Uma leitura do feminino nos romances de José Saramago
Autor(a) principal: | |
---|---|
Data de Publicação: | 2022 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Repositório Institucional Manancial UFSM |
Texto Completo: | http://repositorio.ufsm.br/handle/1/27567 |
Resumo: | The research hereby presented aims to comparatively investigate the female protagonists of two literary works by the Portuguese writer José Saramago: A jangada de pedra (1988) and As intermitências da morte (2005). The analysis focuses mainly on elucidating how the protagonists are represented, respectively, Joana Carda, Maria Guavaira and morte, and how this mechanism serves to build the image of women in these plots and, consequently, how it affects the readers image of women, at the same time the research investigates in what extent this image construction is linked to the stereotypes created for women by the patriarchy. Therefore, I make an individual study of each narrative, analyzing the types of focus, perspectives, figuration devices and figuration elements present in the narratives, and the subsequent comparison of their figuration displays, in order to track thematic approximations and departures that facilitate understanding who these women are, how their images are created, who provides information about them, if there is a pattern in the way they are made, and whether or not they are transgressors of those social roles assigned to women. In this sense, it was imperative to approach the reading exercise focusing on reading as a woman, seeking to relate different voices in the text that contributes to the construction and problematization of the identity of each protagonist. This study is based on theories about reading as a woman, focus, perspectives and character figuration, by researchers Jonathan Culler, Mieke Bal, Ansgar Nüning and Carlos Reis, respectively, through which I trace the representation of the feminine in the two literary works, the similarities and differences between them, the ties that bind them to the social roles that are imposed on them, the responsibilities given to them and the imaginary of the ideal woman that is created in Saramago's literary work. |
id |
UFSM-20_4e45ce30fdeaf23cbfbdb9bbee14653f |
---|---|
oai_identifier_str |
oai:repositorio.ufsm.br:1/27567 |
network_acronym_str |
UFSM-20 |
network_name_str |
Repositório Institucional Manancial UFSM |
repository_id_str |
3913 |
spelling |
2023-01-11T19:47:51Z2023-01-11T19:47:51Z2022-03-31http://repositorio.ufsm.br/handle/1/27567The research hereby presented aims to comparatively investigate the female protagonists of two literary works by the Portuguese writer José Saramago: A jangada de pedra (1988) and As intermitências da morte (2005). The analysis focuses mainly on elucidating how the protagonists are represented, respectively, Joana Carda, Maria Guavaira and morte, and how this mechanism serves to build the image of women in these plots and, consequently, how it affects the readers image of women, at the same time the research investigates in what extent this image construction is linked to the stereotypes created for women by the patriarchy. Therefore, I make an individual study of each narrative, analyzing the types of focus, perspectives, figuration devices and figuration elements present in the narratives, and the subsequent comparison of their figuration displays, in order to track thematic approximations and departures that facilitate understanding who these women are, how their images are created, who provides information about them, if there is a pattern in the way they are made, and whether or not they are transgressors of those social roles assigned to women. In this sense, it was imperative to approach the reading exercise focusing on reading as a woman, seeking to relate different voices in the text that contributes to the construction and problematization of the identity of each protagonist. This study is based on theories about reading as a woman, focus, perspectives and character figuration, by researchers Jonathan Culler, Mieke Bal, Ansgar Nüning and Carlos Reis, respectively, through which I trace the representation of the feminine in the two literary works, the similarities and differences between them, the ties that bind them to the social roles that are imposed on them, the responsibilities given to them and the imaginary of the ideal woman that is created in Saramago's literary work.A pesquisa aqui apresentada tem como objetivo investigar, comparativamente, as personagens femininas protagonistas de duas obras literárias do escritor português José Saramago: A jangada de pedra (1988) e As intermitências da morte (2005). A análise tem como foco, principalmente, a elucidação de como se dá a figuração das protagonistas, respectivamente, Joana Carda, Maria Guavaira e morte; como tal modo serve para construir a imagem da mulher nesses enredos e, consequentemente, aos leitores; e em que medida está ligada aos estereótipos criados pelo patriarcado às mulheres. Para isso, faço o estudo individual de cada romance, analisando os tipos de focalização, perspectivas, elementos e dispositivos de figuração presentes nos textos, e a posterior comparação de suas figurações, no intuito de rastrear aproximações e afastamentos temáticos que facilitem entender quem são essas mulheres, que feminino é esse, como suas imagens são criadas, quem fornece informações sobre elas, se há um padrão no modo como elas são elaboradas, se elas são transgressoras ou não daqueles papéis sociais atribuídos ao feminino. Nesse sentido, foi importante realizar uma análise com foco em ler como uma mulher, buscando relacionar diferentes vozes do texto que contribuem para a construção e a problematização da identidade de cada protagonista. Esse estudo é fundamentado pelas teorias acerca do ler como uma mulher, focalização, perspectivas e figuração das personagens, dos pesquisadores Jonathan Culler, Mieke Bal, Ansgar Nüning e Carlos Reis, respectivamente, pelas quais traço a representação do feminino nas duas obras, as semelhanças e diferenças entre elas, as amarras que as prendem aos papéis sociais que lhes são impostos, as responsabilidades dadas a elas e o imaginário de mulher ideal que é criado na obra saramaguiana.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESporUniversidade Federal de Santa MariaCentro de Artes e LetrasPrograma de Pós-Graduação em LetrasUFSMBrasilLetrasAttribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessPersonagens femininasFocalizaçãoFiguraçãoLer como uma mulherFemale charactersFocalizationFigurationReading as a womanCNPQ::LINGUISTICA, LETRAS E ARTES::LETRASUma leitura do feminino nos romances de José SaramagoA reading the female in the novel of José Saramagoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisAlós, Anselmo Pereshttp://lattes.cnpq.br/4335387854670599Fioruci, Wellington RicardoOliveira, Amanda Laís Jacobsen deVivian, Ilse Maria da RosaOliveira, Raquel Trentinhttp://lattes.cnpq.br/4538071778769952Oliveira, Juliana Prestes de800200000001600600600600600600600f5ae0618-d925-4bad-a6bd-b2614380d3adad18f6e8-8ed6-44f3-b82a-74de1bffc3bb5f30f339-3f19-44e0-b875-a21600377ca827a5e7f6-1ec8-44ac-bb0b-2d35615b924a030b2e45-d3fa-407a-9564-1fc9377ec1ee748d3a19-b32e-4d47-9e23-373597ecd636reponame:Repositório Institucional Manancial UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMORIGINALTES_PPGLETRAS_2022_OLIVEIRA_JULIANA.PDFTES_PPGLETRAS_2022_OLIVEIRA_JULIANA.PDFTese de Doutoradoapplication/pdf1690717http://repositorio.ufsm.br/bitstream/1/27567/1/TES_PPGLETRAS_2022_OLIVEIRA_JULIANA.PDFe2b0587bca9a5f2f5df427ec6c4a9050MD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.ufsm.br/bitstream/1/27567/2/license_rdf4460e5956bc1d1639be9ae6146a50347MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-81956http://repositorio.ufsm.br/bitstream/1/27567/3/license.txt2f0571ecee68693bd5cd3f17c1e075dfMD531/275672023-01-11 16:47:51.298oai:repositorio.ufsm.br:1/27567TElDRU7Dh0EgREUgRElTVFJJQlVJw4fDg08gTsODTy1FWENMVVNJVkEKCkNvbSBhIGFwcmVzZW50YcOnw6NvIGRlc3RhIGxpY2Vuw6dhLCB2b2PDqiAobyBhdXRvciAoZXMpIG91IG8gdGl0dWxhciBkb3MgZGlyZWl0b3MgZGUgYXV0b3IpIGNvbmNlZGUgw6AgVW5pdmVyc2lkYWRlCkZlZGVyYWwgZGUgU2FudGEgTWFyaWEgKFVGU00pIG8gZGlyZWl0byBuw6NvLWV4Y2x1c2l2byBkZSByZXByb2R1emlyLCAgdHJhZHV6aXIgKGNvbmZvcm1lIGRlZmluaWRvIGFiYWl4byksIGUvb3UKZGlzdHJpYnVpciBhIHN1YSB0ZXNlIG91IGRpc3NlcnRhw6fDo28gKGluY2x1aW5kbyBvIHJlc3VtbykgcG9yIHRvZG8gbyBtdW5kbyBubyBmb3JtYXRvIGltcHJlc3NvIGUgZWxldHLDtG5pY28gZQplbSBxdWFscXVlciBtZWlvLCBpbmNsdWluZG8gb3MgZm9ybWF0b3Mgw6F1ZGlvIG91IHbDrWRlby4KClZvY8OqIGNvbmNvcmRhIHF1ZSBhIFVGU00gcG9kZSwgc2VtIGFsdGVyYXIgbyBjb250ZcO6ZG8sIHRyYW5zcG9yIGEgc3VhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbwpwYXJhIHF1YWxxdWVyIG1laW8gb3UgZm9ybWF0byBwYXJhIGZpbnMgZGUgcHJlc2VydmHDp8Ojby4KClZvY8OqIHRhbWLDqW0gY29uY29yZGEgcXVlIGEgVUZTTSBwb2RlIG1hbnRlciBtYWlzIGRlIHVtYSBjw7NwaWEgYSBzdWEgdGVzZSBvdQpkaXNzZXJ0YcOnw6NvIHBhcmEgZmlucyBkZSBzZWd1cmFuw6dhLCBiYWNrLXVwIGUgcHJlc2VydmHDp8Ojby4KClZvY8OqIGRlY2xhcmEgcXVlIGEgc3VhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbyDDqSBvcmlnaW5hbCBlIHF1ZSB2b2PDqiB0ZW0gbyBwb2RlciBkZSBjb25jZWRlciBvcyBkaXJlaXRvcyBjb250aWRvcwpuZXN0YSBsaWNlbsOnYS4gVm9jw6ogdGFtYsOpbSBkZWNsYXJhIHF1ZSBvIGRlcMOzc2l0byBkYSBzdWEgdGVzZSBvdSBkaXNzZXJ0YcOnw6NvIG7Do28sIHF1ZSBzZWphIGRlIHNldQpjb25oZWNpbWVudG8sIGluZnJpbmdlIGRpcmVpdG9zIGF1dG9yYWlzIGRlIG5pbmd1w6ltLgoKQ2FzbyBhIHN1YSB0ZXNlIG91IGRpc3NlcnRhw6fDo28gY29udGVuaGEgbWF0ZXJpYWwgcXVlIHZvY8OqIG7Do28gcG9zc3VpIGEgdGl0dWxhcmlkYWRlIGRvcyBkaXJlaXRvcyBhdXRvcmFpcywgdm9jw6oKZGVjbGFyYSBxdWUgb2J0ZXZlIGEgcGVybWlzc8OjbyBpcnJlc3RyaXRhIGRvIGRldGVudG9yIGRvcyBkaXJlaXRvcyBhdXRvcmFpcyBwYXJhIGNvbmNlZGVyIMOgIFVGU00Kb3MgZGlyZWl0b3MgYXByZXNlbnRhZG9zIG5lc3RhIGxpY2Vuw6dhLCBlIHF1ZSBlc3NlIG1hdGVyaWFsIGRlIHByb3ByaWVkYWRlIGRlIHRlcmNlaXJvcyBlc3TDoSBjbGFyYW1lbnRlCmlkZW50aWZpY2FkbyBlIHJlY29uaGVjaWRvIG5vIHRleHRvIG91IG5vIGNvbnRlw7pkbyBkYSB0ZXNlIG91IGRpc3NlcnRhw6fDo28gb3JhIGRlcG9zaXRhZGEuCgpDQVNPIEEgVEVTRSBPVSBESVNTRVJUQcOHw4NPIE9SQSBERVBPU0lUQURBIFRFTkhBIFNJRE8gUkVTVUxUQURPIERFIFVNIFBBVFJPQ8ONTklPIE9VCkFQT0lPIERFIFVNQSBBR8OKTkNJQSBERSBGT01FTlRPIE9VIE9VVFJPIE9SR0FOSVNNTyBRVUUgTsODTyBTRUpBIEEgVUZTTQosIFZPQ8OKIERFQ0xBUkEgUVVFIFJFU1BFSVRPVSBUT0RPUyBFIFFVQUlTUVVFUiBESVJFSVRPUyBERSBSRVZJU8ODTyBDT01PClRBTULDiU0gQVMgREVNQUlTIE9CUklHQcOHw5VFUyBFWElHSURBUyBQT1IgQ09OVFJBVE8gT1UgQUNPUkRPLgoKQSBVRlNNIHNlIGNvbXByb21ldGUgYSBpZGVudGlmaWNhciBjbGFyYW1lbnRlIG8gc2V1IG5vbWUgKHMpIG91IG8ocykgbm9tZShzKSBkbyhzKQpkZXRlbnRvcihlcykgZG9zIGRpcmVpdG9zIGF1dG9yYWlzIGRhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbywgZSBuw6NvIGZhcsOhIHF1YWxxdWVyIGFsdGVyYcOnw6NvLCBhbMOpbSBkYXF1ZWxhcwpjb25jZWRpZGFzIHBvciBlc3RhIGxpY2Vuw6dhLgoKRepositório Institucionalhttp://repositorio.ufsm.br/PUBhttp://repositorio.ufsm.br/oai/requestouvidoria@ufsm.bropendoar:39132023-01-11T19:47:51Repositório Institucional Manancial UFSM - Universidade Federal de Santa Maria (UFSM)false |
dc.title.por.fl_str_mv |
Uma leitura do feminino nos romances de José Saramago |
dc.title.alternative.eng.fl_str_mv |
A reading the female in the novel of José Saramago |
title |
Uma leitura do feminino nos romances de José Saramago |
spellingShingle |
Uma leitura do feminino nos romances de José Saramago Oliveira, Juliana Prestes de Personagens femininas Focalização Figuração Ler como uma mulher Female characters Focalization Figuration Reading as a woman CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
title_short |
Uma leitura do feminino nos romances de José Saramago |
title_full |
Uma leitura do feminino nos romances de José Saramago |
title_fullStr |
Uma leitura do feminino nos romances de José Saramago |
title_full_unstemmed |
Uma leitura do feminino nos romances de José Saramago |
title_sort |
Uma leitura do feminino nos romances de José Saramago |
author |
Oliveira, Juliana Prestes de |
author_facet |
Oliveira, Juliana Prestes de |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Alós, Anselmo Peres |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/4335387854670599 |
dc.contributor.referee1.fl_str_mv |
Fioruci, Wellington Ricardo |
dc.contributor.referee2.fl_str_mv |
Oliveira, Amanda Laís Jacobsen de |
dc.contributor.referee3.fl_str_mv |
Vivian, Ilse Maria da Rosa |
dc.contributor.referee4.fl_str_mv |
Oliveira, Raquel Trentin |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/4538071778769952 |
dc.contributor.author.fl_str_mv |
Oliveira, Juliana Prestes de |
contributor_str_mv |
Alós, Anselmo Peres Fioruci, Wellington Ricardo Oliveira, Amanda Laís Jacobsen de Vivian, Ilse Maria da Rosa Oliveira, Raquel Trentin |
dc.subject.por.fl_str_mv |
Personagens femininas Focalização Figuração Ler como uma mulher |
topic |
Personagens femininas Focalização Figuração Ler como uma mulher Female characters Focalization Figuration Reading as a woman CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
dc.subject.eng.fl_str_mv |
Female characters Focalization Figuration Reading as a woman |
dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
description |
The research hereby presented aims to comparatively investigate the female protagonists of two literary works by the Portuguese writer José Saramago: A jangada de pedra (1988) and As intermitências da morte (2005). The analysis focuses mainly on elucidating how the protagonists are represented, respectively, Joana Carda, Maria Guavaira and morte, and how this mechanism serves to build the image of women in these plots and, consequently, how it affects the readers image of women, at the same time the research investigates in what extent this image construction is linked to the stereotypes created for women by the patriarchy. Therefore, I make an individual study of each narrative, analyzing the types of focus, perspectives, figuration devices and figuration elements present in the narratives, and the subsequent comparison of their figuration displays, in order to track thematic approximations and departures that facilitate understanding who these women are, how their images are created, who provides information about them, if there is a pattern in the way they are made, and whether or not they are transgressors of those social roles assigned to women. In this sense, it was imperative to approach the reading exercise focusing on reading as a woman, seeking to relate different voices in the text that contributes to the construction and problematization of the identity of each protagonist. This study is based on theories about reading as a woman, focus, perspectives and character figuration, by researchers Jonathan Culler, Mieke Bal, Ansgar Nüning and Carlos Reis, respectively, through which I trace the representation of the feminine in the two literary works, the similarities and differences between them, the ties that bind them to the social roles that are imposed on them, the responsibilities given to them and the imaginary of the ideal woman that is created in Saramago's literary work. |
publishDate |
2022 |
dc.date.issued.fl_str_mv |
2022-03-31 |
dc.date.accessioned.fl_str_mv |
2023-01-11T19:47:51Z |
dc.date.available.fl_str_mv |
2023-01-11T19:47:51Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/doctoralThesis |
format |
doctoralThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://repositorio.ufsm.br/handle/1/27567 |
url |
http://repositorio.ufsm.br/handle/1/27567 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.cnpq.fl_str_mv |
800200000001 |
dc.relation.confidence.fl_str_mv |
600 600 600 600 600 600 600 |
dc.relation.authority.fl_str_mv |
f5ae0618-d925-4bad-a6bd-b2614380d3ad ad18f6e8-8ed6-44f3-b82a-74de1bffc3bb 5f30f339-3f19-44e0-b875-a21600377ca8 27a5e7f6-1ec8-44ac-bb0b-2d35615b924a 030b2e45-d3fa-407a-9564-1fc9377ec1ee 748d3a19-b32e-4d47-9e23-373597ecd636 |
dc.rights.driver.fl_str_mv |
Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria Centro de Artes e Letras |
dc.publisher.program.fl_str_mv |
Programa de Pós-Graduação em Letras |
dc.publisher.initials.fl_str_mv |
UFSM |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Letras |
publisher.none.fl_str_mv |
Universidade Federal de Santa Maria Centro de Artes e Letras |
dc.source.none.fl_str_mv |
reponame:Repositório Institucional Manancial UFSM instname:Universidade Federal de Santa Maria (UFSM) instacron:UFSM |
instname_str |
Universidade Federal de Santa Maria (UFSM) |
instacron_str |
UFSM |
institution |
UFSM |
reponame_str |
Repositório Institucional Manancial UFSM |
collection |
Repositório Institucional Manancial UFSM |
bitstream.url.fl_str_mv |
http://repositorio.ufsm.br/bitstream/1/27567/1/TES_PPGLETRAS_2022_OLIVEIRA_JULIANA.PDF http://repositorio.ufsm.br/bitstream/1/27567/2/license_rdf http://repositorio.ufsm.br/bitstream/1/27567/3/license.txt |
bitstream.checksum.fl_str_mv |
e2b0587bca9a5f2f5df427ec6c4a9050 4460e5956bc1d1639be9ae6146a50347 2f0571ecee68693bd5cd3f17c1e075df |
bitstream.checksumAlgorithm.fl_str_mv |
MD5 MD5 MD5 |
repository.name.fl_str_mv |
Repositório Institucional Manancial UFSM - Universidade Federal de Santa Maria (UFSM) |
repository.mail.fl_str_mv |
ouvidoria@ufsm.br |
_version_ |
1808854724216094720 |