A “reinvenção” da cultura gaúcha: na alma e na voz dos cantautores
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Manancial - Repositório Digital da UFSM |
Texto Completo: | http://repositorio.ufsm.br/handle/1/24653 |
Resumo: | This analysis and research has as its theme and objective to progress in the understanding of the development process of the Gaucho culture in modern days, from a vision that has its outline in the artistic scope. In other words, through research, I pursue to examine the characteristics, the meanings and the tensions that shape this process in order to reveal what is, in fact, its own. Thus, I develop an ethnography of a ritual that is very characteristic of contemporary Rio Grande do Sul culture. However, before reaching the ethnographic description of the immersion festival to compose Taipa's songs, in order to overcome the superficiality of spontaneous perception of the facts, I chose to develop a concept of culture and two categories of emic inspiration that allowed me to articulate the level of practices, relate songs and immersion festivals with the most abstract and historical level of culture. From this, it was possible to identify in the interior of this broader process of development of the gaucho culture in contemporaneity, the emergence of a process that relates contemporaneity, singers and immersion festivals, through a problem posed by the gaucho culture regarding the expansion of its reach. As a result of this process being characterized by the reproduction of culture from its transformation, I call it cultural reinvention. My hypothesis is that the Taipa festival and its innovative creations, added to the creation of an festival of immersion by women composers, represent an answer to this problem. In this sense, the development process of the Gaucho culture in contemporary times, in regard to its artistic scope, seems to be characterized and singularized by the emergence of this process of cultural reinvention.. |
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A “reinvenção” da cultura gaúcha: na alma e na voz dos cantautoresThe "reinvention" of the gaúcha culture: in the soul and in the voice of the cantautoresCultura gaúchaContemporaneidadeIlexlandiaCantautoresReinvençãoGaúcha cultureContemporaneityIlexlandiaCantautoresReinventionCNPQ::CIENCIAS HUMANAS::SOCIOLOGIAThis analysis and research has as its theme and objective to progress in the understanding of the development process of the Gaucho culture in modern days, from a vision that has its outline in the artistic scope. In other words, through research, I pursue to examine the characteristics, the meanings and the tensions that shape this process in order to reveal what is, in fact, its own. Thus, I develop an ethnography of a ritual that is very characteristic of contemporary Rio Grande do Sul culture. However, before reaching the ethnographic description of the immersion festival to compose Taipa's songs, in order to overcome the superficiality of spontaneous perception of the facts, I chose to develop a concept of culture and two categories of emic inspiration that allowed me to articulate the level of practices, relate songs and immersion festivals with the most abstract and historical level of culture. From this, it was possible to identify in the interior of this broader process of development of the gaucho culture in contemporaneity, the emergence of a process that relates contemporaneity, singers and immersion festivals, through a problem posed by the gaucho culture regarding the expansion of its reach. As a result of this process being characterized by the reproduction of culture from its transformation, I call it cultural reinvention. My hypothesis is that the Taipa festival and its innovative creations, added to the creation of an festival of immersion by women composers, represent an answer to this problem. In this sense, the development process of the Gaucho culture in contemporary times, in regard to its artistic scope, seems to be characterized and singularized by the emergence of this process of cultural reinvention..Esta reflexão e pesquisa tem como seu tema e objetivo avançar na compreensão do processo de desenvolvimento da cultura gaúcha na contemporaneidade, a partir de um recorte que tem no âmbito artístico o seu contorno. Ou seja, através da pesquisa, busco examinar as características, os sentidos em jogo, as tensões que conformam tal processo a fim de revelar o que dele é próprio. Para tanto, desenvolvo uma etnografia de um ritual muito característico da cultura gaúcha na contemporaneidade. Todavia, antes de chegar à descrição etnográfica do festival de imersão para composição de canções da Taipa, a fim de superar a superficialidade da percepção espontânea dos fatos, optei por desenvolver um conceito de cultura e duas categorias de inspiração êmica (Cantautores e Ilexlandia) que me permitiram articular o nível das práticas, relacionadas às canções e aos festivais de imersão, com o nível mais abstrato e histórico da cultura. A partir disso foi possível identificar no interior desse processo mais amplo de desenvolvimento da cultura gaúcha na contemporaneidade a emergência de um processo que relaciona a contemporaneidade, os Cantautores e os festivais de imersão, através de um problema colocado pela cultura gaúcha relativo à ampliação do seu alcance. Em função desse processo se caracterizar pela reprodução da cultura a partir da sua transformação, eu o qualifico de reinvenção cultural. Minha hipótese é que o festival da Taipa com suas criações inovadoras e à criação de um festival de imersão por mulheres compositoras, configuram uma resposta a esse problema. Nesse sentido, o processo de desenvolvimento da cultura gaúcha na contemporaneidade, no que diz respeito ao seu âmbito artístico, parece se caracterizar e se singularizar pela emergência desse processo de reinvenção cultural.Universidade Federal de Santa MariaBrasilSociologiaUFSMPrograma de Pós-Graduação em Ciências SociaisCentro de Ciências Sociais e HumanasBrum, Ceres Karamhttp://lattes.cnpq.br/4090748487764411Howes Neto, GuilhermeZanini, Maria Catarina ChitolinaCurvello, André Foletto2022-06-07T18:58:48Z2022-06-07T18:58:48Z2021-09-03info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttp://repositorio.ufsm.br/handle/1/24653porAttribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessreponame:Manancial - Repositório Digital da UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSM2022-06-07T18:58:48Zoai:repositorio.ufsm.br:1/24653Biblioteca Digital de Teses e Dissertaçõeshttps://repositorio.ufsm.br/ONGhttps://repositorio.ufsm.br/oai/requestatendimento.sib@ufsm.br||tedebc@gmail.comopendoar:2022-06-07T18:58:48Manancial - Repositório Digital da UFSM - Universidade Federal de Santa Maria (UFSM)false |
dc.title.none.fl_str_mv |
A “reinvenção” da cultura gaúcha: na alma e na voz dos cantautores The "reinvention" of the gaúcha culture: in the soul and in the voice of the cantautores |
title |
A “reinvenção” da cultura gaúcha: na alma e na voz dos cantautores |
spellingShingle |
A “reinvenção” da cultura gaúcha: na alma e na voz dos cantautores Curvello, André Foletto Cultura gaúcha Contemporaneidade Ilexlandia Cantautores Reinvenção Gaúcha culture Contemporaneity Ilexlandia Cantautores Reinvention CNPQ::CIENCIAS HUMANAS::SOCIOLOGIA |
title_short |
A “reinvenção” da cultura gaúcha: na alma e na voz dos cantautores |
title_full |
A “reinvenção” da cultura gaúcha: na alma e na voz dos cantautores |
title_fullStr |
A “reinvenção” da cultura gaúcha: na alma e na voz dos cantautores |
title_full_unstemmed |
A “reinvenção” da cultura gaúcha: na alma e na voz dos cantautores |
title_sort |
A “reinvenção” da cultura gaúcha: na alma e na voz dos cantautores |
author |
Curvello, André Foletto |
author_facet |
Curvello, André Foletto |
author_role |
author |
dc.contributor.none.fl_str_mv |
Brum, Ceres Karam http://lattes.cnpq.br/4090748487764411 Howes Neto, Guilherme Zanini, Maria Catarina Chitolina |
dc.contributor.author.fl_str_mv |
Curvello, André Foletto |
dc.subject.por.fl_str_mv |
Cultura gaúcha Contemporaneidade Ilexlandia Cantautores Reinvenção Gaúcha culture Contemporaneity Ilexlandia Cantautores Reinvention CNPQ::CIENCIAS HUMANAS::SOCIOLOGIA |
topic |
Cultura gaúcha Contemporaneidade Ilexlandia Cantautores Reinvenção Gaúcha culture Contemporaneity Ilexlandia Cantautores Reinvention CNPQ::CIENCIAS HUMANAS::SOCIOLOGIA |
description |
This analysis and research has as its theme and objective to progress in the understanding of the development process of the Gaucho culture in modern days, from a vision that has its outline in the artistic scope. In other words, through research, I pursue to examine the characteristics, the meanings and the tensions that shape this process in order to reveal what is, in fact, its own. Thus, I develop an ethnography of a ritual that is very characteristic of contemporary Rio Grande do Sul culture. However, before reaching the ethnographic description of the immersion festival to compose Taipa's songs, in order to overcome the superficiality of spontaneous perception of the facts, I chose to develop a concept of culture and two categories of emic inspiration that allowed me to articulate the level of practices, relate songs and immersion festivals with the most abstract and historical level of culture. From this, it was possible to identify in the interior of this broader process of development of the gaucho culture in contemporaneity, the emergence of a process that relates contemporaneity, singers and immersion festivals, through a problem posed by the gaucho culture regarding the expansion of its reach. As a result of this process being characterized by the reproduction of culture from its transformation, I call it cultural reinvention. My hypothesis is that the Taipa festival and its innovative creations, added to the creation of an festival of immersion by women composers, represent an answer to this problem. In this sense, the development process of the Gaucho culture in contemporary times, in regard to its artistic scope, seems to be characterized and singularized by the emergence of this process of cultural reinvention.. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-09-03 2022-06-07T18:58:48Z 2022-06-07T18:58:48Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://repositorio.ufsm.br/handle/1/24653 |
url |
http://repositorio.ufsm.br/handle/1/24653 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.rights.driver.fl_str_mv |
Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria Brasil Sociologia UFSM Programa de Pós-Graduação em Ciências Sociais Centro de Ciências Sociais e Humanas |
publisher.none.fl_str_mv |
Universidade Federal de Santa Maria Brasil Sociologia UFSM Programa de Pós-Graduação em Ciências Sociais Centro de Ciências Sociais e Humanas |
dc.source.none.fl_str_mv |
reponame:Manancial - Repositório Digital da UFSM instname:Universidade Federal de Santa Maria (UFSM) instacron:UFSM |
instname_str |
Universidade Federal de Santa Maria (UFSM) |
instacron_str |
UFSM |
institution |
UFSM |
reponame_str |
Manancial - Repositório Digital da UFSM |
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Manancial - Repositório Digital da UFSM |
repository.name.fl_str_mv |
Manancial - Repositório Digital da UFSM - Universidade Federal de Santa Maria (UFSM) |
repository.mail.fl_str_mv |
atendimento.sib@ufsm.br||tedebc@gmail.com |
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1805922120293679104 |