Is historical understanding possible without anachronism?

Detalhes bibliográficos
Autor(a) principal: E. Belvedresi, Rosa
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: ArtCultura (Online)
Texto Completo: https://seer.ufu.br/index.php/artcultura/article/view/64084
Resumo: Anachronism is presented as an obstacle to the task of the historian who, in the effort to understand the past, must avoid interference of elements that correspond to a different time from that of her object of study, fundamentally, those that come from her own context. A problem long addressed by the French theory of history as well as by the philosophy and history of the art, anachronism accounts for a problem and at the same time a necessary condition. In this work we are going to assess the role played by anachronism in historical understanding, for which we are going to use two examples: the restitution of objects that museums make in response to claims of the indigenous communities and the application of the categories of analysis that were created later to events of the past to which they are intended to explain, as is the case of the use of the concept of “genocide”. We will finish arguing in favor of the function that anachronism has for the understanding of the past and to illuminate the present world.
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spelling Is historical understanding possible without anachronism?¿Es posible la comprensión histórica sin anacronismo?anacronismocomprensión históricagenocidioanachronismhistorical understandinggenocideAnachronism is presented as an obstacle to the task of the historian who, in the effort to understand the past, must avoid interference of elements that correspond to a different time from that of her object of study, fundamentally, those that come from her own context. A problem long addressed by the French theory of history as well as by the philosophy and history of the art, anachronism accounts for a problem and at the same time a necessary condition. In this work we are going to assess the role played by anachronism in historical understanding, for which we are going to use two examples: the restitution of objects that museums make in response to claims of the indigenous communities and the application of the categories of analysis that were created later to events of the past to which they are intended to explain, as is the case of the use of the concept of “genocide”. We will finish arguing in favor of the function that anachronism has for the understanding of the past and to illuminate the present world.El anacronismo se presenta como un obstáculo a la tarea de la historiadora o historiador que, en el afán por comprender el pasado, debe evitar las intromisiones de elementos que correspondan a una época distinta a aquella de su objeto de estudio, fundamentalmente, aquellos que provienen de su propio contexto. Problema largamente abordado por la teoría de la historia francesa así como por la filosofía y la historia del arte, el anacronismo da cuenta de un problema y a la vez de una condición necesaria. En este trabajo vamos a valorar el papel que juega el anacronismo en la comprensión histórica, para lo cual nos vamos a valer de dos ejemplos: las restituciones de objetos que realizan los museos en respuesta a reclamos de las comunidades originarias y la aplicación de las categorías de análisis que fueron creadas posteriormente a sucesos del pasado a los cuales se pretenden explicar, como es el caso del uso del concepto de “genocidio”. Finalizaremos argumentado a favor de la función que el anacronismo tiene para la comprensión del pasado y para iluminar el mundo presente.Universidade Federal de Uberlândia2021-12-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/6408410.14393/artc-v23-n43-2021-64084ArtCultura; Vol. 23 No. 43 (2021): ArtCultura; 82-94ArtCultura; Vol. 23 Núm. 43 (2021): ArtCultura; 82-94ArtCultura; v. 23 n. 43 (2021): ArtCultura; 82-942178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/64084/32997E. Belvedresi, Rosa info:eu-repo/semantics/openAccess2023-12-01T18:57:55Zoai:ojs.www.seer.ufu.br:article/64084Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2023-12-01T18:57:55ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false
dc.title.none.fl_str_mv Is historical understanding possible without anachronism?
¿Es posible la comprensión histórica sin anacronismo?
title Is historical understanding possible without anachronism?
spellingShingle Is historical understanding possible without anachronism?
E. Belvedresi, Rosa
anacronismo
comprensión histórica
genocidio
anachronism
historical understanding
genocide
title_short Is historical understanding possible without anachronism?
title_full Is historical understanding possible without anachronism?
title_fullStr Is historical understanding possible without anachronism?
title_full_unstemmed Is historical understanding possible without anachronism?
title_sort Is historical understanding possible without anachronism?
author E. Belvedresi, Rosa
author_facet E. Belvedresi, Rosa
author_role author
dc.contributor.author.fl_str_mv E. Belvedresi, Rosa
dc.subject.por.fl_str_mv anacronismo
comprensión histórica
genocidio
anachronism
historical understanding
genocide
topic anacronismo
comprensión histórica
genocidio
anachronism
historical understanding
genocide
description Anachronism is presented as an obstacle to the task of the historian who, in the effort to understand the past, must avoid interference of elements that correspond to a different time from that of her object of study, fundamentally, those that come from her own context. A problem long addressed by the French theory of history as well as by the philosophy and history of the art, anachronism accounts for a problem and at the same time a necessary condition. In this work we are going to assess the role played by anachronism in historical understanding, for which we are going to use two examples: the restitution of objects that museums make in response to claims of the indigenous communities and the application of the categories of analysis that were created later to events of the past to which they are intended to explain, as is the case of the use of the concept of “genocide”. We will finish arguing in favor of the function that anachronism has for the understanding of the past and to illuminate the present world.
publishDate 2021
dc.date.none.fl_str_mv 2021-12-24
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/64084
10.14393/artc-v23-n43-2021-64084
url https://seer.ufu.br/index.php/artcultura/article/view/64084
identifier_str_mv 10.14393/artc-v23-n43-2021-64084
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/64084/32997
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Uberlândia
publisher.none.fl_str_mv Universidade Federal de Uberlândia
dc.source.none.fl_str_mv ArtCultura; Vol. 23 No. 43 (2021): ArtCultura; 82-94
ArtCultura; Vol. 23 Núm. 43 (2021): ArtCultura; 82-94
ArtCultura; v. 23 n. 43 (2021): ArtCultura; 82-94
2178-3845
reponame:ArtCultura (Online)
instname:Universidade Federal de Uberlândia (UFU)
instacron:UFU
instname_str Universidade Federal de Uberlândia (UFU)
instacron_str UFU
institution UFU
reponame_str ArtCultura (Online)
collection ArtCultura (Online)
repository.name.fl_str_mv ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)
repository.mail.fl_str_mv akparanhos@uol.com.br||
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