reflects in the relationship between the public, work, artists, institutions and expositive circuits. |
publishDate |
2012 |
dc.date.issued.fl_str_mv |
2012-03-29 |
dc.date.accessioned.fl_str_mv |
2013-05-20 |
dc.date.available.fl_str_mv |
2013-05-20 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
GASPARETTO, Débora Aita. DIGITAL ART AND EXPOSITIVE CIRCUIT: A "SHORT" AROUND THE FILE. 2012. 191 f. Dissertação (Mestrado em Artes) - Universidade Federal de Santa Maria, Santa Maria, 2012. |
dc.identifier.uri.fl_str_mv |
http://repositorio.ufsm.br/handle/1/5209 |
identifier_str_mv |
GASPARETTO, Débora Aita. DIGITAL ART AND EXPOSITIVE CIRCUIT: A "SHORT" AROUND THE FILE. 2012. 191 f. Dissertação (Mestrado em Artes) - Universidade Federal de Santa Maria, Santa Maria, 2012. |
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http://repositorio.ufsm.br/handle/1/5209 |
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