Tracking Guarani songs: between villages, cities and worlds
Autor(a) principal: | |
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Data de Publicação: | 2011 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Institucional da UNIFESP |
Texto Completo: | http://dx.doi.org/10.1590/S1809-43412011000100014 http://repositorio.unifesp.br/handle/11600/6498 |
Resumo: | For the Guarani, songs are one of the primary channels for acquiring shamanic knowledge and agency. Since the 1990s, some song modalities have also played a leading role in inserting Mbya and Nhandeva Guarani living in Brazil s South and Southeast into the world of cultural events and projects. These songs are performed by child and youth choirs in shows and for CDs. My aim is to explore the shifts caused by the exhibition of these songs in relations with the jurua (whites). The strategy of cultural invisibility once prevalent among the Guarani has been somewhat overtaken by efforts to display Guarani culture , providing it with recognizable and valorizable contours, thereby enhancing the power of the songs as a way to be heard on both the vertical and horizontal planes of existence. |
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Tracking Guarani songs: between villages, cities and worldsGuarani songsindigenous projectscultureGuaranicantos guaraniprojetos indígenasculturaredes ameríndiasFor the Guarani, songs are one of the primary channels for acquiring shamanic knowledge and agency. Since the 1990s, some song modalities have also played a leading role in inserting Mbya and Nhandeva Guarani living in Brazil s South and Southeast into the world of cultural events and projects. These songs are performed by child and youth choirs in shows and for CDs. My aim is to explore the shifts caused by the exhibition of these songs in relations with the jurua (whites). The strategy of cultural invisibility once prevalent among the Guarani has been somewhat overtaken by efforts to display Guarani culture , providing it with recognizable and valorizable contours, thereby enhancing the power of the songs as a way to be heard on both the vertical and horizontal planes of existence.Entre os Guarani, os cantos correspondem a um dos principais veículos de aquisição de conhecimento e agência xamânica. Na década de 90, com a formação de corais de crianças e jovens, algumas modalidades de cantos vieram protagonizando a inserção dos Guarani Mbya e Nhandeva nas regiões Sul e Sudeste do país no mundo dos projetos e eventos culturais, com a multiplicação de CDs e apresentações. Meu propósito é dar relevo a controvérsias e a forte inflexão que correspondeu a veiculação desses cantos nas relações com os jurua (os brancos). A estratégia até então predominante entre os Guarani de invisibilidade cultural foi tensionada pelo empenho de figurar a cultura , de modo a dar-lhe contornos reconhecíveis e valorizáveis, potencializando nos cantos o dispositivo de se fazer ouvir, tanto no eixo vertical como horizontal da existência.UNIFESPUSP FFLCH NHIIFapespUNIFESPSciELOAssociação Brasileira de Antropologia (ABA)Universidade Federal de São Paulo (UNIFESP)Universidade de São Paulo (USP)FapespMacedo, Valéria [UNIFESP]2015-06-14T13:43:07Z2015-06-14T13:43:07Z2011-06-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersion377-410application/pdfhttp://dx.doi.org/10.1590/S1809-43412011000100014Vibrant: Virtual Brazilian Anthropology. Associação Brasileira de Antropologia (ABA), v. 8, n. 1, p. 377-410, 2011.10.1590/S1809-43412011000100014S1809-43412011000100014.pdf1809-4341S1809-43412011000100014http://repositorio.unifesp.br/handle/11600/6498engVibrant: Virtual Brazilian Anthropologyinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UNIFESPinstname:Universidade Federal de São Paulo (UNIFESP)instacron:UNIFESP2024-07-28T22:19:49Zoai:repositorio.unifesp.br/:11600/6498Repositório InstitucionalPUBhttp://www.repositorio.unifesp.br/oai/requestbiblioteca.csp@unifesp.bropendoar:34652024-07-28T22:19:49Repositório Institucional da UNIFESP - Universidade Federal de São Paulo (UNIFESP)false |
dc.title.none.fl_str_mv |
Tracking Guarani songs: between villages, cities and worlds |
title |
Tracking Guarani songs: between villages, cities and worlds |
spellingShingle |
Tracking Guarani songs: between villages, cities and worlds Macedo, Valéria [UNIFESP] Guarani songs indigenous projects culture Guarani cantos guarani projetos indígenas cultura redes ameríndias |
title_short |
Tracking Guarani songs: between villages, cities and worlds |
title_full |
Tracking Guarani songs: between villages, cities and worlds |
title_fullStr |
Tracking Guarani songs: between villages, cities and worlds |
title_full_unstemmed |
Tracking Guarani songs: between villages, cities and worlds |
title_sort |
Tracking Guarani songs: between villages, cities and worlds |
author |
Macedo, Valéria [UNIFESP] |
author_facet |
Macedo, Valéria [UNIFESP] |
author_role |
author |
dc.contributor.none.fl_str_mv |
Universidade Federal de São Paulo (UNIFESP) Universidade de São Paulo (USP) Fapesp |
dc.contributor.author.fl_str_mv |
Macedo, Valéria [UNIFESP] |
dc.subject.por.fl_str_mv |
Guarani songs indigenous projects culture Guarani cantos guarani projetos indígenas cultura redes ameríndias |
topic |
Guarani songs indigenous projects culture Guarani cantos guarani projetos indígenas cultura redes ameríndias |
description |
For the Guarani, songs are one of the primary channels for acquiring shamanic knowledge and agency. Since the 1990s, some song modalities have also played a leading role in inserting Mbya and Nhandeva Guarani living in Brazil s South and Southeast into the world of cultural events and projects. These songs are performed by child and youth choirs in shows and for CDs. My aim is to explore the shifts caused by the exhibition of these songs in relations with the jurua (whites). The strategy of cultural invisibility once prevalent among the Guarani has been somewhat overtaken by efforts to display Guarani culture , providing it with recognizable and valorizable contours, thereby enhancing the power of the songs as a way to be heard on both the vertical and horizontal planes of existence. |
publishDate |
2011 |
dc.date.none.fl_str_mv |
2011-06-01 2015-06-14T13:43:07Z 2015-06-14T13:43:07Z |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://dx.doi.org/10.1590/S1809-43412011000100014 Vibrant: Virtual Brazilian Anthropology. Associação Brasileira de Antropologia (ABA), v. 8, n. 1, p. 377-410, 2011. 10.1590/S1809-43412011000100014 S1809-43412011000100014.pdf 1809-4341 S1809-43412011000100014 http://repositorio.unifesp.br/handle/11600/6498 |
url |
http://dx.doi.org/10.1590/S1809-43412011000100014 http://repositorio.unifesp.br/handle/11600/6498 |
identifier_str_mv |
Vibrant: Virtual Brazilian Anthropology. Associação Brasileira de Antropologia (ABA), v. 8, n. 1, p. 377-410, 2011. 10.1590/S1809-43412011000100014 S1809-43412011000100014.pdf 1809-4341 S1809-43412011000100014 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
Vibrant: Virtual Brazilian Anthropology |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
377-410 application/pdf |
dc.publisher.none.fl_str_mv |
Associação Brasileira de Antropologia (ABA) |
publisher.none.fl_str_mv |
Associação Brasileira de Antropologia (ABA) |
dc.source.none.fl_str_mv |
reponame:Repositório Institucional da UNIFESP instname:Universidade Federal de São Paulo (UNIFESP) instacron:UNIFESP |
instname_str |
Universidade Federal de São Paulo (UNIFESP) |
instacron_str |
UNIFESP |
institution |
UNIFESP |
reponame_str |
Repositório Institucional da UNIFESP |
collection |
Repositório Institucional da UNIFESP |
repository.name.fl_str_mv |
Repositório Institucional da UNIFESP - Universidade Federal de São Paulo (UNIFESP) |
repository.mail.fl_str_mv |
biblioteca.csp@unifesp.br |
_version_ |
1814268391744077824 |