Imagens insurgentes, mulheres e negros no acervo fotográfico de Gilda e Antonio Candido de Mello e Souza
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UNIFESP |
Texto Completo: | https://sucupira.capes.gov.br/sucupira/public/consultas/coleta/trabalhoConclusao/viewTrabalhoConclusao.jsf?popup=true&id_trabalho=8197825 https://repositorio.unifesp.br/handle/11600/59399 |
Resumo: | An investigation of photography in personal collections, notably researching a collection put together by Gilda and Antonio Candido de Mello e Souza in the course of their personal trajectories. Although the collection contains about 5000 images, produced over a 170-year span of time , the dissertation prioritizes a subset produced between the mid-nineteenth century and the early decades of the twentieth century, covering little-known or rarely published images. This also allowed us to proceed to the analysis of the transformations and continuities within Brazilian society. Initially, the owners of the collection are presented, followed by the techniques found in the collection - such as daquerreotype, cyanotype and planotype, with next the photographers who created the images and the places where the photographs were stored by the couple. Subsequently the (under) representation, in the collection, of women and black people, is analyzed, both in quantitative and qualitative terms. Throughout the dissertation, attention is paid to the materiality of the images and emphasis is placed on the presence of vernacular photography. It is a transdisciplinary work that broaches visual anthropology, art history and cultural management, among other fields of knowledge. |
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Imagens insurgentes, mulheres e negros no acervo fotográfico de Gilda e Antonio Candido de Mello e SouzaPhotographyPersonal ArchivesImageMemoryFotografiaAcervos PessoaisImagemMemóriaAn investigation of photography in personal collections, notably researching a collection put together by Gilda and Antonio Candido de Mello e Souza in the course of their personal trajectories. Although the collection contains about 5000 images, produced over a 170-year span of time , the dissertation prioritizes a subset produced between the mid-nineteenth century and the early decades of the twentieth century, covering little-known or rarely published images. This also allowed us to proceed to the analysis of the transformations and continuities within Brazilian society. Initially, the owners of the collection are presented, followed by the techniques found in the collection - such as daquerreotype, cyanotype and planotype, with next the photographers who created the images and the places where the photographs were stored by the couple. Subsequently the (under) representation, in the collection, of women and black people, is analyzed, both in quantitative and qualitative terms. Throughout the dissertation, attention is paid to the materiality of the images and emphasis is placed on the presence of vernacular photography. It is a transdisciplinary work that broaches visual anthropology, art history and cultural management, among other fields of knowledge.Pesquisa sobre fotografia em acervos pessoais, notadamente em uma coleção formada por Gilda e Antonio Candido de Mello e Souza ao longo de suas trajetórias. Embora o acervo conte com cerca de 5000 imagens, produzidas em um intervalo de 170 anos, a dissertação prioriza um subconjunto produzido entre meados do século XIX e as primeiras décadas do século XX, que cobre imagens pouco conhecidas ou publicadas e permite também analisar transformações e continuidades da sociedade brasileira. Inicialmente, são apresentados os titulares da coleção, as técnicas presentes no acervo – como daquerreótipo, cianótipo e planotipia –, os fotógrafos autores das imagens e os locais de guarda em que as fotografias foram armazenadas pelo casal. Em seguida, é analisada mais detidamente a (sub)representação de mulheres e negros no acervo, tanto em termos quantitativos, como qualitativos. Ao longo da dissertação, dá-se atenção à materialidade das imagens e enfatiza-se a fotografia vernacular. Trata-se de um trabalho transdisciplinar, que transita pela antropologia visual, pela história da arte e pela gestão cultural, entre outras áreas do conhecimento.Dados abertos - Sucupira - Teses e dissertações (2019)Universidade Federal de São Paulo (UNIFESP)Goldstein, Ilana Seltzer [UNIFESP]Universidade Federal de São Paulo (UNIFESP)Moraes, Laura Escorel De [UNIFESP]2021-01-19T16:32:17Z2021-01-19T16:32:17Z2019-05-30info:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://sucupira.capes.gov.br/sucupira/public/consultas/coleta/trabalhoConclusao/viewTrabalhoConclusao.jsf?popup=true&id_trabalho=8197825LAURA ESCOREL DE MORAES.pdfhttps://repositorio.unifesp.br/handle/11600/59399porinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UNIFESPinstname:Universidade Federal de São Paulo (UNIFESP)instacron:UNIFESP2024-08-03T01:39:00Zoai:repositorio.unifesp.br/:11600/59399Repositório InstitucionalPUBhttp://www.repositorio.unifesp.br/oai/requestbiblioteca.csp@unifesp.bropendoar:34652024-08-03T01:39Repositório Institucional da UNIFESP - Universidade Federal de São Paulo (UNIFESP)false |
dc.title.none.fl_str_mv |
Imagens insurgentes, mulheres e negros no acervo fotográfico de Gilda e Antonio Candido de Mello e Souza |
title |
Imagens insurgentes, mulheres e negros no acervo fotográfico de Gilda e Antonio Candido de Mello e Souza |
spellingShingle |
Imagens insurgentes, mulheres e negros no acervo fotográfico de Gilda e Antonio Candido de Mello e Souza Moraes, Laura Escorel De [UNIFESP] Photography Personal Archives Image Memory Fotografia Acervos Pessoais Imagem Memória |
title_short |
Imagens insurgentes, mulheres e negros no acervo fotográfico de Gilda e Antonio Candido de Mello e Souza |
title_full |
Imagens insurgentes, mulheres e negros no acervo fotográfico de Gilda e Antonio Candido de Mello e Souza |
title_fullStr |
Imagens insurgentes, mulheres e negros no acervo fotográfico de Gilda e Antonio Candido de Mello e Souza |
title_full_unstemmed |
Imagens insurgentes, mulheres e negros no acervo fotográfico de Gilda e Antonio Candido de Mello e Souza |
title_sort |
Imagens insurgentes, mulheres e negros no acervo fotográfico de Gilda e Antonio Candido de Mello e Souza |
author |
Moraes, Laura Escorel De [UNIFESP] |
author_facet |
Moraes, Laura Escorel De [UNIFESP] |
author_role |
author |
dc.contributor.none.fl_str_mv |
Goldstein, Ilana Seltzer [UNIFESP] Universidade Federal de São Paulo (UNIFESP) |
dc.contributor.author.fl_str_mv |
Moraes, Laura Escorel De [UNIFESP] |
dc.subject.por.fl_str_mv |
Photography Personal Archives Image Memory Fotografia Acervos Pessoais Imagem Memória |
topic |
Photography Personal Archives Image Memory Fotografia Acervos Pessoais Imagem Memória |
description |
An investigation of photography in personal collections, notably researching a collection put together by Gilda and Antonio Candido de Mello e Souza in the course of their personal trajectories. Although the collection contains about 5000 images, produced over a 170-year span of time , the dissertation prioritizes a subset produced between the mid-nineteenth century and the early decades of the twentieth century, covering little-known or rarely published images. This also allowed us to proceed to the analysis of the transformations and continuities within Brazilian society. Initially, the owners of the collection are presented, followed by the techniques found in the collection - such as daquerreotype, cyanotype and planotype, with next the photographers who created the images and the places where the photographs were stored by the couple. Subsequently the (under) representation, in the collection, of women and black people, is analyzed, both in quantitative and qualitative terms. Throughout the dissertation, attention is paid to the materiality of the images and emphasis is placed on the presence of vernacular photography. It is a transdisciplinary work that broaches visual anthropology, art history and cultural management, among other fields of knowledge. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-05-30 2021-01-19T16:32:17Z 2021-01-19T16:32:17Z |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://sucupira.capes.gov.br/sucupira/public/consultas/coleta/trabalhoConclusao/viewTrabalhoConclusao.jsf?popup=true&id_trabalho=8197825 LAURA ESCOREL DE MORAES.pdf https://repositorio.unifesp.br/handle/11600/59399 |
url |
https://sucupira.capes.gov.br/sucupira/public/consultas/coleta/trabalhoConclusao/viewTrabalhoConclusao.jsf?popup=true&id_trabalho=8197825 https://repositorio.unifesp.br/handle/11600/59399 |
identifier_str_mv |
LAURA ESCOREL DE MORAES.pdf |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de São Paulo (UNIFESP) |
publisher.none.fl_str_mv |
Universidade Federal de São Paulo (UNIFESP) |
dc.source.none.fl_str_mv |
reponame:Repositório Institucional da UNIFESP instname:Universidade Federal de São Paulo (UNIFESP) instacron:UNIFESP |
instname_str |
Universidade Federal de São Paulo (UNIFESP) |
instacron_str |
UNIFESP |
institution |
UNIFESP |
reponame_str |
Repositório Institucional da UNIFESP |
collection |
Repositório Institucional da UNIFESP |
repository.name.fl_str_mv |
Repositório Institucional da UNIFESP - Universidade Federal de São Paulo (UNIFESP) |
repository.mail.fl_str_mv |
biblioteca.csp@unifesp.br |
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1814268365480394752 |