Representações femininas em Game of Thrones: mediações entre os sete reinos e a contemporaneidade

Detalhes bibliográficos
Autor(a) principal: Ortis, Andréa Corneli
Data de Publicação: 2019
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Manancial - Repositório Digital da UFSM
Texto Completo: http://repositorio.ufsm.br/handle/1/16905
Resumo: The present research questions how the feminine identities of the characters Arya and Sansa Stark, of Game of Thrones are represented, and which senses about the contemporary feminine are mobilized by the series. We have, therefore, as general objective to analyze which senses about the contemporary feminine are present in the representation of the feminine identities of the characters Arya and Sansa Stark that contribute to the construction and representation of the feminine, considering in relation to the culture lived and the process of mediation. As specific objectives we intend to verify the conditions of production that contribute to the configuration of the contemporary woman's identity in the series; investigate from the lived culture, that feminist agendas are triggered through the series; observe narrative elements that form the discourse; and to point out the characterization base of the identities of the characters selected for the study. In order to do this, we seek to study our object through three main instances: lived culture, production context, and textual forms (characters and interactions) inspired by Johnson (2006) and Williams (2003) propositions, based on the epistemic perspective of cultural studies. According to Williams (1979), Martín-Barbero (2001) and Orozco Gómez (1997), these three instances contribute to the process of mediation, which acts as an interpreter of everything that passes between them. We perceive, therefore, that the series tries to problematize types of violence that happen in the contemporaneity in relation to the feminine like sexual, psychological or physical violence, child marriage and woman as currency of exchange. Thus, throughout the seasons, the characters are portrayed in order to ascend, after going through numerous types of violence, and acquire values formerly present only in the masculine universe, characterized as a masculinized independence. Therefore, the negotiated meanings between fiction and reality present in Arya and Sansa in the series are formed according to the environment in which they live, social and private values imposed by society.
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spelling Representações femininas em Game of Thrones: mediações entre os sete reinos e a contemporaneidadeFemale representation in Game of Thrones: mediations between seven kingdons and the contemporaryIdentidade femininaGêneroRepresentaçãoMediaçãoGame of ThronesFeminine identityGenderRepresentationMediationCNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAOThe present research questions how the feminine identities of the characters Arya and Sansa Stark, of Game of Thrones are represented, and which senses about the contemporary feminine are mobilized by the series. We have, therefore, as general objective to analyze which senses about the contemporary feminine are present in the representation of the feminine identities of the characters Arya and Sansa Stark that contribute to the construction and representation of the feminine, considering in relation to the culture lived and the process of mediation. As specific objectives we intend to verify the conditions of production that contribute to the configuration of the contemporary woman's identity in the series; investigate from the lived culture, that feminist agendas are triggered through the series; observe narrative elements that form the discourse; and to point out the characterization base of the identities of the characters selected for the study. In order to do this, we seek to study our object through three main instances: lived culture, production context, and textual forms (characters and interactions) inspired by Johnson (2006) and Williams (2003) propositions, based on the epistemic perspective of cultural studies. According to Williams (1979), Martín-Barbero (2001) and Orozco Gómez (1997), these three instances contribute to the process of mediation, which acts as an interpreter of everything that passes between them. We perceive, therefore, that the series tries to problematize types of violence that happen in the contemporaneity in relation to the feminine like sexual, psychological or physical violence, child marriage and woman as currency of exchange. Thus, throughout the seasons, the characters are portrayed in order to ascend, after going through numerous types of violence, and acquire values formerly present only in the masculine universe, characterized as a masculinized independence. Therefore, the negotiated meanings between fiction and reality present in Arya and Sansa in the series are formed according to the environment in which they live, social and private values imposed by society.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESA presente pesquisa questiona como são representadas as identidades femininas das personagens Arya e Sansa Stark, de Game of Thrones, e quais sentidos sobre o feminino contemporâneo são mobilizados pela série. Temos, então, como objetivo geral analisar quais sentidos sobre o feminino contemporâneo estão presentes na representação das identidades femininas das personagens Arya e Sansa Stark que contribuem para a construção e representação do feminino, considerando em relação à cultura vivida e ao processo de mediação. Como objetivos específicos pretendemos: verificar as condições de produção que contribuem para a configuração da identidade da mulher contemporânea na série; investigar a partir da cultura vivida, que agendas feministas são acionadas através da série; observar elementos narrativos formadores do discurso; e apontar a base de caracterização de identidades das personagens selecionadas para o estudo. Para isso, buscamos através da elaboração de um percurso metodológico próprio, com base na perspectiva epistêmica dos estudos culturais, observar nosso objeto através de três grandes instâncias: cultura vivida, contexto de produção e formas textuais (personagens e interações) inspiradas por proposições de Johnson (2006) e Williams (2003). Essas três instâncias contribuem no processo de mediação, segundo Williams (1979), Martín-Barbero (2001) e Orozco Gómez (1997) que atua como interpretante de tudo aquilo que passa entre elas. Percebemos, portanto, que a série busca problematizar tipos de violência que acontecem na contemporaneidade em relação ao feminino como violência sexual, psicológica ou física, casamento infantil e mulher como moeda de troca. Assim, ao longo das temporadas, as personagens são retratadas de modo a ascenderem, após passarem por inúmeros tipos de violência, e adquirem valores outrora presentes somente no universo masculino, caracterizado como uma independência masculinizada. Portanto, os sentidos negociados entre a ficção e a realidade presentes em Arya e Sansa, na série, são formadas de acordo com o ambiente em que vivem, valores sociais e privados impostos pela sociedade.Universidade Federal de Santa MariaBrasilComunicaçãoUFSMPrograma de Pós-Graduação em ComunicaçãoCentro de Ciências Sociais e HumanasLisbôa Filho, Flavi Ferreirahttp://lattes.cnpq.br/9962424591141586Moraes, Ana Luiza Coirohttp://lattes.cnpq.br/2128947342307031Dalmolin, Aline Roeshttp://lattes.cnpq.br/7869463407801702Ortis, Andréa Corneli2019-06-11T13:50:20Z2019-06-11T13:50:20Z2019-01-18info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttp://repositorio.ufsm.br/handle/1/16905porAttribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessreponame:Manancial - Repositório Digital da UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSM2019-06-12T06:00:46Zoai:repositorio.ufsm.br:1/16905Biblioteca Digital de Teses e Dissertaçõeshttps://repositorio.ufsm.br/ONGhttps://repositorio.ufsm.br/oai/requestatendimento.sib@ufsm.br||tedebc@gmail.comopendoar:2019-06-12T06:00:46Manancial - Repositório Digital da UFSM - Universidade Federal de Santa Maria (UFSM)false
dc.title.none.fl_str_mv Representações femininas em Game of Thrones: mediações entre os sete reinos e a contemporaneidade
Female representation in Game of Thrones: mediations between seven kingdons and the contemporary
title Representações femininas em Game of Thrones: mediações entre os sete reinos e a contemporaneidade
spellingShingle Representações femininas em Game of Thrones: mediações entre os sete reinos e a contemporaneidade
Ortis, Andréa Corneli
Identidade feminina
Gênero
Representação
Mediação
Game of Thrones
Feminine identity
Gender
Representation
Mediation
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
title_short Representações femininas em Game of Thrones: mediações entre os sete reinos e a contemporaneidade
title_full Representações femininas em Game of Thrones: mediações entre os sete reinos e a contemporaneidade
title_fullStr Representações femininas em Game of Thrones: mediações entre os sete reinos e a contemporaneidade
title_full_unstemmed Representações femininas em Game of Thrones: mediações entre os sete reinos e a contemporaneidade
title_sort Representações femininas em Game of Thrones: mediações entre os sete reinos e a contemporaneidade
author Ortis, Andréa Corneli
author_facet Ortis, Andréa Corneli
author_role author
dc.contributor.none.fl_str_mv Lisbôa Filho, Flavi Ferreira
http://lattes.cnpq.br/9962424591141586
Moraes, Ana Luiza Coiro
http://lattes.cnpq.br/2128947342307031
Dalmolin, Aline Roes
http://lattes.cnpq.br/7869463407801702
dc.contributor.author.fl_str_mv Ortis, Andréa Corneli
dc.subject.por.fl_str_mv Identidade feminina
Gênero
Representação
Mediação
Game of Thrones
Feminine identity
Gender
Representation
Mediation
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
topic Identidade feminina
Gênero
Representação
Mediação
Game of Thrones
Feminine identity
Gender
Representation
Mediation
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
description The present research questions how the feminine identities of the characters Arya and Sansa Stark, of Game of Thrones are represented, and which senses about the contemporary feminine are mobilized by the series. We have, therefore, as general objective to analyze which senses about the contemporary feminine are present in the representation of the feminine identities of the characters Arya and Sansa Stark that contribute to the construction and representation of the feminine, considering in relation to the culture lived and the process of mediation. As specific objectives we intend to verify the conditions of production that contribute to the configuration of the contemporary woman's identity in the series; investigate from the lived culture, that feminist agendas are triggered through the series; observe narrative elements that form the discourse; and to point out the characterization base of the identities of the characters selected for the study. In order to do this, we seek to study our object through three main instances: lived culture, production context, and textual forms (characters and interactions) inspired by Johnson (2006) and Williams (2003) propositions, based on the epistemic perspective of cultural studies. According to Williams (1979), Martín-Barbero (2001) and Orozco Gómez (1997), these three instances contribute to the process of mediation, which acts as an interpreter of everything that passes between them. We perceive, therefore, that the series tries to problematize types of violence that happen in the contemporaneity in relation to the feminine like sexual, psychological or physical violence, child marriage and woman as currency of exchange. Thus, throughout the seasons, the characters are portrayed in order to ascend, after going through numerous types of violence, and acquire values formerly present only in the masculine universe, characterized as a masculinized independence. Therefore, the negotiated meanings between fiction and reality present in Arya and Sansa in the series are formed according to the environment in which they live, social and private values imposed by society.
publishDate 2019
dc.date.none.fl_str_mv 2019-06-11T13:50:20Z
2019-06-11T13:50:20Z
2019-01-18
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://repositorio.ufsm.br/handle/1/16905
url http://repositorio.ufsm.br/handle/1/16905
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv Attribution-NonCommercial-NoDerivatives 4.0 International
http://creativecommons.org/licenses/by-nc-nd/4.0/
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Attribution-NonCommercial-NoDerivatives 4.0 International
http://creativecommons.org/licenses/by-nc-nd/4.0/
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
Brasil
Comunicação
UFSM
Programa de Pós-Graduação em Comunicação
Centro de Ciências Sociais e Humanas
publisher.none.fl_str_mv Universidade Federal de Santa Maria
Brasil
Comunicação
UFSM
Programa de Pós-Graduação em Comunicação
Centro de Ciências Sociais e Humanas
dc.source.none.fl_str_mv reponame:Manancial - Repositório Digital da UFSM
instname:Universidade Federal de Santa Maria (UFSM)
instacron:UFSM
instname_str Universidade Federal de Santa Maria (UFSM)
instacron_str UFSM
institution UFSM
reponame_str Manancial - Repositório Digital da UFSM
collection Manancial - Repositório Digital da UFSM
repository.name.fl_str_mv Manancial - Repositório Digital da UFSM - Universidade Federal de Santa Maria (UFSM)
repository.mail.fl_str_mv atendimento.sib@ufsm.br||tedebc@gmail.com
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