Hans Holbein e o retrato do poeta Henry Howard: humanismo, ruptura e poder na corte de Henrique VIII

Detalhes bibliográficos
Autor(a) principal: Pires, Carla Scheidecker [UNIFESP]
Data de Publicação: 2021
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UNIFESP
Texto Completo: https://repositorio.unifesp.br/xmlui/handle/11600/62652
Resumo: De Augsburgo a Londres, e passando pela Basileia, Hans Holbein enfrentou um longo caminho até se estabelecer como pintor da corte de Henrique VIII, onde os retratos eram, simultaneamente, expressões de humildade e ostentação, mortalidade e imortalidade. O artista chegou à Inglaterra por intermédio de figuras humanistas importantes, em especial Erasmo de Roterdã e Thomas More: a influência desses eruditos sobre as obras de Holbein se revela mesmo na economia de elementos presentes nesses retratos. Um ano antes de sua morte, Holbein pintou Henry Howard, conde de Surrey e precursor da forma de soneto que Shakespeare tornaria célebre meio século mais tarde. Este estudo dedica-se a ampliar as possibilidades de compreensão de uma obra composta unicamente de uma figura a meio-corpo, sobre fundo abstrato. Hoje parte do acervo do Museu de Arte de São Paulo Assis Chateaubriand, O poeta Henry Howard, conde de Surrey, é tomado como ferramenta no processo de compreensão do papel do retrato nos altos círculos da sociedade inglesa do século XVI.
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spelling Pires, Carla Scheidecker [UNIFESP]http://lattes.cnpq.br/8346348555576898http://lattes.cnpq.br/6029273355119643Fernandes, Cássio da Silva2022-02-04T16:29:58Z2022-02-04T16:29:58Z2021-11-29PIRES, Carla Scheidecker. Hans Holbein e o retrato do poeta Henry Howard: humanismo, ruptura e poder na corte de Henrique VIII. Orientador: Prof. Dr. Cassio da Silva Fernandes. 2022. 122 f. Dissertação (Mestrado) – Programa de pós-graduação em História da Arte, Universidade Federal de São Paulo, Guarulhos, 2021.https://repositorio.unifesp.br/xmlui/handle/11600/62652De Augsburgo a Londres, e passando pela Basileia, Hans Holbein enfrentou um longo caminho até se estabelecer como pintor da corte de Henrique VIII, onde os retratos eram, simultaneamente, expressões de humildade e ostentação, mortalidade e imortalidade. O artista chegou à Inglaterra por intermédio de figuras humanistas importantes, em especial Erasmo de Roterdã e Thomas More: a influência desses eruditos sobre as obras de Holbein se revela mesmo na economia de elementos presentes nesses retratos. Um ano antes de sua morte, Holbein pintou Henry Howard, conde de Surrey e precursor da forma de soneto que Shakespeare tornaria célebre meio século mais tarde. Este estudo dedica-se a ampliar as possibilidades de compreensão de uma obra composta unicamente de uma figura a meio-corpo, sobre fundo abstrato. Hoje parte do acervo do Museu de Arte de São Paulo Assis Chateaubriand, O poeta Henry Howard, conde de Surrey, é tomado como ferramenta no processo de compreensão do papel do retrato nos altos círculos da sociedade inglesa do século XVI.From Augsburg to London, and passing through Basel, Hans Holbein faced many obstacles before establishing himself as a painter in Henry VIII's court, where portraits were simultaneously expressions of humility and ostentation, mortality and immortality. The artist arrived in England with the help of important humanist figures, especially Erasmus of Rotterdam and Thomas More. The influence of these scholars on Holbein's work is revealed even in the economy of elements present in these portraits. A year before his death, Holbein painted the portrait of Henry Howard, Earl of Surrey and innovator of the sonnet form that Shakespeare would make famous half a century later. This study is dedicated to expanding the possibilities of understanding a work composed solely of a half-length figure, on an abstract background. Now part of the collection of Museu de Arte de São Paulo Assis Chateaubriand, The Poet Henry Howard, Earl of Surrey is perceived as an instrument in the process of understanding the role of portraiture in the upper echelons of 16th century English society.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)122 f.porUniversidade Federal de São PauloHans HolbeinHenry HowardRenascimentoHans Holbein e o retrato do poeta Henry Howard: humanismo, ruptura e poder na corte de Henrique VIIIinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UNIFESPinstname:Universidade Federal de São Paulo (UNIFESP)instacron:UNIFESPEscola de Filosofia, Letras e Ciências Humanas (EFLCH)História da ArteHistória da ArteArte e Tradição ClássicaORIGINALCarla Scheidecker Pires - Hans Holbein e o retrato do poeta Henry Howard.pdfCarla Scheidecker Pires - Hans Holbein e o retrato do poeta Henry Howard.pdfapplication/pdf5483995${dspace.ui.url}/bitstream/11600/62652/1/Carla%20Scheidecker%20Pires%20-%20Hans%20Holbein%20e%20o%20retrato%20do%20poeta%20Henry%20Howard.pdf9180a5a5bd3b559a808a3fc5c83755a6MD51open accessLICENSElicense.txtlicense.txttext/plain; charset=utf-85848${dspace.ui.url}/bitstream/11600/62652/2/license.txt7d60077cbc60f86d0b89bb278bd4c80bMD52open accessTEXTCarla Scheidecker Pires - Hans Holbein e o retrato do poeta Henry Howard.pdf.txtCarla Scheidecker Pires - Hans Holbein e o retrato do poeta Henry Howard.pdf.txtExtracted texttext/plain223102${dspace.ui.url}/bitstream/11600/62652/9/Carla%20Scheidecker%20Pires%20-%20Hans%20Holbein%20e%20o%20retrato%20do%20poeta%20Henry%20Howard.pdf.txtfcda175c8dfda4d8b9bf9831f77a3973MD59open accessTHUMBNAILCarla Scheidecker Pires - Hans Holbein e o retrato do poeta Henry Howard.pdf.jpgCarla Scheidecker Pires - Hans Holbein e o retrato do poeta Henry Howard.pdf.jpgIM 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dc.title.pt_BR.fl_str_mv Hans Holbein e o retrato do poeta Henry Howard: humanismo, ruptura e poder na corte de Henrique VIII
title Hans Holbein e o retrato do poeta Henry Howard: humanismo, ruptura e poder na corte de Henrique VIII
spellingShingle Hans Holbein e o retrato do poeta Henry Howard: humanismo, ruptura e poder na corte de Henrique VIII
Pires, Carla Scheidecker [UNIFESP]
Hans Holbein
Henry Howard
Renascimento
title_short Hans Holbein e o retrato do poeta Henry Howard: humanismo, ruptura e poder na corte de Henrique VIII
title_full Hans Holbein e o retrato do poeta Henry Howard: humanismo, ruptura e poder na corte de Henrique VIII
title_fullStr Hans Holbein e o retrato do poeta Henry Howard: humanismo, ruptura e poder na corte de Henrique VIII
title_full_unstemmed Hans Holbein e o retrato do poeta Henry Howard: humanismo, ruptura e poder na corte de Henrique VIII
title_sort Hans Holbein e o retrato do poeta Henry Howard: humanismo, ruptura e poder na corte de Henrique VIII
author Pires, Carla Scheidecker [UNIFESP]
author_facet Pires, Carla Scheidecker [UNIFESP]
author_role author
dc.contributor.authorLattes.pt_BR.fl_str_mv http://lattes.cnpq.br/8346348555576898
dc.contributor.advisorLattes.pt_BR.fl_str_mv http://lattes.cnpq.br/6029273355119643
dc.contributor.author.fl_str_mv Pires, Carla Scheidecker [UNIFESP]
dc.contributor.advisor1.fl_str_mv Fernandes, Cássio da Silva
contributor_str_mv Fernandes, Cássio da Silva
dc.subject.por.fl_str_mv Hans Holbein
Henry Howard
Renascimento
topic Hans Holbein
Henry Howard
Renascimento
description De Augsburgo a Londres, e passando pela Basileia, Hans Holbein enfrentou um longo caminho até se estabelecer como pintor da corte de Henrique VIII, onde os retratos eram, simultaneamente, expressões de humildade e ostentação, mortalidade e imortalidade. O artista chegou à Inglaterra por intermédio de figuras humanistas importantes, em especial Erasmo de Roterdã e Thomas More: a influência desses eruditos sobre as obras de Holbein se revela mesmo na economia de elementos presentes nesses retratos. Um ano antes de sua morte, Holbein pintou Henry Howard, conde de Surrey e precursor da forma de soneto que Shakespeare tornaria célebre meio século mais tarde. Este estudo dedica-se a ampliar as possibilidades de compreensão de uma obra composta unicamente de uma figura a meio-corpo, sobre fundo abstrato. Hoje parte do acervo do Museu de Arte de São Paulo Assis Chateaubriand, O poeta Henry Howard, conde de Surrey, é tomado como ferramenta no processo de compreensão do papel do retrato nos altos círculos da sociedade inglesa do século XVI.
publishDate 2021
dc.date.issued.fl_str_mv 2021-11-29
dc.date.accessioned.fl_str_mv 2022-02-04T16:29:58Z
dc.date.available.fl_str_mv 2022-02-04T16:29:58Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
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dc.identifier.citation.fl_str_mv PIRES, Carla Scheidecker. Hans Holbein e o retrato do poeta Henry Howard: humanismo, ruptura e poder na corte de Henrique VIII. Orientador: Prof. Dr. Cassio da Silva Fernandes. 2022. 122 f. Dissertação (Mestrado) – Programa de pós-graduação em História da Arte, Universidade Federal de São Paulo, Guarulhos, 2021.
dc.identifier.uri.fl_str_mv https://repositorio.unifesp.br/xmlui/handle/11600/62652
identifier_str_mv PIRES, Carla Scheidecker. Hans Holbein e o retrato do poeta Henry Howard: humanismo, ruptura e poder na corte de Henrique VIII. Orientador: Prof. Dr. Cassio da Silva Fernandes. 2022. 122 f. Dissertação (Mestrado) – Programa de pós-graduação em História da Arte, Universidade Federal de São Paulo, Guarulhos, 2021.
url https://repositorio.unifesp.br/xmlui/handle/11600/62652
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dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
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dc.format.none.fl_str_mv 122 f.
dc.publisher.none.fl_str_mv Universidade Federal de São Paulo
publisher.none.fl_str_mv Universidade Federal de São Paulo
dc.source.none.fl_str_mv reponame:Repositório Institucional da UNIFESP
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institution UNIFESP
reponame_str Repositório Institucional da UNIFESP
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