FATHERLESS AND HOMELESS: THE AESTHETICS OF ORPHANHOOD AND DISPLACEMENT IN ROBERTO BOLAÑO'S PUTAS ASESINAS
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | EntreLetras |
Texto Completo: | https://periodicos.ufnt.edu.br/index.php/entreletras/article/view/14379 |
Resumo: | The present work seeks to discuss the poetics constructed by Roberto Bolaño in his book of short stories Putas Asesinas. The recurring notions of displacement and orphanhood are taken as key points for understanding the aesthetics of the work, both of which are also significant for understanding the recurrence of exile throughout the author's narrative production. In order to think about these themes, not only statements made by Boalaño’s criticism are brought to light, but also information and reflections on exile and the Chilean military regime and Didi-Huberman’s thinking about the atlas, as a way of locating Bolaño’s production. |
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FATHERLESS AND HOMELESS: THE AESTHETICS OF ORPHANHOOD AND DISPLACEMENT IN ROBERTO BOLAÑO'S PUTAS ASESINASSIN PADRE E SEM PÁTRIA: A ESTÉTICA DA ORFANDADE E DO DESLOCAMENTO EM PUTAS ASESINAS DE ROBERTO BOLAÑORoberto Bolañodeslocamentoorfandadeexílioliteratura latinoamericanaRoberto BolañodisplacementorphanhoodexileLatin American literatureThe present work seeks to discuss the poetics constructed by Roberto Bolaño in his book of short stories Putas Asesinas. The recurring notions of displacement and orphanhood are taken as key points for understanding the aesthetics of the work, both of which are also significant for understanding the recurrence of exile throughout the author's narrative production. In order to think about these themes, not only statements made by Boalaño’s criticism are brought to light, but also information and reflections on exile and the Chilean military regime and Didi-Huberman’s thinking about the atlas, as a way of locating Bolaño’s production.O presente trabalho busca discutir a poética construída por Roberto Bolaño em seu livro de contos Putas Asesinas. São tomados como pontos chave para entendimento da estética da obra as noções recorrentes de deslocamento e orfandade, ambas significativas também para a compreensão da recorrência do exílio em toda a produção narrativa do autor. Para pensar sobre esses temas, são trazidos à tona não apenas colocações feitas pela crítica de Boalaño mas também informações e reflexões sobre o exílio e o regime militar chileno e o pensamento de Didi-Huberman sobre o atlas, enquanto modo de localizar a produção de Bolaño.Universidade Federal do Norte do Tocantins2022-11-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufnt.edu.br/index.php/entreletras/article/view/1437910.20873/uft2179-3948.2022v13n2p161-171EntreLetras; v. 13 n. 2 (2022): DOSSIÊ - POÉTICAS E IMAGENS DO CAOS: ÉTICA, ESTÉTICA E POLÍTICA; 161 - 1712179-3948reponame:EntreLetrasinstname:Universidade Federal do Tocantins (UFT)instacron:UFTporhttps://periodicos.ufnt.edu.br/index.php/entreletras/article/view/14379/20616Copyright (c) 2022 EntreLetrashttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCorgozinho, Rubens2022-11-17T01:54:49Zoai:ojs2.ufnt.acessoacademico.com.br:article/14379Revistahttps://sistemas.uft.edu.br/periodicos/index.php/entreletras/indexPUBhttps://sistemas.uft.edu.br/periodicos/index.php/entreletras/oaientreletrasuft@gmail.com || dirpesq@ufnt.edu.br2179-39482178-9479opendoar:2022-11-17T01:54:49EntreLetras - Universidade Federal do Tocantins (UFT)false |
dc.title.none.fl_str_mv |
FATHERLESS AND HOMELESS: THE AESTHETICS OF ORPHANHOOD AND DISPLACEMENT IN ROBERTO BOLAÑO'S PUTAS ASESINAS SIN PADRE E SEM PÁTRIA: A ESTÉTICA DA ORFANDADE E DO DESLOCAMENTO EM PUTAS ASESINAS DE ROBERTO BOLAÑO |
title |
FATHERLESS AND HOMELESS: THE AESTHETICS OF ORPHANHOOD AND DISPLACEMENT IN ROBERTO BOLAÑO'S PUTAS ASESINAS |
spellingShingle |
FATHERLESS AND HOMELESS: THE AESTHETICS OF ORPHANHOOD AND DISPLACEMENT IN ROBERTO BOLAÑO'S PUTAS ASESINAS Corgozinho, Rubens Roberto Bolaño deslocamento orfandade exílio literatura latinoamericana Roberto Bolaño displacement orphanhood exile Latin American literature |
title_short |
FATHERLESS AND HOMELESS: THE AESTHETICS OF ORPHANHOOD AND DISPLACEMENT IN ROBERTO BOLAÑO'S PUTAS ASESINAS |
title_full |
FATHERLESS AND HOMELESS: THE AESTHETICS OF ORPHANHOOD AND DISPLACEMENT IN ROBERTO BOLAÑO'S PUTAS ASESINAS |
title_fullStr |
FATHERLESS AND HOMELESS: THE AESTHETICS OF ORPHANHOOD AND DISPLACEMENT IN ROBERTO BOLAÑO'S PUTAS ASESINAS |
title_full_unstemmed |
FATHERLESS AND HOMELESS: THE AESTHETICS OF ORPHANHOOD AND DISPLACEMENT IN ROBERTO BOLAÑO'S PUTAS ASESINAS |
title_sort |
FATHERLESS AND HOMELESS: THE AESTHETICS OF ORPHANHOOD AND DISPLACEMENT IN ROBERTO BOLAÑO'S PUTAS ASESINAS |
author |
Corgozinho, Rubens |
author_facet |
Corgozinho, Rubens |
author_role |
author |
dc.contributor.author.fl_str_mv |
Corgozinho, Rubens |
dc.subject.por.fl_str_mv |
Roberto Bolaño deslocamento orfandade exílio literatura latinoamericana Roberto Bolaño displacement orphanhood exile Latin American literature |
topic |
Roberto Bolaño deslocamento orfandade exílio literatura latinoamericana Roberto Bolaño displacement orphanhood exile Latin American literature |
description |
The present work seeks to discuss the poetics constructed by Roberto Bolaño in his book of short stories Putas Asesinas. The recurring notions of displacement and orphanhood are taken as key points for understanding the aesthetics of the work, both of which are also significant for understanding the recurrence of exile throughout the author's narrative production. In order to think about these themes, not only statements made by Boalaño’s criticism are brought to light, but also information and reflections on exile and the Chilean military regime and Didi-Huberman’s thinking about the atlas, as a way of locating Bolaño’s production. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-11-17 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufnt.edu.br/index.php/entreletras/article/view/14379 10.20873/uft2179-3948.2022v13n2p161-171 |
url |
https://periodicos.ufnt.edu.br/index.php/entreletras/article/view/14379 |
identifier_str_mv |
10.20873/uft2179-3948.2022v13n2p161-171 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufnt.edu.br/index.php/entreletras/article/view/14379/20616 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 EntreLetras http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 EntreLetras http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal do Norte do Tocantins |
publisher.none.fl_str_mv |
Universidade Federal do Norte do Tocantins |
dc.source.none.fl_str_mv |
EntreLetras; v. 13 n. 2 (2022): DOSSIÊ - POÉTICAS E IMAGENS DO CAOS: ÉTICA, ESTÉTICA E POLÍTICA; 161 - 171 2179-3948 reponame:EntreLetras instname:Universidade Federal do Tocantins (UFT) instacron:UFT |
instname_str |
Universidade Federal do Tocantins (UFT) |
instacron_str |
UFT |
institution |
UFT |
reponame_str |
EntreLetras |
collection |
EntreLetras |
repository.name.fl_str_mv |
EntreLetras - Universidade Federal do Tocantins (UFT) |
repository.mail.fl_str_mv |
entreletrasuft@gmail.com || dirpesq@ufnt.edu.br |
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1808458995444219904 |