Crise no underground londrino: uma análise do Led Zeppelin IV

Detalhes bibliográficos
Autor(a) principal: Arruda, Ricardo Sinigaglia [UNIFESP]
Data de Publicação: 2019
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UNIFESP
Texto Completo: https://sucupira.capes.gov.br/sucupira/public/consultas/coleta/trabalhoConclusao/viewTrabalhoConclusao.jsf?popup=true&id_trabalho=8070219
https://repositorio.unifesp.br/handle/11600/59743
Resumo: On November 8th 1971, the English rock band Led Zeppelin released their fourth, untitled, album. Having 22 million copies sold, its success was seen by the record label Atlantic Records as a professional suicide. On this album, the tracks are referring to the 60s rock’s cultural form, when London’s underground offered possibilities of producing musical experiments. However, the album also has transformations, typical of the beginning of the 70s, when rock music was tied to subgenres, in order to be assimilated by marketing strategies and sold in each one of the segmented markets. This situation was due to a London underground scene crisis and this research aims to investigate how much of this crisis can be heard in Led Zeppelin IV and how the band reacted to the new subgenres.
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spelling Crise no underground londrino: uma análise do Led Zeppelin IVLed ZeppelinMusic HistoryRock HistoryUndergroundCountercultureLed ZeppelinHistória Da MúsicaHistória Do RockUndergroundContracultura.On November 8th 1971, the English rock band Led Zeppelin released their fourth, untitled, album. Having 22 million copies sold, its success was seen by the record label Atlantic Records as a professional suicide. On this album, the tracks are referring to the 60s rock’s cultural form, when London’s underground offered possibilities of producing musical experiments. However, the album also has transformations, typical of the beginning of the 70s, when rock music was tied to subgenres, in order to be assimilated by marketing strategies and sold in each one of the segmented markets. This situation was due to a London underground scene crisis and this research aims to investigate how much of this crisis can be heard in Led Zeppelin IV and how the band reacted to the new subgenres.Em 8 de novembro de 1971, a banda inglesa Led Zeppelin lançou seu quarto álbum, no qual não constava título algum. O sucesso de 22 milhões de cópias vendidas foi visto, antes de seu êxito, como um suicídio profissional pela gravadora da banda, a Atlantic Records. As faixas presentes no álbum dialogavam com a forma cultural do rock dos anos de 1960, quando o underground londrino sustentava a possibilidade de produzir experimentalismos musicais. Porém, o álbum também estava de acordo com a transformação do rock no início da década de 1970, quando o rock ficou limitado a subgêneros, o que tornou possível estratégias de marketing e as vendas de cada um desses em mercados segmentados, muito em razão da crise dos valores do underground londrino. Sendo assim, este estudo tentou compreender o que o Led Zeppelin IV transmitiu sobre tal crise e como reagiu aos novos subgêneros do rock.Dados abertos - Sucupira - Teses e dissertações (2019)Universidade Federal de São Paulo (UNIFESP)Nemi, Ana Lucia Lana [UNIFESP]Universidade Federal de São Paulo (UNIFESP)Arruda, Ricardo Sinigaglia [UNIFESP]2021-01-19T16:35:37Z2021-01-19T16:35:37Z2019-02-28info:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/publishedVersion126 p.application/pdfhttps://sucupira.capes.gov.br/sucupira/public/consultas/coleta/trabalhoConclusao/viewTrabalhoConclusao.jsf?popup=true&id_trabalho=8070219RICARDO SINIGAGLIA ARRUDA.pdfhttps://repositorio.unifesp.br/handle/11600/59743porinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UNIFESPinstname:Universidade Federal de São Paulo (UNIFESP)instacron:UNIFESP2024-08-11T07:39:19Zoai:repositorio.unifesp.br/:11600/59743Repositório InstitucionalPUBhttp://www.repositorio.unifesp.br/oai/requestbiblioteca.csp@unifesp.bropendoar:34652024-08-11T07:39:19Repositório Institucional da UNIFESP - Universidade Federal de São Paulo (UNIFESP)false
dc.title.none.fl_str_mv Crise no underground londrino: uma análise do Led Zeppelin IV
title Crise no underground londrino: uma análise do Led Zeppelin IV
spellingShingle Crise no underground londrino: uma análise do Led Zeppelin IV
Arruda, Ricardo Sinigaglia [UNIFESP]
Led Zeppelin
Music History
Rock History
Underground
Counterculture
Led Zeppelin
História Da Música
História Do Rock
Underground
Contracultura.
title_short Crise no underground londrino: uma análise do Led Zeppelin IV
title_full Crise no underground londrino: uma análise do Led Zeppelin IV
title_fullStr Crise no underground londrino: uma análise do Led Zeppelin IV
title_full_unstemmed Crise no underground londrino: uma análise do Led Zeppelin IV
title_sort Crise no underground londrino: uma análise do Led Zeppelin IV
author Arruda, Ricardo Sinigaglia [UNIFESP]
author_facet Arruda, Ricardo Sinigaglia [UNIFESP]
author_role author
dc.contributor.none.fl_str_mv Nemi, Ana Lucia Lana [UNIFESP]
Universidade Federal de São Paulo (UNIFESP)
dc.contributor.author.fl_str_mv Arruda, Ricardo Sinigaglia [UNIFESP]
dc.subject.por.fl_str_mv Led Zeppelin
Music History
Rock History
Underground
Counterculture
Led Zeppelin
História Da Música
História Do Rock
Underground
Contracultura.
topic Led Zeppelin
Music History
Rock History
Underground
Counterculture
Led Zeppelin
História Da Música
História Do Rock
Underground
Contracultura.
description On November 8th 1971, the English rock band Led Zeppelin released their fourth, untitled, album. Having 22 million copies sold, its success was seen by the record label Atlantic Records as a professional suicide. On this album, the tracks are referring to the 60s rock’s cultural form, when London’s underground offered possibilities of producing musical experiments. However, the album also has transformations, typical of the beginning of the 70s, when rock music was tied to subgenres, in order to be assimilated by marketing strategies and sold in each one of the segmented markets. This situation was due to a London underground scene crisis and this research aims to investigate how much of this crisis can be heard in Led Zeppelin IV and how the band reacted to the new subgenres.
publishDate 2019
dc.date.none.fl_str_mv 2019-02-28
2021-01-19T16:35:37Z
2021-01-19T16:35:37Z
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
format masterThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://sucupira.capes.gov.br/sucupira/public/consultas/coleta/trabalhoConclusao/viewTrabalhoConclusao.jsf?popup=true&id_trabalho=8070219
RICARDO SINIGAGLIA ARRUDA.pdf
https://repositorio.unifesp.br/handle/11600/59743
url https://sucupira.capes.gov.br/sucupira/public/consultas/coleta/trabalhoConclusao/viewTrabalhoConclusao.jsf?popup=true&id_trabalho=8070219
https://repositorio.unifesp.br/handle/11600/59743
identifier_str_mv RICARDO SINIGAGLIA ARRUDA.pdf
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv 126 p.
application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de São Paulo (UNIFESP)
publisher.none.fl_str_mv Universidade Federal de São Paulo (UNIFESP)
dc.source.none.fl_str_mv reponame:Repositório Institucional da UNIFESP
instname:Universidade Federal de São Paulo (UNIFESP)
instacron:UNIFESP
instname_str Universidade Federal de São Paulo (UNIFESP)
instacron_str UNIFESP
institution UNIFESP
reponame_str Repositório Institucional da UNIFESP
collection Repositório Institucional da UNIFESP
repository.name.fl_str_mv Repositório Institucional da UNIFESP - Universidade Federal de São Paulo (UNIFESP)
repository.mail.fl_str_mv biblioteca.csp@unifesp.br
_version_ 1814268359716372480

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