O corpo feminino como metáfora do tempo em performance arte

Detalhes bibliográficos
Autor(a) principal: Santos, Camila Matzenauer dos
Data de Publicação: 2019
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Manancial - Repositório Digital da UFSM
Texto Completo: http://repositorio.ufsm.br/handle/1/19097
Resumo: The present dissertation discusses the research developed in PPGART / CAL of the Federal University of Santa Maria (UFSM), in Visual Poetics in Contemporary Art, inserted in the research line Art and Culture and also in the research group Performances: art and culture, linked to CNPQ. The purpose of the study is to create Performances that discuss gender issues from the poetics of the passage of time in the female body. The choice of working with this artistic manifestation is due to Performance Art as having one of its characteristics the subversion of latent and energetic social issues. In this context, besides the artistic reference of performers, the theorists Cohen, Phellan and Taylor supported and sedimentary the performative actions in their theoretical-practical aspects. To deepen the study on time, the author was based mainly on discussions proposed by the authors Ricoeur and Candau. In addition, the methodological procedures of the research sought subsidies in field research through a self-ethnographic bias, in order to bring the researcher closer to the experiences of other women. In this context, the material collected worked as a stimulus for the creation of artistic Performances. In her work, the artist brought the cycles of the female body as the guiding thread of the research, addressing issues related to menarche, pregnancy, childbirth, puerperium and the consumption of birth control pills. From the reports of women about the above moments, the Diane, Yasmin, Regulada, Rubra Fluidez and Mãe Performances were created and their creative processes are exposed throughout the text. Through her poetics, the author questions how cultural issues affect these feminine bodies from a feminist bias bringing authors like Ribeiro, Beauvoir and Davis to the discussion. Thus, the research entitled "The female body as a metaphor of time in Performance Art," seeks to place women as protagonists through an artistic work that values their experiences.
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spelling 2019-12-04T15:52:40Z2019-12-04T15:52:40Z2019-03-29http://repositorio.ufsm.br/handle/1/19097The present dissertation discusses the research developed in PPGART / CAL of the Federal University of Santa Maria (UFSM), in Visual Poetics in Contemporary Art, inserted in the research line Art and Culture and also in the research group Performances: art and culture, linked to CNPQ. The purpose of the study is to create Performances that discuss gender issues from the poetics of the passage of time in the female body. The choice of working with this artistic manifestation is due to Performance Art as having one of its characteristics the subversion of latent and energetic social issues. In this context, besides the artistic reference of performers, the theorists Cohen, Phellan and Taylor supported and sedimentary the performative actions in their theoretical-practical aspects. To deepen the study on time, the author was based mainly on discussions proposed by the authors Ricoeur and Candau. In addition, the methodological procedures of the research sought subsidies in field research through a self-ethnographic bias, in order to bring the researcher closer to the experiences of other women. In this context, the material collected worked as a stimulus for the creation of artistic Performances. In her work, the artist brought the cycles of the female body as the guiding thread of the research, addressing issues related to menarche, pregnancy, childbirth, puerperium and the consumption of birth control pills. From the reports of women about the above moments, the Diane, Yasmin, Regulada, Rubra Fluidez and Mãe Performances were created and their creative processes are exposed throughout the text. Through her poetics, the author questions how cultural issues affect these feminine bodies from a feminist bias bringing authors like Ribeiro, Beauvoir and Davis to the discussion. Thus, the research entitled "The female body as a metaphor of time in Performance Art," seeks to place women as protagonists through an artistic work that values their experiences.O presente texto dissertativo refere-se à pesquisa desenvolvida no PPGART/CAL da Universidade Federal de Santa Maria (UFSM), em Poéticas Visuais na Arte Contemporânea, inserida na linha de pesquisa Arte e Cultura. O objetivo do estudo consiste na criação de Performances que discutam questões de gênero a partir da poética da passagem do tempo no corpo feminino. A escolha de trabalhar com essa manifestação artística deve-se à Performance Arte ter como uma de suas características a subversão de questões sociais latentes e enrigecidas. Nesse contexto, além do referencial artístico de performers, os teóricos Cohen, Phellan e Taylor embasaram e sedimentaram as ações performativas nos seus aspectos teórico-práticos. O estudo sobre tempo baseou-se especialmente em discussões propostas pelos autores Ricoeur e Candau. No que se refere aos procedimentos metodológicos desta investigação, buscou-se subsídios na pesquisa de campo por um viés autoetnográfico, a fim de aproximar a pesquisadora das experiências de outras mulheres. Neste contexto, o material recolhido contribuiu para a tessitura das Performances artísticas. Neste trabalho, os ciclos do corpo feminino foram o fio condutor da pesquisa, abordando questões referentes a menarca, gravidez, parto, puerpério e o consumo de pílulas anticoncepcionais. A partir do relato de mulheres sobre os momentos supracitados, foram criadas as Performances Regulada, Rubra Fluidez e Mãe, cujos processos criadores são expostos ao longo do texto dissertativo. Na poética desenvolvida, a pergunta central recai sobre como questões culturais afetam esses corpos femininos a partir de um viés feminista, trazendo autoras como Ribeiro, Beauvoir e Davis para a discussão. Sendo assim, a pesquisa, intitulada “O corpo feminino como metáfora do tempo em Performance Arte”, busca colocar mulheres como protagonistas deste contexto sociocultural aflorado pelas histórias de vida sensivelmente compartilhadas em campo. A partilha transbordou, enfim, para o fazer artístico aqui materializado, buscando valorizar as experiências reunidas ao longo dos dois anos do mestrado.Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPqporUniversidade Federal de Santa MariaCentro de Artes e LetrasPrograma de Pós-Graduação em Artes VisuaisUFSMBrasilArtesAttribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessArte contemporâneaArte e culturaPerformanceFemininoTempoContemporary artArt and culturePerformanceFemaleTimeCNPQ::LINGUISTICA, LETRAS E ARTES::ARTESO corpo feminino como metáfora do tempo em performance arteThe feminine body as metaphor of time in performance artinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisBiancalana, Gisela Reishttp://lattes.cnpq.br/0704025010266511Vilela, Lilian Freitashttp://lattes.cnpq.br/7956226280721131Corrêa, Helgahttp://lattes.cnpq.br/4382607878188343http://lattes.cnpq.br/0078692453456292Santos, Camila Matzenauer dos800300000006600b866c3a4-a184-4c0e-b8d9-aadde1cd91e4518714ff-4cd0-4ff3-b990-21b6bf9572f9885ab186-aede-4882-b79a-2361edbc8cd24ed3a5aa-3c8c-4d75-a0fb-9796b0f7063ereponame:Manancial - Repositório Digital da UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMORIGINALDIS_PPGAV_2019_SANTOS_CAMILA.pdfDIS_PPGAV_2019_SANTOS_CAMILA.pdfDissertação de Mestradoapplication/pdf3340591http://repositorio.ufsm.br/bitstream/1/19097/1/DIS_PPGAV_2019_SANTOS_CAMILA.pdf4c017da4c9e441de3800a3b8521aee06MD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; 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dc.title.por.fl_str_mv O corpo feminino como metáfora do tempo em performance arte
dc.title.alternative.eng.fl_str_mv The feminine body as metaphor of time in performance art
title O corpo feminino como metáfora do tempo em performance arte
spellingShingle O corpo feminino como metáfora do tempo em performance arte
Santos, Camila Matzenauer dos
Arte contemporânea
Arte e cultura
Performance
Feminino
Tempo
Contemporary art
Art and culture
Performance
Female
Time
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES
title_short O corpo feminino como metáfora do tempo em performance arte
title_full O corpo feminino como metáfora do tempo em performance arte
title_fullStr O corpo feminino como metáfora do tempo em performance arte
title_full_unstemmed O corpo feminino como metáfora do tempo em performance arte
title_sort O corpo feminino como metáfora do tempo em performance arte
author Santos, Camila Matzenauer dos
author_facet Santos, Camila Matzenauer dos
author_role author
dc.contributor.advisor1.fl_str_mv Biancalana, Gisela Reis
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/0704025010266511
dc.contributor.referee1.fl_str_mv Vilela, Lilian Freitas
dc.contributor.referee1Lattes.fl_str_mv http://lattes.cnpq.br/7956226280721131
dc.contributor.referee2.fl_str_mv Corrêa, Helga
dc.contributor.referee2Lattes.fl_str_mv http://lattes.cnpq.br/4382607878188343
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/0078692453456292
dc.contributor.author.fl_str_mv Santos, Camila Matzenauer dos
contributor_str_mv Biancalana, Gisela Reis
Vilela, Lilian Freitas
Corrêa, Helga
dc.subject.por.fl_str_mv Arte contemporânea
Arte e cultura
Performance
Feminino
Tempo
topic Arte contemporânea
Arte e cultura
Performance
Feminino
Tempo
Contemporary art
Art and culture
Performance
Female
Time
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES
dc.subject.eng.fl_str_mv Contemporary art
Art and culture
Performance
Female
Time
dc.subject.cnpq.fl_str_mv CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES
description The present dissertation discusses the research developed in PPGART / CAL of the Federal University of Santa Maria (UFSM), in Visual Poetics in Contemporary Art, inserted in the research line Art and Culture and also in the research group Performances: art and culture, linked to CNPQ. The purpose of the study is to create Performances that discuss gender issues from the poetics of the passage of time in the female body. The choice of working with this artistic manifestation is due to Performance Art as having one of its characteristics the subversion of latent and energetic social issues. In this context, besides the artistic reference of performers, the theorists Cohen, Phellan and Taylor supported and sedimentary the performative actions in their theoretical-practical aspects. To deepen the study on time, the author was based mainly on discussions proposed by the authors Ricoeur and Candau. In addition, the methodological procedures of the research sought subsidies in field research through a self-ethnographic bias, in order to bring the researcher closer to the experiences of other women. In this context, the material collected worked as a stimulus for the creation of artistic Performances. In her work, the artist brought the cycles of the female body as the guiding thread of the research, addressing issues related to menarche, pregnancy, childbirth, puerperium and the consumption of birth control pills. From the reports of women about the above moments, the Diane, Yasmin, Regulada, Rubra Fluidez and Mãe Performances were created and their creative processes are exposed throughout the text. Through her poetics, the author questions how cultural issues affect these feminine bodies from a feminist bias bringing authors like Ribeiro, Beauvoir and Davis to the discussion. Thus, the research entitled "The female body as a metaphor of time in Performance Art," seeks to place women as protagonists through an artistic work that values their experiences.
publishDate 2019
dc.date.accessioned.fl_str_mv 2019-12-04T15:52:40Z
dc.date.available.fl_str_mv 2019-12-04T15:52:40Z
dc.date.issued.fl_str_mv 2019-03-29
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url http://repositorio.ufsm.br/handle/1/19097
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language por
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dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
Centro de Artes e Letras
dc.publisher.program.fl_str_mv Programa de Pós-Graduação em Artes Visuais
dc.publisher.initials.fl_str_mv UFSM
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Artes
publisher.none.fl_str_mv Universidade Federal de Santa Maria
Centro de Artes e Letras
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