“Para encher os olhos”: identidades e representações culturais das rainhas e princesas do clube Treze de Maio de Santa Maria no jornal A Razão (1960-1980)
Autor(a) principal: | |
---|---|
Data de Publicação: | 2017 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações do UFSM |
Texto Completo: | http://repositorio.ufsm.br/handle/1/11634 |
Resumo: | The present thesis bridges questions regarding type, race and class, with the objective of carrying out a cultural analysis, at the centre of which are the queens and princesses of the beauty contests carried out by the Treze de Maio Club, in the city of Saint Maria, Rio Grande do Sul, in the decades of 1960, 1970 and 1980. This research is anchored in the theory of culture according to Raymond Williams – the cultural hypothesis of structures of feeling and three levels of the culture: lived culture, recorded culture and the culture of selective tradition in order to talk about the space given to these women in the social column of the newspaper A Razão, given that fact that it is a vehicle of communication that selects cultural traditions. Our investigation is carried out in the context of qualitative inquiry, with a theory and methodology based on what Williams called his "position": cultural materialism. Results of our analyses point toward the selection of a ―desirable femininity‖, in addition to the segregation between women from "downtown" and women from "the neighbourhood" as well as between black women and white women, thus showing the racist and segregationist hallmark of Santa Maria society and the newspaper A Razão. In an attempt to decolonize our thinking, our investigation includes theories offered by black intellectuals like Sueli Carneiro, Angela Davis, Kimberlé Crenshaw, Lélia Gonzalez, Bell Hooks and Neusa Santos Souza. This allowed to us to identify several forms of combined or mutually intercrossed oppression within the Black club and the wider Santa Maria society. Our study is also anchored in the concepts of identity and representation according to Stuart Hall. The Treze de Maio Club represented a second home and a place for the affirmation of the "race". It was there that these queens and princesses built friendships and secured lifelong commitments, romantic relationships, engagements and marriages, all in a constant, persistent incentive toward the reconstruction of the Black couple and the ideal Black family, the Treze de Maio family. |
id |
UFSM_3329d11cda6b4d86fdbc96c6dca8f3a2 |
---|---|
oai_identifier_str |
oai:repositorio.ufsm.br:1/11634 |
network_acronym_str |
UFSM |
network_name_str |
Biblioteca Digital de Teses e Dissertações do UFSM |
repository_id_str |
|
spelling |
2017-09-11T14:23:38Z2017-09-11T14:23:38Z2017-01-16http://repositorio.ufsm.br/handle/1/11634The present thesis bridges questions regarding type, race and class, with the objective of carrying out a cultural analysis, at the centre of which are the queens and princesses of the beauty contests carried out by the Treze de Maio Club, in the city of Saint Maria, Rio Grande do Sul, in the decades of 1960, 1970 and 1980. This research is anchored in the theory of culture according to Raymond Williams – the cultural hypothesis of structures of feeling and three levels of the culture: lived culture, recorded culture and the culture of selective tradition in order to talk about the space given to these women in the social column of the newspaper A Razão, given that fact that it is a vehicle of communication that selects cultural traditions. Our investigation is carried out in the context of qualitative inquiry, with a theory and methodology based on what Williams called his "position": cultural materialism. Results of our analyses point toward the selection of a ―desirable femininity‖, in addition to the segregation between women from "downtown" and women from "the neighbourhood" as well as between black women and white women, thus showing the racist and segregationist hallmark of Santa Maria society and the newspaper A Razão. In an attempt to decolonize our thinking, our investigation includes theories offered by black intellectuals like Sueli Carneiro, Angela Davis, Kimberlé Crenshaw, Lélia Gonzalez, Bell Hooks and Neusa Santos Souza. This allowed to us to identify several forms of combined or mutually intercrossed oppression within the Black club and the wider Santa Maria society. Our study is also anchored in the concepts of identity and representation according to Stuart Hall. The Treze de Maio Club represented a second home and a place for the affirmation of the "race". It was there that these queens and princesses built friendships and secured lifelong commitments, romantic relationships, engagements and marriages, all in a constant, persistent incentive toward the reconstruction of the Black couple and the ideal Black family, the Treze de Maio family.O presente estudo articula questões de gênero, raça e classe com o objetivo de realizar uma análise cultural em que são centrais as rainhas e princesas dos certames de beleza realizado pelo Clube Treze de Maio, da cidade de Santa Maria, Rio Grande do Sul, nas décadas de 1960, 1970 e 1980. A pesquisa ancora-se na teoria da cultura de Raymond Williams – a hipótese cultural de estruturas de sentimento e os três níveis da cultura: cultura vivida, a cultura registrada e a cultura da tradição seletiva para discutir qual era o espaço dado àquelas mulheres na coluna social do jornal A Razão, já que se trata de um veículo de comunicação que seleciona as tradições culturais. A investigação inscreve-se no âmbito da pesquisa qualitativa, cujo percurso teórico-metodológico se fundamenta no que Williams chamou de sua ―posição‖, o materialismo cultural. Como resultado das análises se aponta a seleção do ―feminino desejável‖, bem como a segregação entre as mulheres do ―centro‖ e as mulheres do ―bairro‖ e entre as mulheres negras e as mulheres brancas, evidenciando o cunho racista e segregacionista da sociedade santa-mariense e do jornal A Razão. Na tentativa de descolonizar o pensamento a investigação alia-se às teorias preconizadas por intelectuais negras como Sueli Carneiro, Angela Davis, Kimberlé Crenshaw, Lélia Gonzalez, bell hooks, Neusa Santos Souza, o que nos permitiu perceber as várias formas de opressões combinadas ou entrecruzadas no interior do clube negro e na sociedade santa-mariense. Essa investigação ancora-se, ainda, nos conceitos de identidade e representação de Stuart Hall. O Clube Treze de Maio representava a segunda casa e o lugar de afirmação da ―raça‖. Era lá que as rainhas e princesas construíam amizades, firmavam compromissos para vida, namoros, noivados, casamentos, num constante incentivo à reconstrução do par negro e na persistência por um ideal de família negra, a família Treze de Maio.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESporUniversidade Federal de Santa MariaCentro de Ciências Sociais e HumanasPrograma de Pós-Graduação em ComunicaçãoUFSMBrasilComunicaçãoAttribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessEstudos culturaisMídia e racismoRainhas negrasFeminismo negro interseccionalClube Treze de MaioCultural studiesMedia and racismBlack queensBlack intersectional feminismTreze de Maio ClubCNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO“Para encher os olhos”: identidades e representações culturais das rainhas e princesas do clube Treze de Maio de Santa Maria no jornal A Razão (1960-1980)“To fill your eyes”: the identities and cultural representations of queens and princesses from the Santa Maria Treze de Maio club in the newspaper A Razão (1960-1980)info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisMoraes, Ana Luiza Coirohttp://lattes.cnpq.br/2128947342307031Escosteguy, Ana Carolina Damboriarenahttp://lattes.cnpq.br/9828116606137239Lisboa Filho, Flavi Ferreirahttp://lattes.cnpq.br/9962424591141586Siqueira, Maria de Lourdeshttp://lattes.cnpq.br/0537392766694036Machado, Sátira Pereirahttp://lattes.cnpq.br/2940552424054556http://lattes.cnpq.br/9076251806577555Escobar, Giane Vargas600900000008600600aecf7df1-8561-4e5e-bfc1-1d21da9e5926517a2b5c-4d72-4ab9-a399-b9caadf858352fa69247-8d64-4306-b1a0-948ffd74e729795bcebc-0553-43f2-bd50-4ed81eff9e9077956439-9193-4421-8faf-57776d244f3a2c5e62e0-f3cd-4d8e-a042-2d8f19180328reponame:Biblioteca Digital de Teses e Dissertações do UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMORIGINALEscobar, Giane Vargas.pdfEscobar, Giane Vargas.pdfTese de Doutoradoapplication/pdf8275413http://repositorio.ufsm.br/bitstream/1/11634/1/Escobar%2c%20Giane%20Vargas.pdff99187df07d4caaab8986d5ec9aabeddMD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8804http://repositorio.ufsm.br/bitstream/1/11634/2/license_rdfc1efe8e24d7281448e873be30ea326ffMD52LICENSElicense.txtlicense.txttext/plain; charset=utf-81956http://repositorio.ufsm.br/bitstream/1/11634/3/license.txt2f0571ecee68693bd5cd3f17c1e075dfMD53TEXTEscobar, Giane Vargas.pdf.txtEscobar, Giane Vargas.pdf.txtExtracted texttext/plain898112http://repositorio.ufsm.br/bitstream/1/11634/4/Escobar%2c%20Giane%20Vargas.pdf.txtac6bce8300394683de31da28932f50d5MD54THUMBNAILEscobar, Giane Vargas.pdf.jpgEscobar, Giane Vargas.pdf.jpgIM Thumbnailimage/jpeg4553http://repositorio.ufsm.br/bitstream/1/11634/5/Escobar%2c%20Giane%20Vargas.pdf.jpg91d67501356ceaf70f3bde79a12c3d15MD551/116342017-09-11 11:23:38.261oai:repositorio.ufsm.br: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 Digital de Teses e Dissertaçõeshttps://repositorio.ufsm.br/ONGhttps://repositorio.ufsm.br/oai/requestatendimento.sib@ufsm.br||tedebc@gmail.comopendoar:2017-09-11T14:23:38Biblioteca Digital de Teses e Dissertações do UFSM - Universidade Federal de Santa Maria (UFSM)false |
dc.title.por.fl_str_mv |
“Para encher os olhos”: identidades e representações culturais das rainhas e princesas do clube Treze de Maio de Santa Maria no jornal A Razão (1960-1980) |
dc.title.alternative.eng.fl_str_mv |
“To fill your eyes”: the identities and cultural representations of queens and princesses from the Santa Maria Treze de Maio club in the newspaper A Razão (1960-1980) |
title |
“Para encher os olhos”: identidades e representações culturais das rainhas e princesas do clube Treze de Maio de Santa Maria no jornal A Razão (1960-1980) |
spellingShingle |
“Para encher os olhos”: identidades e representações culturais das rainhas e princesas do clube Treze de Maio de Santa Maria no jornal A Razão (1960-1980) Escobar, Giane Vargas Estudos culturais Mídia e racismo Rainhas negras Feminismo negro interseccional Clube Treze de Maio Cultural studies Media and racism Black queens Black intersectional feminism Treze de Maio Club CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
title_short |
“Para encher os olhos”: identidades e representações culturais das rainhas e princesas do clube Treze de Maio de Santa Maria no jornal A Razão (1960-1980) |
title_full |
“Para encher os olhos”: identidades e representações culturais das rainhas e princesas do clube Treze de Maio de Santa Maria no jornal A Razão (1960-1980) |
title_fullStr |
“Para encher os olhos”: identidades e representações culturais das rainhas e princesas do clube Treze de Maio de Santa Maria no jornal A Razão (1960-1980) |
title_full_unstemmed |
“Para encher os olhos”: identidades e representações culturais das rainhas e princesas do clube Treze de Maio de Santa Maria no jornal A Razão (1960-1980) |
title_sort |
“Para encher os olhos”: identidades e representações culturais das rainhas e princesas do clube Treze de Maio de Santa Maria no jornal A Razão (1960-1980) |
author |
Escobar, Giane Vargas |
author_facet |
Escobar, Giane Vargas |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Moraes, Ana Luiza Coiro |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/2128947342307031 |
dc.contributor.referee1.fl_str_mv |
Escosteguy, Ana Carolina Damboriarena |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/9828116606137239 |
dc.contributor.referee2.fl_str_mv |
Lisboa Filho, Flavi Ferreira |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/9962424591141586 |
dc.contributor.referee3.fl_str_mv |
Siqueira, Maria de Lourdes |
dc.contributor.referee3Lattes.fl_str_mv |
http://lattes.cnpq.br/0537392766694036 |
dc.contributor.referee4.fl_str_mv |
Machado, Sátira Pereira |
dc.contributor.referee4Lattes.fl_str_mv |
http://lattes.cnpq.br/2940552424054556 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/9076251806577555 |
dc.contributor.author.fl_str_mv |
Escobar, Giane Vargas |
contributor_str_mv |
Moraes, Ana Luiza Coiro Escosteguy, Ana Carolina Damboriarena Lisboa Filho, Flavi Ferreira Siqueira, Maria de Lourdes Machado, Sátira Pereira |
dc.subject.por.fl_str_mv |
Estudos culturais Mídia e racismo Rainhas negras Feminismo negro interseccional Clube Treze de Maio |
topic |
Estudos culturais Mídia e racismo Rainhas negras Feminismo negro interseccional Clube Treze de Maio Cultural studies Media and racism Black queens Black intersectional feminism Treze de Maio Club CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
dc.subject.eng.fl_str_mv |
Cultural studies Media and racism Black queens Black intersectional feminism Treze de Maio Club |
dc.subject.cnpq.fl_str_mv |
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
description |
The present thesis bridges questions regarding type, race and class, with the objective of carrying out a cultural analysis, at the centre of which are the queens and princesses of the beauty contests carried out by the Treze de Maio Club, in the city of Saint Maria, Rio Grande do Sul, in the decades of 1960, 1970 and 1980. This research is anchored in the theory of culture according to Raymond Williams – the cultural hypothesis of structures of feeling and three levels of the culture: lived culture, recorded culture and the culture of selective tradition in order to talk about the space given to these women in the social column of the newspaper A Razão, given that fact that it is a vehicle of communication that selects cultural traditions. Our investigation is carried out in the context of qualitative inquiry, with a theory and methodology based on what Williams called his "position": cultural materialism. Results of our analyses point toward the selection of a ―desirable femininity‖, in addition to the segregation between women from "downtown" and women from "the neighbourhood" as well as between black women and white women, thus showing the racist and segregationist hallmark of Santa Maria society and the newspaper A Razão. In an attempt to decolonize our thinking, our investigation includes theories offered by black intellectuals like Sueli Carneiro, Angela Davis, Kimberlé Crenshaw, Lélia Gonzalez, Bell Hooks and Neusa Santos Souza. This allowed to us to identify several forms of combined or mutually intercrossed oppression within the Black club and the wider Santa Maria society. Our study is also anchored in the concepts of identity and representation according to Stuart Hall. The Treze de Maio Club represented a second home and a place for the affirmation of the "race". It was there that these queens and princesses built friendships and secured lifelong commitments, romantic relationships, engagements and marriages, all in a constant, persistent incentive toward the reconstruction of the Black couple and the ideal Black family, the Treze de Maio family. |
publishDate |
2017 |
dc.date.accessioned.fl_str_mv |
2017-09-11T14:23:38Z |
dc.date.available.fl_str_mv |
2017-09-11T14:23:38Z |
dc.date.issued.fl_str_mv |
2017-01-16 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/doctoralThesis |
format |
doctoralThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://repositorio.ufsm.br/handle/1/11634 |
url |
http://repositorio.ufsm.br/handle/1/11634 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.cnpq.fl_str_mv |
600900000008 |
dc.relation.confidence.fl_str_mv |
600 600 |
dc.relation.authority.fl_str_mv |
aecf7df1-8561-4e5e-bfc1-1d21da9e5926 517a2b5c-4d72-4ab9-a399-b9caadf85835 2fa69247-8d64-4306-b1a0-948ffd74e729 795bcebc-0553-43f2-bd50-4ed81eff9e90 77956439-9193-4421-8faf-57776d244f3a 2c5e62e0-f3cd-4d8e-a042-2d8f19180328 |
dc.rights.driver.fl_str_mv |
Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria Centro de Ciências Sociais e Humanas |
dc.publisher.program.fl_str_mv |
Programa de Pós-Graduação em Comunicação |
dc.publisher.initials.fl_str_mv |
UFSM |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Comunicação |
publisher.none.fl_str_mv |
Universidade Federal de Santa Maria Centro de Ciências Sociais e Humanas |
dc.source.none.fl_str_mv |
reponame:Biblioteca Digital de Teses e Dissertações do UFSM instname:Universidade Federal de Santa Maria (UFSM) instacron:UFSM |
instname_str |
Universidade Federal de Santa Maria (UFSM) |
instacron_str |
UFSM |
institution |
UFSM |
reponame_str |
Biblioteca Digital de Teses e Dissertações do UFSM |
collection |
Biblioteca Digital de Teses e Dissertações do UFSM |
bitstream.url.fl_str_mv |
http://repositorio.ufsm.br/bitstream/1/11634/1/Escobar%2c%20Giane%20Vargas.pdf http://repositorio.ufsm.br/bitstream/1/11634/2/license_rdf http://repositorio.ufsm.br/bitstream/1/11634/3/license.txt http://repositorio.ufsm.br/bitstream/1/11634/4/Escobar%2c%20Giane%20Vargas.pdf.txt http://repositorio.ufsm.br/bitstream/1/11634/5/Escobar%2c%20Giane%20Vargas.pdf.jpg |
bitstream.checksum.fl_str_mv |
f99187df07d4caaab8986d5ec9aabedd c1efe8e24d7281448e873be30ea326ff 2f0571ecee68693bd5cd3f17c1e075df ac6bce8300394683de31da28932f50d5 91d67501356ceaf70f3bde79a12c3d15 |
bitstream.checksumAlgorithm.fl_str_mv |
MD5 MD5 MD5 MD5 MD5 |
repository.name.fl_str_mv |
Biblioteca Digital de Teses e Dissertações do UFSM - Universidade Federal de Santa Maria (UFSM) |
repository.mail.fl_str_mv |
atendimento.sib@ufsm.br||tedebc@gmail.com |
_version_ |
1801485366089220096 |