<Caminhar>, <habitar>, <transitar>: processos em artes visuais
Autor(a) principal: | |
---|---|
Data de Publicação: | 2021 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional Manancial UFSM |
Texto Completo: | http://repositorio.ufsm.br/handle/1/25022 |
Resumo: | The present research, carried out in Visual Poetics, seeks to reflect on relationships with personal living environments, from a poetic look at the surroundings, by promoting temporary actions in this context, at different times, and dividing the poetics into three stages, based on the practices of walking, inhabiting and transiting. From the restrictions imposed by the Covid-19 Pandemic, it was possible to perceive everyday situations, linked to a reduced environment, which resulted in the production of three videos. The video <Walk>, captures the displacement, on foot, through urban areas of the city of Santa Maria, and seeks to give continuity to the initial moments of the research before the Pandemic. In the sequence, after the qualification, with the making of the video <Caminhar>, it was possible to continue the other moments of the poetics and bring to light perceptions acquired by social isolation, which revealed the importance of the inhabited environment. This more intimate look generated the video <Habit>, in which photography was used as a first form of contact with the surroundings that made it possible to perceive and value the lived environment and adapt the proposal to the set of available elements. And this gradual approach to the videographic language favored a broader and subjective approach for the elaboration of the video <Transitar>, characterized by variations in the way of presenting the image in movement, with the use of animation and transition in its presentation, by seeking to approach the idea from distinct and constant changes. To build the theoretical basis and approach the concepts worked, the study was based on the thought of authors such as Michel de Certeau (1998), Yi-Fu Tuan (1993), Francesco Careri (2013, 2017), Juhani Pallasmaa (2017), Edmond Couchot (1993, 2007, 2003) and Sandra Rey (1997, 2004, 2007). The video productions, were presented in an online show called "Everyday Actions", which was available for viewing on the author's Youtube channel and social networks and remains accessible on IGTV on Instagram @navarrovalquiria. |
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2022-06-22T19:33:33Z2022-06-22T19:33:33Z2021-05-28http://repositorio.ufsm.br/handle/1/25022The present research, carried out in Visual Poetics, seeks to reflect on relationships with personal living environments, from a poetic look at the surroundings, by promoting temporary actions in this context, at different times, and dividing the poetics into three stages, based on the practices of walking, inhabiting and transiting. From the restrictions imposed by the Covid-19 Pandemic, it was possible to perceive everyday situations, linked to a reduced environment, which resulted in the production of three videos. The video <Walk>, captures the displacement, on foot, through urban areas of the city of Santa Maria, and seeks to give continuity to the initial moments of the research before the Pandemic. In the sequence, after the qualification, with the making of the video <Caminhar>, it was possible to continue the other moments of the poetics and bring to light perceptions acquired by social isolation, which revealed the importance of the inhabited environment. This more intimate look generated the video <Habit>, in which photography was used as a first form of contact with the surroundings that made it possible to perceive and value the lived environment and adapt the proposal to the set of available elements. And this gradual approach to the videographic language favored a broader and subjective approach for the elaboration of the video <Transitar>, characterized by variations in the way of presenting the image in movement, with the use of animation and transition in its presentation, by seeking to approach the idea from distinct and constant changes. To build the theoretical basis and approach the concepts worked, the study was based on the thought of authors such as Michel de Certeau (1998), Yi-Fu Tuan (1993), Francesco Careri (2013, 2017), Juhani Pallasmaa (2017), Edmond Couchot (1993, 2007, 2003) and Sandra Rey (1997, 2004, 2007). The video productions, were presented in an online show called "Everyday Actions", which was available for viewing on the author's Youtube channel and social networks and remains accessible on IGTV on Instagram @navarrovalquiria.A presente pesquisa, realizada em Poéticas Visuais, busca refletir sobre relações com ambientes pessoais de vivência, a partir de um olhar poético para o entorno, ao promover ações temporárias nesse contexto, em diferentes momentos, e dividir a poética em três etapas, com base nas práticas de caminhar, habitar e transitar. A partir das restrições impostas pela Pandemia da Covid-19, foi possível perceber situações cotidianas, vinculadas a um ambiente reduzido, que resultaram na produção de três vídeos. O vídeo <Caminhar>, capta o deslocamento, a pé, por áreas urbanas da cidade de Santa Maria, e busca dar continuidade aos momentos iniciais da pesquisa antes da Pandemia. Na sequência, após a qualificação, com a realização do vídeo <Caminhar>, foi possível dar continuidade aos demais momentos da poética e trazer à tona percepções adquiridas pelo isolamento social, que revelou a importância do ambiente habitado. Esse olhar mais intimista gerou o vídeo <Habitar>, no qual a fotografia foi utilizada como uma forma primeira de contato com o entorno que possibilitou perceber e valorizar o ambiente vivido e adaptar a proposta ao conjunto de elementos disponíveis. E essa aproximação gradual com a linguagem videográfica favoreceu uma abordagem mais ampla e subjetiva para a elaboração do vídeo <Transitar>, caracterizado por variações na forma de apresentar a imagem em movimento, com o uso da animação e transição em sua apresentação, ao procurar abordar a ideia a partir de distintas e constantes alterações. Para construção do aporte teórico e abordagem dos conceitos trabalhados, embasou-se o estudo no pensamento de autores como Michel de Certeau (1998), Yi-Fu Tuan (1993), Francesco Careri (2013, 2017), Juhani Pallasmaa (2017), Edmond Couchot (1993, 2007, 2003) e Sandra Rey (1997, 2004, 2007). As produções em vídeo, foram apresentados em uma mostra on-line denominada “Ações Cotidianas”, a qual esteve disponível para visualização no canal do Youtube e redes sociais da autora e permanece acessível no IGTV do Instagram @navarrovalquiria.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESporUniversidade Federal de Santa MariaCentro de Artes e LetrasPrograma de Pós-Graduação em Artes VisuaisUFSMBrasilArtesAttribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessArte contemporâneaArte e visualidadeProcessos híbridosVídeoAções artísticasContemporary artArt and visualityHybrid processesVideoArtistic actionsCNPQ::LINGUISTICA, LETRAS E ARTES::ARTES<Caminhar>, <habitar>, <transitar>: processos em artes visuais<Walking>, <housing>, <transiting>: processes in visual artsinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisMinuzzi, Reinilda de Fátima Berguenmayerhttp://lattes.cnpq.br/1234650265478193Barachini, TeresinhaSantos, Nara Cristinahttp://lattes.cnpq.br/6459720940564076Navarro, Maria Valquiria de Oliveira800300000006600600600ea790c55-2bc9-49cd-8081-eef3f5d52945e1e4d87b-3eca-4beb-8276-b03f5eb25fc341053ac5-60e8-4e50-83a0-b1ae29e6ef47c4782c02-0d02-4703-b142-7a2e4f6c7788reponame:Repositório Institucional Manancial UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMORIGINALDIS_PPGAV_2021_NAVARRO_MARIA.pdfDIS_PPGAV_2021_NAVARRO_MARIA.pdfDissertação de Mestradoapplication/pdf6487313http://repositorio.ufsm.br/bitstream/1/25022/1/DIS_PPGAV_2021_NAVARRO_MARIA.pdfdd2d3ff61d585f1290b6defd4eaddcf3MD51LICENSElicense.txtlicense.txttext/plain; charset=utf-81956http://repositorio.ufsm.br/bitstream/1/25022/3/license.txt2f0571ecee68693bd5cd3f17c1e075dfMD53CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.ufsm.br/bitstream/1/25022/2/license_rdf4460e5956bc1d1639be9ae6146a50347MD521/250222022-06-22 16:33:34.129oai:repositorio.ufsm.br:1/25022TElDRU7Dh0EgREUgRElTVFJJQlVJw4fDg08gTsODTy1FWENMVVNJVkEKCkNvbSBhIGFwcmVzZW50YcOnw6NvIGRlc3RhIGxpY2Vuw6dhLCB2b2PDqiAobyBhdXRvciAoZXMpIG91IG8gdGl0dWxhciBkb3MgZGlyZWl0b3MgZGUgYXV0b3IpIGNvbmNlZGUgw6AgVW5pdmVyc2lkYWRlCkZlZGVyYWwgZGUgU2FudGEgTWFyaWEgKFVGU00pIG8gZGlyZWl0byBuw6NvLWV4Y2x1c2l2byBkZSByZXByb2R1emlyLCAgdHJhZHV6aXIgKGNvbmZvcm1lIGRlZmluaWRvIGFiYWl4byksIGUvb3UKZGlzdHJpYnVpciBhIHN1YSB0ZXNlIG91IGRpc3NlcnRhw6fDo28gKGluY2x1aW5kbyBvIHJlc3VtbykgcG9yIHRvZG8gbyBtdW5kbyBubyBmb3JtYXRvIGltcHJlc3NvIGUgZWxldHLDtG5pY28gZQplbSBxdWFscXVlciBtZWlvLCBpbmNsdWluZG8gb3MgZm9ybWF0b3Mgw6F1ZGlvIG91IHbDrWRlby4KClZvY8OqIGNvbmNvcmRhIHF1ZSBhIFVGU00gcG9kZSwgc2VtIGFsdGVyYXIgbyBjb250ZcO6ZG8sIHRyYW5zcG9yIGEgc3VhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbwpwYXJhIHF1YWxxdWVyIG1laW8gb3UgZm9ybWF0byBwYXJhIGZpbnMgZGUgcHJlc2VydmHDp8Ojby4KClZvY8OqIHRhbWLDqW0gY29uY29yZGEgcXVlIGEgVUZTTSBwb2RlIG1hbnRlciBtYWlzIGRlIHVtYSBjw7NwaWEgYSBzdWEgdGVzZSBvdQpkaXNzZXJ0YcOnw6NvIHBhcmEgZmlucyBkZSBzZWd1cmFuw6dhLCBiYWNrLXVwIGUgcHJlc2VydmHDp8Ojby4KClZvY8OqIGRlY2xhcmEgcXVlIGEgc3VhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbyDDqSBvcmlnaW5hbCBlIHF1ZSB2b2PDqiB0ZW0gbyBwb2RlciBkZSBjb25jZWRlciBvcyBkaXJlaXRvcyBjb250aWRvcwpuZXN0YSBsaWNlbsOnYS4gVm9jw6ogdGFtYsOpbSBkZWNsYXJhIHF1ZSBvIGRlcMOzc2l0byBkYSBzdWEgdGVzZSBvdSBkaXNzZXJ0YcOnw6NvIG7Do28sIHF1ZSBzZWphIGRlIHNldQpjb25oZWNpbWVudG8sIGluZnJpbmdlIGRpcmVpdG9zIGF1dG9yYWlzIGRlIG5pbmd1w6ltLgoKQ2FzbyBhIHN1YSB0ZXNlIG91IGRpc3NlcnRhw6fDo28gY29udGVuaGEgbWF0ZXJpYWwgcXVlIHZvY8OqIG7Do28gcG9zc3VpIGEgdGl0dWxhcmlkYWRlIGRvcyBkaXJlaXRvcyBhdXRvcmFpcywgdm9jw6oKZGVjbGFyYSBxdWUgb2J0ZXZlIGEgcGVybWlzc8OjbyBpcnJlc3RyaXRhIGRvIGRldGVudG9yIGRvcyBkaXJlaXRvcyBhdXRvcmFpcyBwYXJhIGNvbmNlZGVyIMOgIFVGU00Kb3MgZGlyZWl0b3MgYXByZXNlbnRhZG9zIG5lc3RhIGxpY2Vuw6dhLCBlIHF1ZSBlc3NlIG1hdGVyaWFsIGRlIHByb3ByaWVkYWRlIGRlIHRlcmNlaXJvcyBlc3TDoSBjbGFyYW1lbnRlCmlkZW50aWZpY2FkbyBlIHJlY29uaGVjaWRvIG5vIHRleHRvIG91IG5vIGNvbnRlw7pkbyBkYSB0ZXNlIG91IGRpc3NlcnRhw6fDo28gb3JhIGRlcG9zaXRhZGEuCgpDQVNPIEEgVEVTRSBPVSBESVNTRVJUQcOHw4NPIE9SQSBERVBPU0lUQURBIFRFTkhBIFNJRE8gUkVTVUxUQURPIERFIFVNIFBBVFJPQ8ONTklPIE9VCkFQT0lPIERFIFVNQSBBR8OKTkNJQSBERSBGT01FTlRPIE9VIE9VVFJPIE9SR0FOSVNNTyBRVUUgTsODTyBTRUpBIEEgVUZTTQosIFZPQ8OKIERFQ0xBUkEgUVVFIFJFU1BFSVRPVSBUT0RPUyBFIFFVQUlTUVVFUiBESVJFSVRPUyBERSBSRVZJU8ODTyBDT01PClRBTULDiU0gQVMgREVNQUlTIE9CUklHQcOHw5VFUyBFWElHSURBUyBQT1IgQ09OVFJBVE8gT1UgQUNPUkRPLgoKQSBVRlNNIHNlIGNvbXByb21ldGUgYSBpZGVudGlmaWNhciBjbGFyYW1lbnRlIG8gc2V1IG5vbWUgKHMpIG91IG8ocykgbm9tZShzKSBkbyhzKQpkZXRlbnRvcihlcykgZG9zIGRpcmVpdG9zIGF1dG9yYWlzIGRhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbywgZSBuw6NvIGZhcsOhIHF1YWxxdWVyIGFsdGVyYcOnw6NvLCBhbMOpbSBkYXF1ZWxhcwpjb25jZWRpZGFzIHBvciBlc3RhIGxpY2Vuw6dhLgoKRepositório Institucionalhttp://repositorio.ufsm.br/PUBhttp://repositorio.ufsm.br/oai/requestouvidoria@ufsm.bropendoar:39132022-06-22T19:33:34Repositório Institucional Manancial UFSM - Universidade Federal de Santa Maria (UFSM)false |
dc.title.por.fl_str_mv |
<Caminhar>, <habitar>, <transitar>: processos em artes visuais |
dc.title.alternative.eng.fl_str_mv |
<Walking>, <housing>, <transiting>: processes in visual arts |
title |
<Caminhar>, <habitar>, <transitar>: processos em artes visuais |
spellingShingle |
<Caminhar>, <habitar>, <transitar>: processos em artes visuais Navarro, Maria Valquiria de Oliveira Arte contemporânea Arte e visualidade Processos híbridos Vídeo Ações artísticas Contemporary art Art and visuality Hybrid processes Video Artistic actions CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
title_short |
<Caminhar>, <habitar>, <transitar>: processos em artes visuais |
title_full |
<Caminhar>, <habitar>, <transitar>: processos em artes visuais |
title_fullStr |
<Caminhar>, <habitar>, <transitar>: processos em artes visuais |
title_full_unstemmed |
<Caminhar>, <habitar>, <transitar>: processos em artes visuais |
title_sort |
<Caminhar>, <habitar>, <transitar>: processos em artes visuais |
author |
Navarro, Maria Valquiria de Oliveira |
author_facet |
Navarro, Maria Valquiria de Oliveira |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Minuzzi, Reinilda de Fátima Berguenmayer |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/1234650265478193 |
dc.contributor.referee1.fl_str_mv |
Barachini, Teresinha |
dc.contributor.referee2.fl_str_mv |
Santos, Nara Cristina |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/6459720940564076 |
dc.contributor.author.fl_str_mv |
Navarro, Maria Valquiria de Oliveira |
contributor_str_mv |
Minuzzi, Reinilda de Fátima Berguenmayer Barachini, Teresinha Santos, Nara Cristina |
dc.subject.por.fl_str_mv |
Arte contemporânea Arte e visualidade Processos híbridos Vídeo Ações artísticas |
topic |
Arte contemporânea Arte e visualidade Processos híbridos Vídeo Ações artísticas Contemporary art Art and visuality Hybrid processes Video Artistic actions CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
dc.subject.eng.fl_str_mv |
Contemporary art Art and visuality Hybrid processes Video Artistic actions |
dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
description |
The present research, carried out in Visual Poetics, seeks to reflect on relationships with personal living environments, from a poetic look at the surroundings, by promoting temporary actions in this context, at different times, and dividing the poetics into three stages, based on the practices of walking, inhabiting and transiting. From the restrictions imposed by the Covid-19 Pandemic, it was possible to perceive everyday situations, linked to a reduced environment, which resulted in the production of three videos. The video <Walk>, captures the displacement, on foot, through urban areas of the city of Santa Maria, and seeks to give continuity to the initial moments of the research before the Pandemic. In the sequence, after the qualification, with the making of the video <Caminhar>, it was possible to continue the other moments of the poetics and bring to light perceptions acquired by social isolation, which revealed the importance of the inhabited environment. This more intimate look generated the video <Habit>, in which photography was used as a first form of contact with the surroundings that made it possible to perceive and value the lived environment and adapt the proposal to the set of available elements. And this gradual approach to the videographic language favored a broader and subjective approach for the elaboration of the video <Transitar>, characterized by variations in the way of presenting the image in movement, with the use of animation and transition in its presentation, by seeking to approach the idea from distinct and constant changes. To build the theoretical basis and approach the concepts worked, the study was based on the thought of authors such as Michel de Certeau (1998), Yi-Fu Tuan (1993), Francesco Careri (2013, 2017), Juhani Pallasmaa (2017), Edmond Couchot (1993, 2007, 2003) and Sandra Rey (1997, 2004, 2007). The video productions, were presented in an online show called "Everyday Actions", which was available for viewing on the author's Youtube channel and social networks and remains accessible on IGTV on Instagram @navarrovalquiria. |
publishDate |
2021 |
dc.date.issued.fl_str_mv |
2021-05-28 |
dc.date.accessioned.fl_str_mv |
2022-06-22T19:33:33Z |
dc.date.available.fl_str_mv |
2022-06-22T19:33:33Z |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
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http://repositorio.ufsm.br/handle/1/25022 |
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http://repositorio.ufsm.br/handle/1/25022 |
dc.language.iso.fl_str_mv |
por |
language |
por |
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800300000006 |
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600 600 600 |
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Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ |
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openAccess |
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Universidade Federal de Santa Maria Centro de Artes e Letras |
dc.publisher.program.fl_str_mv |
Programa de Pós-Graduação em Artes Visuais |
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UFSM |
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Brasil |
dc.publisher.department.fl_str_mv |
Artes |
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Universidade Federal de Santa Maria Centro de Artes e Letras |
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