<Caminhar>, <habitar>, <transitar>: processos em artes visuais

Detalhes bibliográficos
Autor(a) principal: Navarro, Maria Valquiria de Oliveira
Data de Publicação: 2021
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional Manancial UFSM
Texto Completo: http://repositorio.ufsm.br/handle/1/25022
Resumo: The present research, carried out in Visual Poetics, seeks to reflect on relationships with personal living environments, from a poetic look at the surroundings, by promoting temporary actions in this context, at different times, and dividing the poetics into three stages, based on the practices of walking, inhabiting and transiting. From the restrictions imposed by the Covid-19 Pandemic, it was possible to perceive everyday situations, linked to a reduced environment, which resulted in the production of three videos. The video <Walk>, captures the displacement, on foot, through urban areas of the city of Santa Maria, and seeks to give continuity to the initial moments of the research before the Pandemic. In the sequence, after the qualification, with the making of the video <Caminhar>, it was possible to continue the other moments of the poetics and bring to light perceptions acquired by social isolation, which revealed the importance of the inhabited environment. This more intimate look generated the video <Habit>, in which photography was used as a first form of contact with the surroundings that made it possible to perceive and value the lived environment and adapt the proposal to the set of available elements. And this gradual approach to the videographic language favored a broader and subjective approach for the elaboration of the video <Transitar>, characterized by variations in the way of presenting the image in movement, with the use of animation and transition in its presentation, by seeking to approach the idea from distinct and constant changes. To build the theoretical basis and approach the concepts worked, the study was based on the thought of authors such as Michel de Certeau (1998), Yi-Fu Tuan (1993), Francesco Careri (2013, 2017), Juhani Pallasmaa (2017), Edmond Couchot (1993, 2007, 2003) and Sandra Rey (1997, 2004, 2007). The video productions, were presented in an online show called "Everyday Actions", which was available for viewing on the author's Youtube channel and social networks and remains accessible on IGTV on Instagram @navarrovalquiria.
id UFSM-20_96996e1652c1cfbb65ee9aaf5606e0ec
oai_identifier_str oai:repositorio.ufsm.br:1/25022
network_acronym_str UFSM-20
network_name_str Repositório Institucional Manancial UFSM
repository_id_str 3913
spelling 2022-06-22T19:33:33Z2022-06-22T19:33:33Z2021-05-28http://repositorio.ufsm.br/handle/1/25022The present research, carried out in Visual Poetics, seeks to reflect on relationships with personal living environments, from a poetic look at the surroundings, by promoting temporary actions in this context, at different times, and dividing the poetics into three stages, based on the practices of walking, inhabiting and transiting. From the restrictions imposed by the Covid-19 Pandemic, it was possible to perceive everyday situations, linked to a reduced environment, which resulted in the production of three videos. The video <Walk>, captures the displacement, on foot, through urban areas of the city of Santa Maria, and seeks to give continuity to the initial moments of the research before the Pandemic. In the sequence, after the qualification, with the making of the video <Caminhar>, it was possible to continue the other moments of the poetics and bring to light perceptions acquired by social isolation, which revealed the importance of the inhabited environment. This more intimate look generated the video <Habit>, in which photography was used as a first form of contact with the surroundings that made it possible to perceive and value the lived environment and adapt the proposal to the set of available elements. And this gradual approach to the videographic language favored a broader and subjective approach for the elaboration of the video <Transitar>, characterized by variations in the way of presenting the image in movement, with the use of animation and transition in its presentation, by seeking to approach the idea from distinct and constant changes. To build the theoretical basis and approach the concepts worked, the study was based on the thought of authors such as Michel de Certeau (1998), Yi-Fu Tuan (1993), Francesco Careri (2013, 2017), Juhani Pallasmaa (2017), Edmond Couchot (1993, 2007, 2003) and Sandra Rey (1997, 2004, 2007). The video productions, were presented in an online show called "Everyday Actions", which was available for viewing on the author's Youtube channel and social networks and remains accessible on IGTV on Instagram @navarrovalquiria.A presente pesquisa, realizada em Poéticas Visuais, busca refletir sobre relações com ambientes pessoais de vivência, a partir de um olhar poético para o entorno, ao promover ações temporárias nesse contexto, em diferentes momentos, e dividir a poética em três etapas, com base nas práticas de caminhar, habitar e transitar. A partir das restrições impostas pela Pandemia da Covid-19, foi possível perceber situações cotidianas, vinculadas a um ambiente reduzido, que resultaram na produção de três vídeos. O vídeo <Caminhar>, capta o deslocamento, a pé, por áreas urbanas da cidade de Santa Maria, e busca dar continuidade aos momentos iniciais da pesquisa antes da Pandemia. Na sequência, após a qualificação, com a realização do vídeo <Caminhar>, foi possível dar continuidade aos demais momentos da poética e trazer à tona percepções adquiridas pelo isolamento social, que revelou a importância do ambiente habitado. Esse olhar mais intimista gerou o vídeo <Habitar>, no qual a fotografia foi utilizada como uma forma primeira de contato com o entorno que possibilitou perceber e valorizar o ambiente vivido e adaptar a proposta ao conjunto de elementos disponíveis. E essa aproximação gradual com a linguagem videográfica favoreceu uma abordagem mais ampla e subjetiva para a elaboração do vídeo <Transitar>, caracterizado por variações na forma de apresentar a imagem em movimento, com o uso da animação e transição em sua apresentação, ao procurar abordar a ideia a partir de distintas e constantes alterações. Para construção do aporte teórico e abordagem dos conceitos trabalhados, embasou-se o estudo no pensamento de autores como Michel de Certeau (1998), Yi-Fu Tuan (1993), Francesco Careri (2013, 2017), Juhani Pallasmaa (2017), Edmond Couchot (1993, 2007, 2003) e Sandra Rey (1997, 2004, 2007). As produções em vídeo, foram apresentados em uma mostra on-line denominada “Ações Cotidianas”, a qual esteve disponível para visualização no canal do Youtube e redes sociais da autora e permanece acessível no IGTV do Instagram @navarrovalquiria.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESporUniversidade Federal de Santa MariaCentro de Artes e LetrasPrograma de Pós-Graduação em Artes VisuaisUFSMBrasilArtesAttribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessArte contemporâneaArte e visualidadeProcessos híbridosVídeoAções artísticasContemporary artArt and visualityHybrid processesVideoArtistic actionsCNPQ::LINGUISTICA, LETRAS E ARTES::ARTES<Caminhar>, <habitar>, <transitar>: processos em artes visuais<Walking>, <housing>, <transiting>: processes in visual artsinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisMinuzzi, Reinilda de Fátima Berguenmayerhttp://lattes.cnpq.br/1234650265478193Barachini, TeresinhaSantos, Nara Cristinahttp://lattes.cnpq.br/6459720940564076Navarro, Maria Valquiria de Oliveira800300000006600600600ea790c55-2bc9-49cd-8081-eef3f5d52945e1e4d87b-3eca-4beb-8276-b03f5eb25fc341053ac5-60e8-4e50-83a0-b1ae29e6ef47c4782c02-0d02-4703-b142-7a2e4f6c7788reponame:Repositório Institucional Manancial UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMORIGINALDIS_PPGAV_2021_NAVARRO_MARIA.pdfDIS_PPGAV_2021_NAVARRO_MARIA.pdfDissertação de Mestradoapplication/pdf6487313http://repositorio.ufsm.br/bitstream/1/25022/1/DIS_PPGAV_2021_NAVARRO_MARIA.pdfdd2d3ff61d585f1290b6defd4eaddcf3MD51LICENSElicense.txtlicense.txttext/plain; charset=utf-81956http://repositorio.ufsm.br/bitstream/1/25022/3/license.txt2f0571ecee68693bd5cd3f17c1e075dfMD53CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.ufsm.br/bitstream/1/25022/2/license_rdf4460e5956bc1d1639be9ae6146a50347MD521/250222022-06-22 16:33:34.129oai:repositorio.ufsm.br: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ório Institucionalhttp://repositorio.ufsm.br/PUBhttp://repositorio.ufsm.br/oai/requestouvidoria@ufsm.bropendoar:39132022-06-22T19:33:34Repositório Institucional Manancial UFSM - Universidade Federal de Santa Maria (UFSM)false
dc.title.por.fl_str_mv <Caminhar>, <habitar>, <transitar>: processos em artes visuais
dc.title.alternative.eng.fl_str_mv <Walking>, <housing>, <transiting>: processes in visual arts
title <Caminhar>, <habitar>, <transitar>: processos em artes visuais
spellingShingle <Caminhar>, <habitar>, <transitar>: processos em artes visuais
Navarro, Maria Valquiria de Oliveira
Arte contemporânea
Arte e visualidade
Processos híbridos
Vídeo
Ações artísticas
Contemporary art
Art and visuality
Hybrid processes
Video
Artistic actions
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES
title_short <Caminhar>, <habitar>, <transitar>: processos em artes visuais
title_full <Caminhar>, <habitar>, <transitar>: processos em artes visuais
title_fullStr <Caminhar>, <habitar>, <transitar>: processos em artes visuais
title_full_unstemmed <Caminhar>, <habitar>, <transitar>: processos em artes visuais
title_sort <Caminhar>, <habitar>, <transitar>: processos em artes visuais
author Navarro, Maria Valquiria de Oliveira
author_facet Navarro, Maria Valquiria de Oliveira
author_role author
dc.contributor.advisor1.fl_str_mv Minuzzi, Reinilda de Fátima Berguenmayer
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/1234650265478193
dc.contributor.referee1.fl_str_mv Barachini, Teresinha
dc.contributor.referee2.fl_str_mv Santos, Nara Cristina
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/6459720940564076
dc.contributor.author.fl_str_mv Navarro, Maria Valquiria de Oliveira
contributor_str_mv Minuzzi, Reinilda de Fátima Berguenmayer
Barachini, Teresinha
Santos, Nara Cristina
dc.subject.por.fl_str_mv Arte contemporânea
Arte e visualidade
Processos híbridos
Vídeo
Ações artísticas
topic Arte contemporânea
Arte e visualidade
Processos híbridos
Vídeo
Ações artísticas
Contemporary art
Art and visuality
Hybrid processes
Video
Artistic actions
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES
dc.subject.eng.fl_str_mv Contemporary art
Art and visuality
Hybrid processes
Video
Artistic actions
dc.subject.cnpq.fl_str_mv CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES
description The present research, carried out in Visual Poetics, seeks to reflect on relationships with personal living environments, from a poetic look at the surroundings, by promoting temporary actions in this context, at different times, and dividing the poetics into three stages, based on the practices of walking, inhabiting and transiting. From the restrictions imposed by the Covid-19 Pandemic, it was possible to perceive everyday situations, linked to a reduced environment, which resulted in the production of three videos. The video <Walk>, captures the displacement, on foot, through urban areas of the city of Santa Maria, and seeks to give continuity to the initial moments of the research before the Pandemic. In the sequence, after the qualification, with the making of the video <Caminhar>, it was possible to continue the other moments of the poetics and bring to light perceptions acquired by social isolation, which revealed the importance of the inhabited environment. This more intimate look generated the video <Habit>, in which photography was used as a first form of contact with the surroundings that made it possible to perceive and value the lived environment and adapt the proposal to the set of available elements. And this gradual approach to the videographic language favored a broader and subjective approach for the elaboration of the video <Transitar>, characterized by variations in the way of presenting the image in movement, with the use of animation and transition in its presentation, by seeking to approach the idea from distinct and constant changes. To build the theoretical basis and approach the concepts worked, the study was based on the thought of authors such as Michel de Certeau (1998), Yi-Fu Tuan (1993), Francesco Careri (2013, 2017), Juhani Pallasmaa (2017), Edmond Couchot (1993, 2007, 2003) and Sandra Rey (1997, 2004, 2007). The video productions, were presented in an online show called "Everyday Actions", which was available for viewing on the author's Youtube channel and social networks and remains accessible on IGTV on Instagram @navarrovalquiria.
publishDate 2021
dc.date.issued.fl_str_mv 2021-05-28
dc.date.accessioned.fl_str_mv 2022-06-22T19:33:33Z
dc.date.available.fl_str_mv 2022-06-22T19:33:33Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://repositorio.ufsm.br/handle/1/25022
url http://repositorio.ufsm.br/handle/1/25022
dc.language.iso.fl_str_mv por
language por
dc.relation.cnpq.fl_str_mv 800300000006
dc.relation.confidence.fl_str_mv 600
600
600
dc.relation.authority.fl_str_mv ea790c55-2bc9-49cd-8081-eef3f5d52945
e1e4d87b-3eca-4beb-8276-b03f5eb25fc3
41053ac5-60e8-4e50-83a0-b1ae29e6ef47
c4782c02-0d02-4703-b142-7a2e4f6c7788
dc.rights.driver.fl_str_mv Attribution-NonCommercial-NoDerivatives 4.0 International
http://creativecommons.org/licenses/by-nc-nd/4.0/
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Attribution-NonCommercial-NoDerivatives 4.0 International
http://creativecommons.org/licenses/by-nc-nd/4.0/
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
Centro de Artes e Letras
dc.publisher.program.fl_str_mv Programa de Pós-Graduação em Artes Visuais
dc.publisher.initials.fl_str_mv UFSM
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Artes
publisher.none.fl_str_mv Universidade Federal de Santa Maria
Centro de Artes e Letras
dc.source.none.fl_str_mv reponame:Repositório Institucional Manancial UFSM
instname:Universidade Federal de Santa Maria (UFSM)
instacron:UFSM
instname_str Universidade Federal de Santa Maria (UFSM)
instacron_str UFSM
institution UFSM
reponame_str Repositório Institucional Manancial UFSM
collection Repositório Institucional Manancial UFSM
bitstream.url.fl_str_mv http://repositorio.ufsm.br/bitstream/1/25022/1/DIS_PPGAV_2021_NAVARRO_MARIA.pdf
http://repositorio.ufsm.br/bitstream/1/25022/3/license.txt
http://repositorio.ufsm.br/bitstream/1/25022/2/license_rdf
bitstream.checksum.fl_str_mv dd2d3ff61d585f1290b6defd4eaddcf3
2f0571ecee68693bd5cd3f17c1e075df
4460e5956bc1d1639be9ae6146a50347
bitstream.checksumAlgorithm.fl_str_mv MD5
MD5
MD5
repository.name.fl_str_mv Repositório Institucional Manancial UFSM - Universidade Federal de Santa Maria (UFSM)
repository.mail.fl_str_mv ouvidoria@ufsm.br
_version_ 1808854698065657856