Quadrinhos iluminados: William Blake nas obras de Alan Moore

Detalhes bibliográficos
Autor(a) principal: Silva, Suellen Cordovil da
Data de Publicação: 2020
Tipo de documento: Tese
Idioma: por
Título da fonte: Manancial - Repositório Digital da UFSM
dARK ID: ark:/26339/001300000qpqf
Texto Completo: http://repositorio.ufsm.br/handle/1/22836
Resumo: This investigates comic books by author Alan Moore (1953) in relation to William Blake’s illuminated, poetic and pictorial work (1757-1827) in the light of the Aesthetics of Reception and Comics Studies, these used as a dialogical tool and interpretive. For this, I use as a methodological instrument the studies of Aesthetics of Reception based on the ideas of Robert Jauss (1994). I also count on contributions from scholars and based on comic books, such as Thierry Groensteen (2007), Matthew Green (2003), Barbara Postema (2018), among others. As a prologue, I present the biographical path that led me to this thesis in the same genre that it seeks to investigate: comic books. I do this with the art of comic artist Otoniel Oliveira (2020) from the script of my authorship. The same is done in the epilogue, framing the critical text that constitutes this work whereby I check Alan Moore’s works in a chronological approaching, from his reading of the lite and work of William Blake. To this end, the corpus of analysis privileged four works by the contemporary author in his sequence of production and publication, beginning with V for Vendetta and his exchange of languages with the “preface to Jerusalem” (1804-1811), by William Blake. Then, I make an investigation of Watchmen (1986) in relation to the poem “The Tyger” (1794), verifying the technique of mirroring the images of the works “Milton the poem” (1811) and “Songs of Experience” (1794) for the comics. Then I examine From Hell (1989), realizing how Moore recreates William Blake’s own figure in biographical terms and as a character in the narrative, together with the painting “The ghost of a flea” (1819-20). Finally, in Promethea (1999), I analyze the re-creation of the character Urizen, present in several illuminated books by Blake and in the painting “The Ancient of Days” (1794), in addition to the presence of the author William Blake as a fictional character. In this critical and interpretive path, thus I analyze Moore’s own artistic formation process in relation to the work of one of his main influences and inspirations. After the epilogue, I follow with the bibliographic references and appendices, which include an investigative table of Blakean references present in Alan Moore’s work and an interview with the author carried out in Northampton, during the sandwich stage that made possible a good part of the reflections here. The present work was carried out with support from the Coordination for the Improvement of Higher Education Personnel - Brazil (CAPES), Novo ProDoutoral, Ordinance No. 140, of October 2, 2013.
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spelling Quadrinhos iluminados: William Blake nas obras de Alan MooreIlluminated comics: William Blake in the works of Alan MooreAlan MooreWilliam BlakeAesthetics of receptionComics studiesEstética da recepçãoEstudos dos quadrinhosCNPQ::LINGUISTICA, LETRAS E ARTES::LETRASThis investigates comic books by author Alan Moore (1953) in relation to William Blake’s illuminated, poetic and pictorial work (1757-1827) in the light of the Aesthetics of Reception and Comics Studies, these used as a dialogical tool and interpretive. For this, I use as a methodological instrument the studies of Aesthetics of Reception based on the ideas of Robert Jauss (1994). I also count on contributions from scholars and based on comic books, such as Thierry Groensteen (2007), Matthew Green (2003), Barbara Postema (2018), among others. As a prologue, I present the biographical path that led me to this thesis in the same genre that it seeks to investigate: comic books. I do this with the art of comic artist Otoniel Oliveira (2020) from the script of my authorship. The same is done in the epilogue, framing the critical text that constitutes this work whereby I check Alan Moore’s works in a chronological approaching, from his reading of the lite and work of William Blake. To this end, the corpus of analysis privileged four works by the contemporary author in his sequence of production and publication, beginning with V for Vendetta and his exchange of languages with the “preface to Jerusalem” (1804-1811), by William Blake. Then, I make an investigation of Watchmen (1986) in relation to the poem “The Tyger” (1794), verifying the technique of mirroring the images of the works “Milton the poem” (1811) and “Songs of Experience” (1794) for the comics. Then I examine From Hell (1989), realizing how Moore recreates William Blake’s own figure in biographical terms and as a character in the narrative, together with the painting “The ghost of a flea” (1819-20). Finally, in Promethea (1999), I analyze the re-creation of the character Urizen, present in several illuminated books by Blake and in the painting “The Ancient of Days” (1794), in addition to the presence of the author William Blake as a fictional character. In this critical and interpretive path, thus I analyze Moore’s own artistic formation process in relation to the work of one of his main influences and inspirations. After the epilogue, I follow with the bibliographic references and appendices, which include an investigative table of Blakean references present in Alan Moore’s work and an interview with the author carried out in Northampton, during the sandwich stage that made possible a good part of the reflections here. The present work was carried out with support from the Coordination for the Improvement of Higher Education Personnel - Brazil (CAPES), Novo ProDoutoral, Ordinance No. 140, of October 2, 2013.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESEsta tese investiga as histórias em quadrinhos do autor Alan Moore (1953) em relação à obra iluminada, poética e pictórica de William Blake (1757-1827). A pesquisa foi desenvolvida à luz dos Estudos de Quadrinhos, usados como ferramenta dialógica e interpretativa. Para tanto, utilizei como instrumentos metodológicos os estudos da Estética da Recepção a partir das ideias de Robert Jauss (1994). Conto também com as contribuições de estudiosos e críticos das histórias em quadrinhos, como Thierry Groensteen (2007), Matthew Green (2003), Barbara Postema (2018), entre outros. Como prólogo, apresento o percurso biográfico que me levou à presente tese no mesmo gênero que ela busca investigar: histórias em quadrinhos. Faço isso contando com a arte do quadrinista Otoniel Oliveira (2020), elaborada a partir de roteiro de minha autoria. O mesmo procedimento é executado no epílogo, configurando-se, assim, uma moldura para o texto crítico que constitui este trabalho. Nele, verifico os trabalhos de Alan Moore numa abordagem cronológica a partir de sua leitura da vida e da obra de William Blake. Para tanto, o corpus de análise privilegiou quatro obras do autor em sua sequência de produção e publicação, começando com V for Vendetta e o seu intercâmbio de linguagens com o “prefácio de Jerusalem” (1804-1811), de William Blake. Em seguida, faço uma investigação de Watchmen (1986) em relação ao poema “The Tyger” (1794), constatando a técnica de espelhamento das imagens das obras Milton a poem (1811) e Songs of Experience (1794) nos quadrinhos. Examino, então, From Hell (1989), percebendo como Moore recria a própria figura de William Blake em termos biográficos, colocando-o como personagem na narrativa, juntamente com a pintura “The ghost of a flea” (1819-20). Por fim, em Promethea (1999), analiso a recriação do personagem Urizen, presente em vários livros iluminados de Blake e na pintura “The Ancient of Days” (1794), além da presença de William Blake como personagem fictício. Nesse percurso crítico e interpretativo, analiso o próprio processo de formação artística de Moore em relação à obra de suas principais influências e inspirações. Depois do epílogo, seguem as referências bibliográficas e os apêndices, que incluem uma tabela investigativa de referências blakeanas presentes na obra de Alan Moore e uma entrevista com o autor realizada em Northampton, durante o estágio sanduíche que possibilitou boa parte das reflexões aqui apresentadas. O presente trabalho foi realizado com apoio da Coordenação de Aperfeiçoamento de Pessoal de Nível Superior – Brasil (CAPES), Novo Prodoutoral, portaria nº140, de 02 de outubro de 2013.Universidade Federal de Santa MariaBrasilLetrasUFSMPrograma de Pós-Graduação em LetrasCentro de Artes e LetrasTavares, Enéias Fariashttp://lattes.cnpq.br/1655076745935830Amaral, Adriana da RosaPaz, Demétrio AlvesCarneiro, Maria Clara da Silva RamosCzekster, Gustavo MeloSilva, Suellen Cordovil da2021-11-17T15:28:15Z2021-11-17T15:28:15Z2020-11-05info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisapplication/pdfhttp://repositorio.ufsm.br/handle/1/22836ark:/26339/001300000qpqfporAttribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessreponame:Manancial - Repositório Digital da UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSM2021-11-18T06:03:53Zoai:repositorio.ufsm.br:1/22836Biblioteca Digital de Teses e Dissertaçõeshttps://repositorio.ufsm.br/ONGhttps://repositorio.ufsm.br/oai/requestatendimento.sib@ufsm.br||tedebc@gmail.comopendoar:2024-07-29T10:50:40.637805Manancial - Repositório Digital da UFSM - Universidade Federal de Santa Maria (UFSM)false
dc.title.none.fl_str_mv Quadrinhos iluminados: William Blake nas obras de Alan Moore
Illuminated comics: William Blake in the works of Alan Moore
title Quadrinhos iluminados: William Blake nas obras de Alan Moore
spellingShingle Quadrinhos iluminados: William Blake nas obras de Alan Moore
Silva, Suellen Cordovil da
Alan Moore
William Blake
Aesthetics of reception
Comics studies
Estética da recepção
Estudos dos quadrinhos
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
title_short Quadrinhos iluminados: William Blake nas obras de Alan Moore
title_full Quadrinhos iluminados: William Blake nas obras de Alan Moore
title_fullStr Quadrinhos iluminados: William Blake nas obras de Alan Moore
title_full_unstemmed Quadrinhos iluminados: William Blake nas obras de Alan Moore
title_sort Quadrinhos iluminados: William Blake nas obras de Alan Moore
author Silva, Suellen Cordovil da
author_facet Silva, Suellen Cordovil da
author_role author
dc.contributor.none.fl_str_mv Tavares, Enéias Farias
http://lattes.cnpq.br/1655076745935830
Amaral, Adriana da Rosa
Paz, Demétrio Alves
Carneiro, Maria Clara da Silva Ramos
Czekster, Gustavo Melo
dc.contributor.author.fl_str_mv Silva, Suellen Cordovil da
dc.subject.por.fl_str_mv Alan Moore
William Blake
Aesthetics of reception
Comics studies
Estética da recepção
Estudos dos quadrinhos
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
topic Alan Moore
William Blake
Aesthetics of reception
Comics studies
Estética da recepção
Estudos dos quadrinhos
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
description This investigates comic books by author Alan Moore (1953) in relation to William Blake’s illuminated, poetic and pictorial work (1757-1827) in the light of the Aesthetics of Reception and Comics Studies, these used as a dialogical tool and interpretive. For this, I use as a methodological instrument the studies of Aesthetics of Reception based on the ideas of Robert Jauss (1994). I also count on contributions from scholars and based on comic books, such as Thierry Groensteen (2007), Matthew Green (2003), Barbara Postema (2018), among others. As a prologue, I present the biographical path that led me to this thesis in the same genre that it seeks to investigate: comic books. I do this with the art of comic artist Otoniel Oliveira (2020) from the script of my authorship. The same is done in the epilogue, framing the critical text that constitutes this work whereby I check Alan Moore’s works in a chronological approaching, from his reading of the lite and work of William Blake. To this end, the corpus of analysis privileged four works by the contemporary author in his sequence of production and publication, beginning with V for Vendetta and his exchange of languages with the “preface to Jerusalem” (1804-1811), by William Blake. Then, I make an investigation of Watchmen (1986) in relation to the poem “The Tyger” (1794), verifying the technique of mirroring the images of the works “Milton the poem” (1811) and “Songs of Experience” (1794) for the comics. Then I examine From Hell (1989), realizing how Moore recreates William Blake’s own figure in biographical terms and as a character in the narrative, together with the painting “The ghost of a flea” (1819-20). Finally, in Promethea (1999), I analyze the re-creation of the character Urizen, present in several illuminated books by Blake and in the painting “The Ancient of Days” (1794), in addition to the presence of the author William Blake as a fictional character. In this critical and interpretive path, thus I analyze Moore’s own artistic formation process in relation to the work of one of his main influences and inspirations. After the epilogue, I follow with the bibliographic references and appendices, which include an investigative table of Blakean references present in Alan Moore’s work and an interview with the author carried out in Northampton, during the sandwich stage that made possible a good part of the reflections here. The present work was carried out with support from the Coordination for the Improvement of Higher Education Personnel - Brazil (CAPES), Novo ProDoutoral, Ordinance No. 140, of October 2, 2013.
publishDate 2020
dc.date.none.fl_str_mv 2020-11-05
2021-11-17T15:28:15Z
2021-11-17T15:28:15Z
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url http://repositorio.ufsm.br/handle/1/22836
identifier_str_mv ark:/26339/001300000qpqf
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv Attribution-NonCommercial-NoDerivatives 4.0 International
http://creativecommons.org/licenses/by-nc-nd/4.0/
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Attribution-NonCommercial-NoDerivatives 4.0 International
http://creativecommons.org/licenses/by-nc-nd/4.0/
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
Brasil
Letras
UFSM
Programa de Pós-Graduação em Letras
Centro de Artes e Letras
publisher.none.fl_str_mv Universidade Federal de Santa Maria
Brasil
Letras
UFSM
Programa de Pós-Graduação em Letras
Centro de Artes e Letras
dc.source.none.fl_str_mv reponame:Manancial - Repositório Digital da UFSM
instname:Universidade Federal de Santa Maria (UFSM)
instacron:UFSM
instname_str Universidade Federal de Santa Maria (UFSM)
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institution UFSM
reponame_str Manancial - Repositório Digital da UFSM
collection Manancial - Repositório Digital da UFSM
repository.name.fl_str_mv Manancial - Repositório Digital da UFSM - Universidade Federal de Santa Maria (UFSM)
repository.mail.fl_str_mv atendimento.sib@ufsm.br||tedebc@gmail.com
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