THE IMPROVISE CANTORIA ON THE WAVES OF THE RADIO: new announcers, new audiences, varied formats

• Autor(a) principal: Silva, Andréa Betânia da
• Data de Publicação: 2018
• Tipo de documento: Artigo
• Idioma: por
• Título da fonte: Revista Observatório
• Texto Completo: https://sistemas.uft.edu.br/periodicos/index.php/observatorio/article/view/5688
• topic: Radio; Repentistas; Memory; Folk singers; Radio; Repentistas; Memory; Folk singers; Radio; Cantoria de improvisacón; Memoria; Cantantes; Radio; Cantoria de improvisación; memoria; cantantes; Rádio; Cantoria de improviso; Memória; Cantadores; Rádio; Cantoria de improviso; Memória; Cantadores

The radio, according to the aim presented here comes as one of the principal means of propagation improvising repentistas[1] singing, showing the multiple functions performed by this vehicle of information in spaces where other sources were absent. In this sense, not only theoretical but also sources from memory of the repentistas*, all these can be considered as sources to be researched. Improving singers(repentistas) show aspects and memories that confirms, how such media was inserted in the daily practices, because of the various distribution programmed activities, contributing decisively to the formation of an imaginary that joined fantasy and reality. When we have improvisation singers as background music, it motivates the formation not only of fans of repente, but also new folk singers or repentistas.   [1] A repentista is a Northeastern singer-poet who improvises strictly metered verses accompanied only by a guitar.