O corpo feminino como metáfora do tempo em performance arte
Autor(a) principal: | |
---|---|
Data de Publicação: | 2019 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Manancial - Repositório Digital da UFSM |
Texto Completo: | http://repositorio.ufsm.br/handle/1/19097 |
Resumo: | The present dissertation discusses the research developed in PPGART / CAL of the Federal University of Santa Maria (UFSM), in Visual Poetics in Contemporary Art, inserted in the research line Art and Culture and also in the research group Performances: art and culture, linked to CNPQ. The purpose of the study is to create Performances that discuss gender issues from the poetics of the passage of time in the female body. The choice of working with this artistic manifestation is due to Performance Art as having one of its characteristics the subversion of latent and energetic social issues. In this context, besides the artistic reference of performers, the theorists Cohen, Phellan and Taylor supported and sedimentary the performative actions in their theoretical-practical aspects. To deepen the study on time, the author was based mainly on discussions proposed by the authors Ricoeur and Candau. In addition, the methodological procedures of the research sought subsidies in field research through a self-ethnographic bias, in order to bring the researcher closer to the experiences of other women. In this context, the material collected worked as a stimulus for the creation of artistic Performances. In her work, the artist brought the cycles of the female body as the guiding thread of the research, addressing issues related to menarche, pregnancy, childbirth, puerperium and the consumption of birth control pills. From the reports of women about the above moments, the Diane, Yasmin, Regulada, Rubra Fluidez and Mãe Performances were created and their creative processes are exposed throughout the text. Through her poetics, the author questions how cultural issues affect these feminine bodies from a feminist bias bringing authors like Ribeiro, Beauvoir and Davis to the discussion. Thus, the research entitled "The female body as a metaphor of time in Performance Art," seeks to place women as protagonists through an artistic work that values their experiences. |
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2019-12-04T15:52:40Z2019-12-04T15:52:40Z2019-03-29http://repositorio.ufsm.br/handle/1/19097The present dissertation discusses the research developed in PPGART / CAL of the Federal University of Santa Maria (UFSM), in Visual Poetics in Contemporary Art, inserted in the research line Art and Culture and also in the research group Performances: art and culture, linked to CNPQ. The purpose of the study is to create Performances that discuss gender issues from the poetics of the passage of time in the female body. The choice of working with this artistic manifestation is due to Performance Art as having one of its characteristics the subversion of latent and energetic social issues. In this context, besides the artistic reference of performers, the theorists Cohen, Phellan and Taylor supported and sedimentary the performative actions in their theoretical-practical aspects. To deepen the study on time, the author was based mainly on discussions proposed by the authors Ricoeur and Candau. In addition, the methodological procedures of the research sought subsidies in field research through a self-ethnographic bias, in order to bring the researcher closer to the experiences of other women. In this context, the material collected worked as a stimulus for the creation of artistic Performances. In her work, the artist brought the cycles of the female body as the guiding thread of the research, addressing issues related to menarche, pregnancy, childbirth, puerperium and the consumption of birth control pills. From the reports of women about the above moments, the Diane, Yasmin, Regulada, Rubra Fluidez and Mãe Performances were created and their creative processes are exposed throughout the text. Through her poetics, the author questions how cultural issues affect these feminine bodies from a feminist bias bringing authors like Ribeiro, Beauvoir and Davis to the discussion. Thus, the research entitled "The female body as a metaphor of time in Performance Art," seeks to place women as protagonists through an artistic work that values their experiences.O presente texto dissertativo refere-se à pesquisa desenvolvida no PPGART/CAL da Universidade Federal de Santa Maria (UFSM), em Poéticas Visuais na Arte Contemporânea, inserida na linha de pesquisa Arte e Cultura. O objetivo do estudo consiste na criação de Performances que discutam questões de gênero a partir da poética da passagem do tempo no corpo feminino. A escolha de trabalhar com essa manifestação artística deve-se à Performance Arte ter como uma de suas características a subversão de questões sociais latentes e enrigecidas. Nesse contexto, além do referencial artístico de performers, os teóricos Cohen, Phellan e Taylor embasaram e sedimentaram as ações performativas nos seus aspectos teórico-práticos. O estudo sobre tempo baseou-se especialmente em discussões propostas pelos autores Ricoeur e Candau. No que se refere aos procedimentos metodológicos desta investigação, buscou-se subsídios na pesquisa de campo por um viés autoetnográfico, a fim de aproximar a pesquisadora das experiências de outras mulheres. Neste contexto, o material recolhido contribuiu para a tessitura das Performances artísticas. Neste trabalho, os ciclos do corpo feminino foram o fio condutor da pesquisa, abordando questões referentes a menarca, gravidez, parto, puerpério e o consumo de pílulas anticoncepcionais. A partir do relato de mulheres sobre os momentos supracitados, foram criadas as Performances Regulada, Rubra Fluidez e Mãe, cujos processos criadores são expostos ao longo do texto dissertativo. Na poética desenvolvida, a pergunta central recai sobre como questões culturais afetam esses corpos femininos a partir de um viés feminista, trazendo autoras como Ribeiro, Beauvoir e Davis para a discussão. Sendo assim, a pesquisa, intitulada “O corpo feminino como metáfora do tempo em Performance Arte”, busca colocar mulheres como protagonistas deste contexto sociocultural aflorado pelas histórias de vida sensivelmente compartilhadas em campo. A partilha transbordou, enfim, para o fazer artístico aqui materializado, buscando valorizar as experiências reunidas ao longo dos dois anos do mestrado.Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPqporUniversidade Federal de Santa MariaCentro de Artes e LetrasPrograma de Pós-Graduação em Artes VisuaisUFSMBrasilArtesAttribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessArte contemporâneaArte e culturaPerformanceFemininoTempoContemporary artArt and culturePerformanceFemaleTimeCNPQ::LINGUISTICA, LETRAS E ARTES::ARTESO corpo feminino como metáfora do tempo em performance arteThe feminine body as metaphor of time in performance artinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisBiancalana, Gisela Reishttp://lattes.cnpq.br/0704025010266511Vilela, Lilian Freitashttp://lattes.cnpq.br/7956226280721131Corrêa, Helgahttp://lattes.cnpq.br/4382607878188343http://lattes.cnpq.br/0078692453456292Santos, Camila Matzenauer dos800300000006600b866c3a4-a184-4c0e-b8d9-aadde1cd91e4518714ff-4cd0-4ff3-b990-21b6bf9572f9885ab186-aede-4882-b79a-2361edbc8cd24ed3a5aa-3c8c-4d75-a0fb-9796b0f7063ereponame:Manancial - Repositório Digital da UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMORIGINALDIS_PPGAV_2019_SANTOS_CAMILA.pdfDIS_PPGAV_2019_SANTOS_CAMILA.pdfDissertação de Mestradoapplication/pdf3340591http://repositorio.ufsm.br/bitstream/1/19097/1/DIS_PPGAV_2019_SANTOS_CAMILA.pdf4c017da4c9e441de3800a3b8521aee06MD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; 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dc.title.por.fl_str_mv |
O corpo feminino como metáfora do tempo em performance arte |
dc.title.alternative.eng.fl_str_mv |
The feminine body as metaphor of time in performance art |
title |
O corpo feminino como metáfora do tempo em performance arte |
spellingShingle |
O corpo feminino como metáfora do tempo em performance arte Santos, Camila Matzenauer dos Arte contemporânea Arte e cultura Performance Feminino Tempo Contemporary art Art and culture Performance Female Time CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
title_short |
O corpo feminino como metáfora do tempo em performance arte |
title_full |
O corpo feminino como metáfora do tempo em performance arte |
title_fullStr |
O corpo feminino como metáfora do tempo em performance arte |
title_full_unstemmed |
O corpo feminino como metáfora do tempo em performance arte |
title_sort |
O corpo feminino como metáfora do tempo em performance arte |
author |
Santos, Camila Matzenauer dos |
author_facet |
Santos, Camila Matzenauer dos |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Biancalana, Gisela Reis |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/0704025010266511 |
dc.contributor.referee1.fl_str_mv |
Vilela, Lilian Freitas |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/7956226280721131 |
dc.contributor.referee2.fl_str_mv |
Corrêa, Helga |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/4382607878188343 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/0078692453456292 |
dc.contributor.author.fl_str_mv |
Santos, Camila Matzenauer dos |
contributor_str_mv |
Biancalana, Gisela Reis Vilela, Lilian Freitas Corrêa, Helga |
dc.subject.por.fl_str_mv |
Arte contemporânea Arte e cultura Performance Feminino Tempo |
topic |
Arte contemporânea Arte e cultura Performance Feminino Tempo Contemporary art Art and culture Performance Female Time CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
dc.subject.eng.fl_str_mv |
Contemporary art Art and culture Performance Female Time |
dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
description |
The present dissertation discusses the research developed in PPGART / CAL of the Federal University of Santa Maria (UFSM), in Visual Poetics in Contemporary Art, inserted in the research line Art and Culture and also in the research group Performances: art and culture, linked to CNPQ. The purpose of the study is to create Performances that discuss gender issues from the poetics of the passage of time in the female body. The choice of working with this artistic manifestation is due to Performance Art as having one of its characteristics the subversion of latent and energetic social issues. In this context, besides the artistic reference of performers, the theorists Cohen, Phellan and Taylor supported and sedimentary the performative actions in their theoretical-practical aspects. To deepen the study on time, the author was based mainly on discussions proposed by the authors Ricoeur and Candau. In addition, the methodological procedures of the research sought subsidies in field research through a self-ethnographic bias, in order to bring the researcher closer to the experiences of other women. In this context, the material collected worked as a stimulus for the creation of artistic Performances. In her work, the artist brought the cycles of the female body as the guiding thread of the research, addressing issues related to menarche, pregnancy, childbirth, puerperium and the consumption of birth control pills. From the reports of women about the above moments, the Diane, Yasmin, Regulada, Rubra Fluidez and Mãe Performances were created and their creative processes are exposed throughout the text. Through her poetics, the author questions how cultural issues affect these feminine bodies from a feminist bias bringing authors like Ribeiro, Beauvoir and Davis to the discussion. Thus, the research entitled "The female body as a metaphor of time in Performance Art," seeks to place women as protagonists through an artistic work that values their experiences. |
publishDate |
2019 |
dc.date.accessioned.fl_str_mv |
2019-12-04T15:52:40Z |
dc.date.available.fl_str_mv |
2019-12-04T15:52:40Z |
dc.date.issued.fl_str_mv |
2019-03-29 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
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http://repositorio.ufsm.br/handle/1/19097 |
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http://repositorio.ufsm.br/handle/1/19097 |
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por |
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por |
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800300000006 |
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600 |
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Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ |
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openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria Centro de Artes e Letras |
dc.publisher.program.fl_str_mv |
Programa de Pós-Graduação em Artes Visuais |
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UFSM |
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Brasil |
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Artes |
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Universidade Federal de Santa Maria Centro de Artes e Letras |
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