CONTEMPORARY SCENE: TEXTUALIZED CHAOS IN THE MEZ OF GRIPPE
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | EntreLetras |
Texto Completo: | https://periodicos.ufnt.edu.br/index.php/entreletras/article/view/14259 |
Resumo: | Contemporary scene: the textualized chaos in the mez of grippe (Xavier, 2020) tells about the creative procedure carried out with clippings - collection of fragments - to compose the page and situate, two moments of global crisis with reflexes sensitively felt in our country: the first world war and the contamination by the flu virus. The guiding objective of the analysis was to verify how the staged materials (fragments of news from newspapers, documents, advertisements etc.) were incorporated into the narrative creation. For this, we focus the process of cutting, collage, and montage according to the conceptual formulations related to post-production and the poetics of the 21st century. |
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CONTEMPORARY SCENE: TEXTUALIZED CHAOS IN THE MEZ OF GRIPPECENA CONTEMPORÂNEA: O CAOS TEXTUALIZADO EM O MEZ DA GRIPPEcaos textualizado; O mez da grippe; guerra; pós-produção; poéticas do século XXI.textualized chaos; The mez of grippe; war; post-production; 21st century poetics.Contemporary scene: the textualized chaos in the mez of grippe (Xavier, 2020) tells about the creative procedure carried out with clippings - collection of fragments - to compose the page and situate, two moments of global crisis with reflexes sensitively felt in our country: the first world war and the contamination by the flu virus. The guiding objective of the analysis was to verify how the staged materials (fragments of news from newspapers, documents, advertisements etc.) were incorporated into the narrative creation. For this, we focus the process of cutting, collage, and montage according to the conceptual formulations related to post-production and the poetics of the 21st century.Cena contemporânea: o caos textualizado em O mez da grippe (Xavier, 2020) diz sobre o procedimento criativo realizado com recorte de recortes – coleção de fragmentos – para compor a página e situar, dois momentos de crise mundial com reflexos sensivelmente sentidos em nosso país: a primeira guerra mundial e a contaminação pelo vírus da gripe. O objetivo norteador da análise consistiu em verificar como os materiais encenados (fragmentos de notícias de jornais, de documentos, de anúncios publicitários etc.) foram incorporados na criação narrativa. Para isso, centramos o processo de recorte, colagem e montagem segundo as formulações conceituais relativas à pós-produção e às poéticas do século XXI.Universidade Federal do Norte do Tocantins2022-11-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufnt.edu.br/index.php/entreletras/article/view/1425910.20873/uft2179-3948.2022v13n2p20-39EntreLetras; v. 13 n. 2 (2022): DOSSIÊ - POÉTICAS E IMAGENS DO CAOS: ÉTICA, ESTÉTICA E POLÍTICA; 20 - 392179-3948reponame:EntreLetrasinstname:Universidade Federal do Tocantins (UFT)instacron:UFTporhttps://periodicos.ufnt.edu.br/index.php/entreletras/article/view/14259/20607Copyright (c) 2022 EntreLetrashttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessALFELD, ELISABETE2022-11-17T01:55:02Zoai:ojs2.ufnt.acessoacademico.com.br:article/14259Revistahttps://sistemas.uft.edu.br/periodicos/index.php/entreletras/indexPUBhttps://sistemas.uft.edu.br/periodicos/index.php/entreletras/oaientreletrasuft@gmail.com || dirpesq@ufnt.edu.br2179-39482178-9479opendoar:2022-11-17T01:55:02EntreLetras - Universidade Federal do Tocantins (UFT)false |
dc.title.none.fl_str_mv |
CONTEMPORARY SCENE: TEXTUALIZED CHAOS IN THE MEZ OF GRIPPE CENA CONTEMPORÂNEA: O CAOS TEXTUALIZADO EM O MEZ DA GRIPPE |
title |
CONTEMPORARY SCENE: TEXTUALIZED CHAOS IN THE MEZ OF GRIPPE |
spellingShingle |
CONTEMPORARY SCENE: TEXTUALIZED CHAOS IN THE MEZ OF GRIPPE ALFELD, ELISABETE caos textualizado; O mez da grippe; guerra; pós-produção; poéticas do século XXI. textualized chaos; The mez of grippe; war; post-production; 21st century poetics. |
title_short |
CONTEMPORARY SCENE: TEXTUALIZED CHAOS IN THE MEZ OF GRIPPE |
title_full |
CONTEMPORARY SCENE: TEXTUALIZED CHAOS IN THE MEZ OF GRIPPE |
title_fullStr |
CONTEMPORARY SCENE: TEXTUALIZED CHAOS IN THE MEZ OF GRIPPE |
title_full_unstemmed |
CONTEMPORARY SCENE: TEXTUALIZED CHAOS IN THE MEZ OF GRIPPE |
title_sort |
CONTEMPORARY SCENE: TEXTUALIZED CHAOS IN THE MEZ OF GRIPPE |
author |
ALFELD, ELISABETE |
author_facet |
ALFELD, ELISABETE |
author_role |
author |
dc.contributor.author.fl_str_mv |
ALFELD, ELISABETE |
dc.subject.por.fl_str_mv |
caos textualizado; O mez da grippe; guerra; pós-produção; poéticas do século XXI. textualized chaos; The mez of grippe; war; post-production; 21st century poetics. |
topic |
caos textualizado; O mez da grippe; guerra; pós-produção; poéticas do século XXI. textualized chaos; The mez of grippe; war; post-production; 21st century poetics. |
description |
Contemporary scene: the textualized chaos in the mez of grippe (Xavier, 2020) tells about the creative procedure carried out with clippings - collection of fragments - to compose the page and situate, two moments of global crisis with reflexes sensitively felt in our country: the first world war and the contamination by the flu virus. The guiding objective of the analysis was to verify how the staged materials (fragments of news from newspapers, documents, advertisements etc.) were incorporated into the narrative creation. For this, we focus the process of cutting, collage, and montage according to the conceptual formulations related to post-production and the poetics of the 21st century. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-11-17 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufnt.edu.br/index.php/entreletras/article/view/14259 10.20873/uft2179-3948.2022v13n2p20-39 |
url |
https://periodicos.ufnt.edu.br/index.php/entreletras/article/view/14259 |
identifier_str_mv |
10.20873/uft2179-3948.2022v13n2p20-39 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufnt.edu.br/index.php/entreletras/article/view/14259/20607 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 EntreLetras http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 EntreLetras http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal do Norte do Tocantins |
publisher.none.fl_str_mv |
Universidade Federal do Norte do Tocantins |
dc.source.none.fl_str_mv |
EntreLetras; v. 13 n. 2 (2022): DOSSIÊ - POÉTICAS E IMAGENS DO CAOS: ÉTICA, ESTÉTICA E POLÍTICA; 20 - 39 2179-3948 reponame:EntreLetras instname:Universidade Federal do Tocantins (UFT) instacron:UFT |
instname_str |
Universidade Federal do Tocantins (UFT) |
instacron_str |
UFT |
institution |
UFT |
reponame_str |
EntreLetras |
collection |
EntreLetras |
repository.name.fl_str_mv |
EntreLetras - Universidade Federal do Tocantins (UFT) |
repository.mail.fl_str_mv |
entreletrasuft@gmail.com || dirpesq@ufnt.edu.br |
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1808458995405422592 |