U dy grudy in Distanteresina: tropicália, counterculture and the modern popular song in Piauí

Detalhes bibliográficos
Autor(a) principal: Carvalho Medeiros, Hermano
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: ArtCultura (Online)
Texto Completo: https://seer.ufu.br/index.php/artcultura/article/view/56968
Resumo: In 1973 a group of young people performed for the first time in Teresina the show U dy grudy... or as Daniel Más says, referred to in the press as the “first show set up in Piauí”. In addition to musical performances, it included readings of poems, theatrical interventions and scenic improvisations that mixed Brazilian archaisms and cultural modernities in a kind of tropicalist-countercultural happening. This article intends to highlight ― rather than think about the influences of Tropicalism and counterculture on the periphery of the national cultural goods market ― the symbolic appropriations and fabrications in the production and creation process of this event. It also pretends to show how popular music was taken as an expression not only of aesthetic consumption or entertainment, but, at same time, as an instrument of critical elaboration and vehicle for proposing visions of the world in the Brazilian art panorama of those years. In such context, U dy grudy can be seen as a prelude of the constitution of the modern Piauiense popular song.
id UFU-15_362aacd42e77a244690ea4185ba928ff
oai_identifier_str oai:ojs.www.seer.ufu.br:article/56968
network_acronym_str UFU-15
network_name_str ArtCultura (Online)
repository_id_str
spelling U dy grudy in Distanteresina: tropicália, counterculture and the modern popular song in PiauíO U dy grudy na Distanteresina: tropicália, contracultura e a moderna canção popular no Piauímoderna canção popular piauiensecontraculturatropicália.modern popular song from PiauícounterculturetropicáliaIn 1973 a group of young people performed for the first time in Teresina the show U dy grudy... or as Daniel Más says, referred to in the press as the “first show set up in Piauí”. In addition to musical performances, it included readings of poems, theatrical interventions and scenic improvisations that mixed Brazilian archaisms and cultural modernities in a kind of tropicalist-countercultural happening. This article intends to highlight ― rather than think about the influences of Tropicalism and counterculture on the periphery of the national cultural goods market ― the symbolic appropriations and fabrications in the production and creation process of this event. It also pretends to show how popular music was taken as an expression not only of aesthetic consumption or entertainment, but, at same time, as an instrument of critical elaboration and vehicle for proposing visions of the world in the Brazilian art panorama of those years. In such context, U dy grudy can be seen as a prelude of the constitution of the modern Piauiense popular song.Em 1973, um grupo de jovens estreou em Teresina o espetáculo U dy grudy... ou como diz Daniel Más, referido na imprensa como o “primeiro show montado no Piauí”. Além das apresentações musicais, ele contou com leituras de poemas, intervenções teatrais e improvisos cênicos que mesclavam os arcaísmos e as modernidades culturais brasileiras numa espécie de happening tropicalista-contracultural. Neste artigo procura-se evidenciar ― mais do que pensar as influências dos tropicalistas e da contracultura na periferia do mercado de bens culturais nacional ― as apropriações e fabricações simbólicas no processo de produção e criação desse evento. Mais ainda, buscase ressaltar como, então, a canção popular foi tomada como expressão não apenas de consumo estético ou de entretenimento, mas também como instrumento de elaboração crítica e veículo de proposição de determinadas visões de mundo no panorama das artes do Brasil daqueles anos. E, nesse contexto, U dy grudy pode ser visto como um prelúdio da constituição da moderna canção popular piauiense.Universidade Federal de Uberlândia2020-06-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/5696810.14393/artc-v22-n40-2020-56968ArtCultura; Vol. 22 No. 40 (2020): ArtCultura; 129-150ArtCultura; Vol. 22 Núm. 40 (2020): ArtCultura; 129-150ArtCultura; v. 22 n. 40 (2020): ArtCultura; 129-1502178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/56968/29748Carvalho Medeiros, Hermano info:eu-repo/semantics/openAccess2022-05-27T16:16:01Zoai:ojs.www.seer.ufu.br:article/56968Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2022-05-27T16:16:01ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false
dc.title.none.fl_str_mv U dy grudy in Distanteresina: tropicália, counterculture and the modern popular song in Piauí
O U dy grudy na Distanteresina: tropicália, contracultura e a moderna canção popular no Piauí
title U dy grudy in Distanteresina: tropicália, counterculture and the modern popular song in Piauí
spellingShingle U dy grudy in Distanteresina: tropicália, counterculture and the modern popular song in Piauí
Carvalho Medeiros, Hermano
moderna canção popular piauiense
contracultura
tropicália.
modern popular song from Piauí
counterculture
tropicália
title_short U dy grudy in Distanteresina: tropicália, counterculture and the modern popular song in Piauí
title_full U dy grudy in Distanteresina: tropicália, counterculture and the modern popular song in Piauí
title_fullStr U dy grudy in Distanteresina: tropicália, counterculture and the modern popular song in Piauí
title_full_unstemmed U dy grudy in Distanteresina: tropicália, counterculture and the modern popular song in Piauí
title_sort U dy grudy in Distanteresina: tropicália, counterculture and the modern popular song in Piauí
author Carvalho Medeiros, Hermano
author_facet Carvalho Medeiros, Hermano
author_role author
dc.contributor.author.fl_str_mv Carvalho Medeiros, Hermano
dc.subject.por.fl_str_mv moderna canção popular piauiense
contracultura
tropicália.
modern popular song from Piauí
counterculture
tropicália
topic moderna canção popular piauiense
contracultura
tropicália.
modern popular song from Piauí
counterculture
tropicália
description In 1973 a group of young people performed for the first time in Teresina the show U dy grudy... or as Daniel Más says, referred to in the press as the “first show set up in Piauí”. In addition to musical performances, it included readings of poems, theatrical interventions and scenic improvisations that mixed Brazilian archaisms and cultural modernities in a kind of tropicalist-countercultural happening. This article intends to highlight ― rather than think about the influences of Tropicalism and counterculture on the periphery of the national cultural goods market ― the symbolic appropriations and fabrications in the production and creation process of this event. It also pretends to show how popular music was taken as an expression not only of aesthetic consumption or entertainment, but, at same time, as an instrument of critical elaboration and vehicle for proposing visions of the world in the Brazilian art panorama of those years. In such context, U dy grudy can be seen as a prelude of the constitution of the modern Piauiense popular song.
publishDate 2020
dc.date.none.fl_str_mv 2020-06-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/56968
10.14393/artc-v22-n40-2020-56968
url https://seer.ufu.br/index.php/artcultura/article/view/56968
identifier_str_mv 10.14393/artc-v22-n40-2020-56968
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/56968/29748
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Uberlândia
publisher.none.fl_str_mv Universidade Federal de Uberlândia
dc.source.none.fl_str_mv ArtCultura; Vol. 22 No. 40 (2020): ArtCultura; 129-150
ArtCultura; Vol. 22 Núm. 40 (2020): ArtCultura; 129-150
ArtCultura; v. 22 n. 40 (2020): ArtCultura; 129-150
2178-3845
reponame:ArtCultura (Online)
instname:Universidade Federal de Uberlândia (UFU)
instacron:UFU
instname_str Universidade Federal de Uberlândia (UFU)
instacron_str UFU
institution UFU
reponame_str ArtCultura (Online)
collection ArtCultura (Online)
repository.name.fl_str_mv ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)
repository.mail.fl_str_mv akparanhos@uol.com.br||
_version_ 1797069142784737280

Registros relacionados