Graphic readings of the city: Rio de Janeiro on the street comics Zé Ninguém

Detalhes bibliográficos
Autor(a) principal: Lima Gomes, Ivan
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: por
Título da fonte: ArtCultura (Online)
Texto Completo: https://seer.ufu.br/index.php/artcultura/article/view/52024
Resumo: After leaving New York in 2001to adopt the city of Rio de Janeiro, Tito na Rua started to work with graffiti to print its brand as a new resident of the city. He created a street comics called Zé Ninguém, a comics narrative whose title character lives his adventures as he wanders through the walls and alleys of Rio de Janeiro. Through Zé Ninguém we intend to discuss the possibilities of interlocution between the technical and visual procedures typical of two graphic and urban arts such as comics and graffiti. The connections between urban art and apprehension of public space, reading of art in terms of reading the city and the creative solutions suggested by intermediality are main topics developed throughout the text, starting from a perspective that historicizes the practices of looking and questions the role of the arts in the city experience.  
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spelling Graphic readings of the city: Rio de Janeiro on the street comics Zé NinguémA leitura gráfica da cidade: o Rio de Janeiro na street comics Zé NinguémQuadrinhosgrafiteRio de JaneiroComicsgraffittiRio de JaneiroAfter leaving New York in 2001to adopt the city of Rio de Janeiro, Tito na Rua started to work with graffiti to print its brand as a new resident of the city. He created a street comics called Zé Ninguém, a comics narrative whose title character lives his adventures as he wanders through the walls and alleys of Rio de Janeiro. Through Zé Ninguém we intend to discuss the possibilities of interlocution between the technical and visual procedures typical of two graphic and urban arts such as comics and graffiti. The connections between urban art and apprehension of public space, reading of art in terms of reading the city and the creative solutions suggested by intermediality are main topics developed throughout the text, starting from a perspective that historicizes the practices of looking and questions the role of the arts in the city experience.  Ao deixar Nova York e adotar o Rio de Janeiro em 2001, Tito na Rua decidiu utilizar-se do grafite para imprimir sua marca como novo morador do lugar. Criou a street comics Zé Ninguém, uma história em quadrinhos (HQ) cuja narrativa se desenvolve em paredes grafitadas pela cidade. O personagem-título vive suas aventuras enquanto percorre paredes e vielas do Rio de Janeiro, suscitando debates em torno das possibilidades de interlocução entre os procedimentos técnicos e visuais próprios de duas artes gráficas e urbanas como as HQs e o grafite. As relações entre arte urbana e apreensão do espaço público, leitura de arte como leitura da cidade e as soluções criativas a partir do diálogo intermídias serão pontos desenvolvidos ao longo deste texto, tendo por base um olhar que historiciza as práticas de olhar e se interroga sobre o papel das artes na experiência de cidade.  Universidade Federal de Uberlândia2019-12-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/5202410.14393/artc-v21-n39-2019-52024ArtCultura; Vol. 21 No. 39 (2019): ArtCultura; 25 - 40ArtCultura; Vol. 21 Núm. 39 (2019): ArtCultura; 25 - 40ArtCultura; v. 21 n. 39 (2019): ArtCultura; 25 - 402178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/52024/27618Lima Gomes, Ivan info:eu-repo/semantics/openAccess2022-05-27T16:16:19Zoai:ojs.www.seer.ufu.br:article/52024Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2022-05-27T16:16:19ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false
dc.title.none.fl_str_mv Graphic readings of the city: Rio de Janeiro on the street comics Zé Ninguém
A leitura gráfica da cidade: o Rio de Janeiro na street comics Zé Ninguém
title Graphic readings of the city: Rio de Janeiro on the street comics Zé Ninguém
spellingShingle Graphic readings of the city: Rio de Janeiro on the street comics Zé Ninguém
Lima Gomes, Ivan
Quadrinhos
grafite
Rio de Janeiro
Comics
graffitti
Rio de Janeiro
title_short Graphic readings of the city: Rio de Janeiro on the street comics Zé Ninguém
title_full Graphic readings of the city: Rio de Janeiro on the street comics Zé Ninguém
title_fullStr Graphic readings of the city: Rio de Janeiro on the street comics Zé Ninguém
title_full_unstemmed Graphic readings of the city: Rio de Janeiro on the street comics Zé Ninguém
title_sort Graphic readings of the city: Rio de Janeiro on the street comics Zé Ninguém
author Lima Gomes, Ivan
author_facet Lima Gomes, Ivan
author_role author
dc.contributor.author.fl_str_mv Lima Gomes, Ivan
dc.subject.por.fl_str_mv Quadrinhos
grafite
Rio de Janeiro
Comics
graffitti
Rio de Janeiro
topic Quadrinhos
grafite
Rio de Janeiro
Comics
graffitti
Rio de Janeiro
description After leaving New York in 2001to adopt the city of Rio de Janeiro, Tito na Rua started to work with graffiti to print its brand as a new resident of the city. He created a street comics called Zé Ninguém, a comics narrative whose title character lives his adventures as he wanders through the walls and alleys of Rio de Janeiro. Through Zé Ninguém we intend to discuss the possibilities of interlocution between the technical and visual procedures typical of two graphic and urban arts such as comics and graffiti. The connections between urban art and apprehension of public space, reading of art in terms of reading the city and the creative solutions suggested by intermediality are main topics developed throughout the text, starting from a perspective that historicizes the practices of looking and questions the role of the arts in the city experience.  
publishDate 2019
dc.date.none.fl_str_mv 2019-12-16
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/52024
10.14393/artc-v21-n39-2019-52024
url https://seer.ufu.br/index.php/artcultura/article/view/52024
identifier_str_mv 10.14393/artc-v21-n39-2019-52024
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/52024/27618
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Uberlândia
publisher.none.fl_str_mv Universidade Federal de Uberlândia
dc.source.none.fl_str_mv ArtCultura; Vol. 21 No. 39 (2019): ArtCultura; 25 - 40
ArtCultura; Vol. 21 Núm. 39 (2019): ArtCultura; 25 - 40
ArtCultura; v. 21 n. 39 (2019): ArtCultura; 25 - 40
2178-3845
reponame:ArtCultura (Online)
instname:Universidade Federal de Uberlândia (UFU)
instacron:UFU
instname_str Universidade Federal de Uberlândia (UFU)
instacron_str UFU
institution UFU
reponame_str ArtCultura (Online)
collection ArtCultura (Online)
repository.name.fl_str_mv ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)
repository.mail.fl_str_mv akparanhos@uol.com.br||
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