Imagens insurgentes, mulheres e negros no acervo fotográfico de Gilda e Antonio Candido de Mello e Souza

Detalhes bibliográficos
Autor(a) principal: Moraes, Laura Escorel De [UNIFESP]
Data de Publicação: 2019
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UNIFESP
Texto Completo: https://sucupira.capes.gov.br/sucupira/public/consultas/coleta/trabalhoConclusao/viewTrabalhoConclusao.jsf?popup=true&id_trabalho=8197825
https://repositorio.unifesp.br/handle/11600/59399
Resumo: An investigation of photography in personal collections, notably researching a collection put together by Gilda and Antonio Candido de Mello e Souza in the course of their personal trajectories. Although the collection contains about 5000 images, produced over a 170-year span of time , the dissertation prioritizes a subset produced between the mid-nineteenth century and the early decades of the twentieth century, covering little-known or rarely published images. This also allowed us to proceed to the analysis of the transformations and continuities within Brazilian society. Initially, the owners of the collection are presented, followed by the techniques found in the collection - such as daquerreotype, cyanotype and planotype, with next the photographers who created the images and the places where the photographs were stored by the couple. Subsequently the (under) representation, in the collection, of women and black people, is analyzed, both in quantitative and qualitative terms. Throughout the dissertation, attention is paid to the materiality of the images and emphasis is placed on the presence of vernacular photography. It is a transdisciplinary work that broaches visual anthropology, art history and cultural management, among other fields of knowledge.
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spelling Imagens insurgentes, mulheres e negros no acervo fotográfico de Gilda e Antonio Candido de Mello e SouzaPhotographyPersonal ArchivesImageMemoryFotografiaAcervos PessoaisImagemMemóriaAn investigation of photography in personal collections, notably researching a collection put together by Gilda and Antonio Candido de Mello e Souza in the course of their personal trajectories. Although the collection contains about 5000 images, produced over a 170-year span of time , the dissertation prioritizes a subset produced between the mid-nineteenth century and the early decades of the twentieth century, covering little-known or rarely published images. This also allowed us to proceed to the analysis of the transformations and continuities within Brazilian society. Initially, the owners of the collection are presented, followed by the techniques found in the collection - such as daquerreotype, cyanotype and planotype, with next the photographers who created the images and the places where the photographs were stored by the couple. Subsequently the (under) representation, in the collection, of women and black people, is analyzed, both in quantitative and qualitative terms. Throughout the dissertation, attention is paid to the materiality of the images and emphasis is placed on the presence of vernacular photography. It is a transdisciplinary work that broaches visual anthropology, art history and cultural management, among other fields of knowledge.Pesquisa sobre fotografia em acervos pessoais, notadamente em uma coleção formada por Gilda e Antonio Candido de Mello e Souza ao longo de suas trajetórias. Embora o acervo conte com cerca de 5000 imagens, produzidas em um intervalo de 170 anos, a dissertação prioriza um subconjunto produzido entre meados do século XIX e as primeiras décadas do século XX, que cobre imagens pouco conhecidas ou publicadas e permite também analisar transformações e continuidades da sociedade brasileira. Inicialmente, são apresentados os titulares da coleção, as técnicas presentes no acervo – como daquerreótipo, cianótipo e planotipia –, os fotógrafos autores das imagens e os locais de guarda em que as fotografias foram armazenadas pelo casal. Em seguida, é analisada mais detidamente a (sub)representação de mulheres e negros no acervo, tanto em termos quantitativos, como qualitativos. Ao longo da dissertação, dá-se atenção à materialidade das imagens e enfatiza-se a fotografia vernacular. Trata-se de um trabalho transdisciplinar, que transita pela antropologia visual, pela história da arte e pela gestão cultural, entre outras áreas do conhecimento.Dados abertos - Sucupira - Teses e dissertações (2019)Universidade Federal de São Paulo (UNIFESP)Goldstein, Ilana Seltzer [UNIFESP]Universidade Federal de São Paulo (UNIFESP)Moraes, Laura Escorel De [UNIFESP]2021-01-19T16:32:17Z2021-01-19T16:32:17Z2019-05-30info:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://sucupira.capes.gov.br/sucupira/public/consultas/coleta/trabalhoConclusao/viewTrabalhoConclusao.jsf?popup=true&id_trabalho=8197825LAURA ESCOREL DE MORAES.pdfhttps://repositorio.unifesp.br/handle/11600/59399porinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UNIFESPinstname:Universidade Federal de São Paulo (UNIFESP)instacron:UNIFESP2024-08-03T01:39:00Zoai:repositorio.unifesp.br/:11600/59399Repositório InstitucionalPUBhttp://www.repositorio.unifesp.br/oai/requestbiblioteca.csp@unifesp.bropendoar:34652024-08-03T01:39Repositório Institucional da UNIFESP - Universidade Federal de São Paulo (UNIFESP)false
dc.title.none.fl_str_mv Imagens insurgentes, mulheres e negros no acervo fotográfico de Gilda e Antonio Candido de Mello e Souza
title Imagens insurgentes, mulheres e negros no acervo fotográfico de Gilda e Antonio Candido de Mello e Souza
spellingShingle Imagens insurgentes, mulheres e negros no acervo fotográfico de Gilda e Antonio Candido de Mello e Souza
Moraes, Laura Escorel De [UNIFESP]
Photography
Personal Archives
Image
Memory
Fotografia
Acervos Pessoais
Imagem
Memória
title_short Imagens insurgentes, mulheres e negros no acervo fotográfico de Gilda e Antonio Candido de Mello e Souza
title_full Imagens insurgentes, mulheres e negros no acervo fotográfico de Gilda e Antonio Candido de Mello e Souza
title_fullStr Imagens insurgentes, mulheres e negros no acervo fotográfico de Gilda e Antonio Candido de Mello e Souza
title_full_unstemmed Imagens insurgentes, mulheres e negros no acervo fotográfico de Gilda e Antonio Candido de Mello e Souza
title_sort Imagens insurgentes, mulheres e negros no acervo fotográfico de Gilda e Antonio Candido de Mello e Souza
author Moraes, Laura Escorel De [UNIFESP]
author_facet Moraes, Laura Escorel De [UNIFESP]
author_role author
dc.contributor.none.fl_str_mv Goldstein, Ilana Seltzer [UNIFESP]
Universidade Federal de São Paulo (UNIFESP)
dc.contributor.author.fl_str_mv Moraes, Laura Escorel De [UNIFESP]
dc.subject.por.fl_str_mv Photography
Personal Archives
Image
Memory
Fotografia
Acervos Pessoais
Imagem
Memória
topic Photography
Personal Archives
Image
Memory
Fotografia
Acervos Pessoais
Imagem
Memória
description An investigation of photography in personal collections, notably researching a collection put together by Gilda and Antonio Candido de Mello e Souza in the course of their personal trajectories. Although the collection contains about 5000 images, produced over a 170-year span of time , the dissertation prioritizes a subset produced between the mid-nineteenth century and the early decades of the twentieth century, covering little-known or rarely published images. This also allowed us to proceed to the analysis of the transformations and continuities within Brazilian society. Initially, the owners of the collection are presented, followed by the techniques found in the collection - such as daquerreotype, cyanotype and planotype, with next the photographers who created the images and the places where the photographs were stored by the couple. Subsequently the (under) representation, in the collection, of women and black people, is analyzed, both in quantitative and qualitative terms. Throughout the dissertation, attention is paid to the materiality of the images and emphasis is placed on the presence of vernacular photography. It is a transdisciplinary work that broaches visual anthropology, art history and cultural management, among other fields of knowledge.
publishDate 2019
dc.date.none.fl_str_mv 2019-05-30
2021-01-19T16:32:17Z
2021-01-19T16:32:17Z
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
format masterThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://sucupira.capes.gov.br/sucupira/public/consultas/coleta/trabalhoConclusao/viewTrabalhoConclusao.jsf?popup=true&id_trabalho=8197825
LAURA ESCOREL DE MORAES.pdf
https://repositorio.unifesp.br/handle/11600/59399
url https://sucupira.capes.gov.br/sucupira/public/consultas/coleta/trabalhoConclusao/viewTrabalhoConclusao.jsf?popup=true&id_trabalho=8197825
https://repositorio.unifesp.br/handle/11600/59399
identifier_str_mv LAURA ESCOREL DE MORAES.pdf
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de São Paulo (UNIFESP)
publisher.none.fl_str_mv Universidade Federal de São Paulo (UNIFESP)
dc.source.none.fl_str_mv reponame:Repositório Institucional da UNIFESP
instname:Universidade Federal de São Paulo (UNIFESP)
instacron:UNIFESP
instname_str Universidade Federal de São Paulo (UNIFESP)
instacron_str UNIFESP
institution UNIFESP
reponame_str Repositório Institucional da UNIFESP
collection Repositório Institucional da UNIFESP
repository.name.fl_str_mv Repositório Institucional da UNIFESP - Universidade Federal de São Paulo (UNIFESP)
repository.mail.fl_str_mv biblioteca.csp@unifesp.br
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