Entre o acaso-fragmento: Alejandra Costamagna e seus caleidoscópicos reais

Detalhes bibliográficos
Autor(a) principal: Souza, Luciane Bernardi de
Data de Publicação: 2017
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Manancial - Repositório Digital da UFSM
dARK ID: ark:/26339/001300000rsfs
Texto Completo: http://repositorio.ufsm.br/handle/1/13503
Resumo: The work Últimos fuegos (2005), written by the Chilean writer Alejandra Costamagna, consists of sixteen short narratives that establish links among them. Such connections occur due to the constant reiteration of elements (characters, objects, situations and excerpts) among each narrative. In order to understand this peculiar discursive composition, we adopted two metaphors: the first corresponds to the analogy between the work and a kaleidoscope; a possible comparison due to the repetitive "randomness" of these elements / "parts" that build up different stories / "images ". This intertwining among the narratives also raises questions in relation to the literary genre to which the work belongs, since it is paradoxically composed of short narratives / stories that mix together generating a larger narrative/ novel. To understand this point we use a second metaphor, corresponding to the relationship between this discursive arrangement and the movements of approaching and distancing of the lens of a camera, which allow two types of framework: one through the zoom out through which we see a set of narratives (novel) that interweave into "parts", and another one through the zoom in in which we are given a closer view of each particular narrative (story). With these two metaphors - the kaleidoscope and the movement of approaching and distancing of a lens - our analysis researches the discursive organization of Últimos fuegos and the way it presents an imago mundi that communicates a conception of a "fragmented" and "ramdom” reality. In this sense, this investigation has no the intention of restricting nor categorizing the work as belonging to one or another literary genre, and therefore, we conclude by resorting to the concept of hybridization, which allows us to think of Últimos Fuegos from an unrestricted and non-totalizing way.
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spelling Entre o acaso-fragmento: Alejandra Costamagna e seus caleidoscópicos reaisBetween randomness and fragmentation: Alejandra Costamagna and her kaleidoscopic realitiesGênero literárioAcasoCaleidoscópioFragmentoHibridaçãoLiterary genreRamdomnessKaleidoscopeFragmentHybridizationCNPQ::LINGUISTICA, LETRAS E ARTES::LETRASThe work Últimos fuegos (2005), written by the Chilean writer Alejandra Costamagna, consists of sixteen short narratives that establish links among them. Such connections occur due to the constant reiteration of elements (characters, objects, situations and excerpts) among each narrative. In order to understand this peculiar discursive composition, we adopted two metaphors: the first corresponds to the analogy between the work and a kaleidoscope; a possible comparison due to the repetitive "randomness" of these elements / "parts" that build up different stories / "images ". This intertwining among the narratives also raises questions in relation to the literary genre to which the work belongs, since it is paradoxically composed of short narratives / stories that mix together generating a larger narrative/ novel. To understand this point we use a second metaphor, corresponding to the relationship between this discursive arrangement and the movements of approaching and distancing of the lens of a camera, which allow two types of framework: one through the zoom out through which we see a set of narratives (novel) that interweave into "parts", and another one through the zoom in in which we are given a closer view of each particular narrative (story). With these two metaphors - the kaleidoscope and the movement of approaching and distancing of a lens - our analysis researches the discursive organization of Últimos fuegos and the way it presents an imago mundi that communicates a conception of a "fragmented" and "ramdom” reality. In this sense, this investigation has no the intention of restricting nor categorizing the work as belonging to one or another literary genre, and therefore, we conclude by resorting to the concept of hybridization, which allows us to think of Últimos Fuegos from an unrestricted and non-totalizing way.Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPqA obra Últimos fuegos (2005), da escritora chilena Alejandra Costamagna, é composta por dezesseis narrativas curtas que estabelecem ligações entre si, ligações estas que ocorrem devido à reiteração constante de elementos como personagens, objetos, ações e trechos. Com o propósito de compreendermos esta peculiar formalização discursiva adotamos duas metáforas. A primeira corresponde à analogia entre a obra e um caleidoscópio, comparação possível em função da repetição aparentemente “aleatória” desses elementos/ “peças” que entrelaçam as narrativas/“imagens”. Esse entrelace também suscita questionamentos em relação ao gênero literário ao qual a obra pertence, visto que esta é paradoxalmente composta por narrativas curtas/contos que se enredam originando uma narrativa maior/romance. Para o entendimento desta questão adotamos uma segunda metáfora, correspondente à relação entre este arranjo discursivo e os movimentos de distanciamento e aproximação da lente de uma câmera, que possibilita dois enquadramentos: um através da lente zoom out, pela qual enxergamos o conjunto de narrativas entrelaçadas; e o outro através do movimento zoom in, em que temos um close particular em cada narrativa. Nesse sentido, o estudo fundamenta-se na discussão de como a obra apresenta uma imago mundi que sugere uma concepção de realidade “fragmentada” e movida pela força do “acaso/aleatório”, princípios configuradores do real contemporâneo que são transpostos para o plano da composição discursiva. Mediante análise e com o intuito de não restringir e categorizar a obra como pertencente a um ou outro gênero literário, finalizamos realizando uma leitura sob a ótica do conceito de hibridação, que nos possibilita pensarmos Últimos fuegos a partir de uma via não excludente e não totalizadora.Universidade Federal de Santa MariaBrasilLetrasUFSMPrograma de Pós-Graduação em LetrasCentro de Artes e LetrasSilva, Vera Lucia Lenz Vianna dahttp://lattes.cnpq.br/8773425081130876Cardoso, Rosane Mariahttp://lattes.cnpq.br/2580718280810312Umbach, Rosani Úrsula Ketzerhttp://lattes.cnpq.br/5773862679226891Souza, Luciane Bernardi de2018-06-22T12:22:24Z2018-06-22T12:22:24Z2017-02-24info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttp://repositorio.ufsm.br/handle/1/13503ark:/26339/001300000rsfsporAttribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessreponame:Manancial - Repositório Digital da UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSM2022-07-06T14:33:23Zoai:repositorio.ufsm.br:1/13503Biblioteca Digital de Teses e Dissertaçõeshttps://repositorio.ufsm.br/ONGhttps://repositorio.ufsm.br/oai/requestatendimento.sib@ufsm.br||tedebc@gmail.comopendoar:2022-07-06T14:33:23Manancial - Repositório Digital da UFSM - Universidade Federal de Santa Maria (UFSM)false
dc.title.none.fl_str_mv Entre o acaso-fragmento: Alejandra Costamagna e seus caleidoscópicos reais
Between randomness and fragmentation: Alejandra Costamagna and her kaleidoscopic realities
title Entre o acaso-fragmento: Alejandra Costamagna e seus caleidoscópicos reais
spellingShingle Entre o acaso-fragmento: Alejandra Costamagna e seus caleidoscópicos reais
Souza, Luciane Bernardi de
Gênero literário
Acaso
Caleidoscópio
Fragmento
Hibridação
Literary genre
Ramdomness
Kaleidoscope
Fragment
Hybridization
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
title_short Entre o acaso-fragmento: Alejandra Costamagna e seus caleidoscópicos reais
title_full Entre o acaso-fragmento: Alejandra Costamagna e seus caleidoscópicos reais
title_fullStr Entre o acaso-fragmento: Alejandra Costamagna e seus caleidoscópicos reais
title_full_unstemmed Entre o acaso-fragmento: Alejandra Costamagna e seus caleidoscópicos reais
title_sort Entre o acaso-fragmento: Alejandra Costamagna e seus caleidoscópicos reais
author Souza, Luciane Bernardi de
author_facet Souza, Luciane Bernardi de
author_role author
dc.contributor.none.fl_str_mv Silva, Vera Lucia Lenz Vianna da
http://lattes.cnpq.br/8773425081130876
Cardoso, Rosane Maria
http://lattes.cnpq.br/2580718280810312
Umbach, Rosani Úrsula Ketzer
http://lattes.cnpq.br/5773862679226891
dc.contributor.author.fl_str_mv Souza, Luciane Bernardi de
dc.subject.por.fl_str_mv Gênero literário
Acaso
Caleidoscópio
Fragmento
Hibridação
Literary genre
Ramdomness
Kaleidoscope
Fragment
Hybridization
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
topic Gênero literário
Acaso
Caleidoscópio
Fragmento
Hibridação
Literary genre
Ramdomness
Kaleidoscope
Fragment
Hybridization
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
description The work Últimos fuegos (2005), written by the Chilean writer Alejandra Costamagna, consists of sixteen short narratives that establish links among them. Such connections occur due to the constant reiteration of elements (characters, objects, situations and excerpts) among each narrative. In order to understand this peculiar discursive composition, we adopted two metaphors: the first corresponds to the analogy between the work and a kaleidoscope; a possible comparison due to the repetitive "randomness" of these elements / "parts" that build up different stories / "images ". This intertwining among the narratives also raises questions in relation to the literary genre to which the work belongs, since it is paradoxically composed of short narratives / stories that mix together generating a larger narrative/ novel. To understand this point we use a second metaphor, corresponding to the relationship between this discursive arrangement and the movements of approaching and distancing of the lens of a camera, which allow two types of framework: one through the zoom out through which we see a set of narratives (novel) that interweave into "parts", and another one through the zoom in in which we are given a closer view of each particular narrative (story). With these two metaphors - the kaleidoscope and the movement of approaching and distancing of a lens - our analysis researches the discursive organization of Últimos fuegos and the way it presents an imago mundi that communicates a conception of a "fragmented" and "ramdom” reality. In this sense, this investigation has no the intention of restricting nor categorizing the work as belonging to one or another literary genre, and therefore, we conclude by resorting to the concept of hybridization, which allows us to think of Últimos Fuegos from an unrestricted and non-totalizing way.
publishDate 2017
dc.date.none.fl_str_mv 2017-02-24
2018-06-22T12:22:24Z
2018-06-22T12:22:24Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://repositorio.ufsm.br/handle/1/13503
dc.identifier.dark.fl_str_mv ark:/26339/001300000rsfs
url http://repositorio.ufsm.br/handle/1/13503
identifier_str_mv ark:/26339/001300000rsfs
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv Attribution-NonCommercial-NoDerivatives 4.0 International
http://creativecommons.org/licenses/by-nc-nd/4.0/
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Attribution-NonCommercial-NoDerivatives 4.0 International
http://creativecommons.org/licenses/by-nc-nd/4.0/
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
Brasil
Letras
UFSM
Programa de Pós-Graduação em Letras
Centro de Artes e Letras
publisher.none.fl_str_mv Universidade Federal de Santa Maria
Brasil
Letras
UFSM
Programa de Pós-Graduação em Letras
Centro de Artes e Letras
dc.source.none.fl_str_mv reponame:Manancial - Repositório Digital da UFSM
instname:Universidade Federal de Santa Maria (UFSM)
instacron:UFSM
instname_str Universidade Federal de Santa Maria (UFSM)
instacron_str UFSM
institution UFSM
reponame_str Manancial - Repositório Digital da UFSM
collection Manancial - Repositório Digital da UFSM
repository.name.fl_str_mv Manancial - Repositório Digital da UFSM - Universidade Federal de Santa Maria (UFSM)
repository.mail.fl_str_mv atendimento.sib@ufsm.br||tedebc@gmail.com
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