Francisco Braga e Sua Música para o Violoncelo

Detalhes bibliográficos
Autor(a) principal: Ferrari, Ângela Maria
Data de Publicação: 2018
Tipo de documento: Tese
Idioma: por
Título da fonte: Manancial - Repositório Digital da UFSM
Texto Completo: http://repositorio.ufsm.br/handle/1/24033
Resumo: This work presents the cello music written by the Brazilian composer Francisco Braga. In each piece, it was observed aspects such as, the time it was written, different versions, formal structure and tonal harmony. The music already published and the manuscripts were used to gain some knowledge about the composer’s life. Who was Francisco Braga, what we in fact know about him and the reasons to know him better were questions constantly addressed throughout this work. This study took into consideration aspects like the dedication written by the composer, publishers and editors, as well as the words written on the music. Musical and technical aspects were addressed in order to relate Francisco Braga’s cello compositions with the technical issues inherent to the cello. Thus, it was possible with Braga’s opus for the cello to investigate topics like, fingerings, bow strokes, position changes, vibrato, timbre, tempos, dynamics and phrasing. The Etudes used for teaching the cello and Braga’s pieces were related to discuss and exemplify musical and technical issues. Finally, the music for the cello by Francisco Braga provided a reflection about the practice carried out by the researcher as Professor of the Music Department and responsible for the Bachelor's degree in Cello Performance at the Universidade Federal de Santa Maria – UFSM.
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spelling 2022-04-07T11:12:14Z2022-04-07T11:12:14Z2018http://repositorio.ufsm.br/handle/1/24033This work presents the cello music written by the Brazilian composer Francisco Braga. In each piece, it was observed aspects such as, the time it was written, different versions, formal structure and tonal harmony. The music already published and the manuscripts were used to gain some knowledge about the composer’s life. Who was Francisco Braga, what we in fact know about him and the reasons to know him better were questions constantly addressed throughout this work. This study took into consideration aspects like the dedication written by the composer, publishers and editors, as well as the words written on the music. Musical and technical aspects were addressed in order to relate Francisco Braga’s cello compositions with the technical issues inherent to the cello. Thus, it was possible with Braga’s opus for the cello to investigate topics like, fingerings, bow strokes, position changes, vibrato, timbre, tempos, dynamics and phrasing. The Etudes used for teaching the cello and Braga’s pieces were related to discuss and exemplify musical and technical issues. Finally, the music for the cello by Francisco Braga provided a reflection about the practice carried out by the researcher as Professor of the Music Department and responsible for the Bachelor's degree in Cello Performance at the Universidade Federal de Santa Maria – UFSM.Este trabalho apresenta a obra para violoncelo do compositor brasileiro Francisco Braga. Em cada música estudada, observou-se época em que foi escrita, diferentes versões, estrutura formal e harmônica, etc. Por meio das peças publicadas como também dos manuscritos buscouse saber um pouco mais da vida do compositor. Quem foi Francisco Braga, o que dele sabemos e a razão de conhece-lo melhor foram perguntas que permearam este trabalho. Para tal, levouse em consideração dedicatórias, editores e editoras, dizeres escritos nas partituras. Pensou-se igualmente na inserção das mesmas no ensino do violoncelo. Questões de habilidades físicas e musicais foram abordadas e procurou-se unir música a problemas técnicos pertinentes ao violoncelo. Sendo assim, a partir das músicas de Braga, tópicos como, dedilhados, golpes de arco, mudanças de posição, vibrato e timbre foram discutidos. Andamentos, dinâmicas, fraseados, fatores estes inerentes ao discurso musical, foram analisados. Traçou-se relações entre os estudos técnicos empregados no ensino do violoncelo com diversas passagens das peças de Braga. Por fim, o estudo da música para violoncelo de Francisco Braga proporcionou reflexão acerca da própria prática profissional exercida pela pesquisadora como professora do Departamento de Música e responsável pelo Bacharelado em Violoncelo da Universidade Federal de Santa Maria – UFSM.porUniversidade Federal de Santa MariaCentro de Artes e LetrasPrograma de Pós-Graduação em Artes VisuaisUFSMBrasilArtesAttribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessViolonceloMúsica de repertórioEstudosViolonceloMusical repertoireStudiesCNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::MUSICAFrancisco Braga e Sua Música para o ViolonceloFrancisco Braga And His Music For The Celloinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisAquino, Felipe Avellar deSilva, Ursula da RosaBellochio, Cláudia RibeiroLoss, Andréhttp://lattes.cnpq.br/1503104465449684Ferrari, Ângela Maria800300300005600600600600600600065ef1d0-3a0d-4b7a-b6be-cfe7f380576c08e0ce33-5275-4795-bfef-053e58adc835ee52e0b1-b81a-4184-88eb-773372d711d53a501125-1ac8-44ce-b022-97638a4278867733884e-039d-4050-8198-94ba0ed2f892reponame:Manancial - Repositório Digital da UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMORIGINALTese_Prof_titular_Francisco_Braga_2018.pdfTese_Prof_titular_Francisco_Braga_2018.pdfTese Professor Titularapplication/pdf8008243http://repositorio.ufsm.br/bitstream/1/24033/1/Tese_Prof_titular_Francisco_Braga_2018.pdfb218224ec20f625caaed0e3ad8e48d4aMD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.ufsm.br/bitstream/1/24033/2/license_rdf4460e5956bc1d1639be9ae6146a50347MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-81956http://repositorio.ufsm.br/bitstream/1/24033/3/license.txt2f0571ecee68693bd5cd3f17c1e075dfMD531/240332022-08-11 13:04:50.699oai:repositorio.ufsm.br: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ório Institucionalhttp://repositorio.ufsm.br/PUBhttp://repositorio.ufsm.br/oai/requestopendoar:39132022-08-11T16:04:50Manancial - Repositório Digital da UFSM - Universidade Federal de Santa Maria (UFSM)false
dc.title.por.fl_str_mv Francisco Braga e Sua Música para o Violoncelo
dc.title.alternative.eng.fl_str_mv Francisco Braga And His Music For The Cello
title Francisco Braga e Sua Música para o Violoncelo
spellingShingle Francisco Braga e Sua Música para o Violoncelo
Ferrari, Ângela Maria
Violoncelo
Música de repertório
Estudos
Violoncelo
Musical repertoire
Studies
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::MUSICA
title_short Francisco Braga e Sua Música para o Violoncelo
title_full Francisco Braga e Sua Música para o Violoncelo
title_fullStr Francisco Braga e Sua Música para o Violoncelo
title_full_unstemmed Francisco Braga e Sua Música para o Violoncelo
title_sort Francisco Braga e Sua Música para o Violoncelo
author Ferrari, Ângela Maria
author_facet Ferrari, Ângela Maria
author_role author
dc.contributor.referee1.fl_str_mv Aquino, Felipe Avellar de
dc.contributor.referee2.fl_str_mv Silva, Ursula da Rosa
dc.contributor.referee3.fl_str_mv Bellochio, Cláudia Ribeiro
dc.contributor.referee4.fl_str_mv Loss, André
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/1503104465449684
dc.contributor.author.fl_str_mv Ferrari, Ângela Maria
contributor_str_mv Aquino, Felipe Avellar de
Silva, Ursula da Rosa
Bellochio, Cláudia Ribeiro
Loss, André
dc.subject.por.fl_str_mv Violoncelo
Música de repertório
Estudos
topic Violoncelo
Música de repertório
Estudos
Violoncelo
Musical repertoire
Studies
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::MUSICA
dc.subject.eng.fl_str_mv Violoncelo
Musical repertoire
Studies
dc.subject.cnpq.fl_str_mv CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::MUSICA
description This work presents the cello music written by the Brazilian composer Francisco Braga. In each piece, it was observed aspects such as, the time it was written, different versions, formal structure and tonal harmony. The music already published and the manuscripts were used to gain some knowledge about the composer’s life. Who was Francisco Braga, what we in fact know about him and the reasons to know him better were questions constantly addressed throughout this work. This study took into consideration aspects like the dedication written by the composer, publishers and editors, as well as the words written on the music. Musical and technical aspects were addressed in order to relate Francisco Braga’s cello compositions with the technical issues inherent to the cello. Thus, it was possible with Braga’s opus for the cello to investigate topics like, fingerings, bow strokes, position changes, vibrato, timbre, tempos, dynamics and phrasing. The Etudes used for teaching the cello and Braga’s pieces were related to discuss and exemplify musical and technical issues. Finally, the music for the cello by Francisco Braga provided a reflection about the practice carried out by the researcher as Professor of the Music Department and responsible for the Bachelor's degree in Cello Performance at the Universidade Federal de Santa Maria – UFSM.
publishDate 2018
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url http://repositorio.ufsm.br/handle/1/24033
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http://creativecommons.org/licenses/by-nc-nd/4.0/
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dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
Centro de Artes e Letras
dc.publisher.program.fl_str_mv Programa de Pós-Graduação em Artes Visuais
dc.publisher.initials.fl_str_mv UFSM
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Artes
publisher.none.fl_str_mv Universidade Federal de Santa Maria
Centro de Artes e Letras
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