“Era só pizza que avuava junto com as brachola”: the São Paulo samba and the African-Brazilians’ obliteration from the memory of the cosmopolitan city

Detalhes bibliográficos
Autor(a) principal: Conti, Lígia Nassif
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: ArtCultura (Online)
Texto Completo: https://seer.ufu.br/index.php/artcultura/article/view/45587
Resumo: The narrative that points to the peculiarity of São Paulo’s regional samba model relative to Rio de Janeiro’s samba is committ ed to legitimizing such genre in the city of São Paulo by forging a particular history for it. Understanding the reasons that lead a certain group of samba musicians to emphatically defend their narrative would require unraveling the São Paulo identity intricacies and its self-image based on valuing cultural elements associated with avant-garde. Aiming to reaffirm its cosmopolitan vocation and unwillingness to recognize itself as a mixed-race city, São Paulo had litt le space for a musical genre repeatedly associated with cultural blending and traditional Brazilian culture.   keywords: São Paulo samba; memory; African-Brazilian culture.
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spelling “Era só pizza que avuava junto com as brachola”: the São Paulo samba and the African-Brazilians’ obliteration from the memory of the cosmopolitan city“Era só pizza que avuava junto com as brachola”: o samba paulista e a obliteração do negro na memória da São Paulo cosmopolitaThe narrative that points to the peculiarity of São Paulo’s regional samba model relative to Rio de Janeiro’s samba is committ ed to legitimizing such genre in the city of São Paulo by forging a particular history for it. Understanding the reasons that lead a certain group of samba musicians to emphatically defend their narrative would require unraveling the São Paulo identity intricacies and its self-image based on valuing cultural elements associated with avant-garde. Aiming to reaffirm its cosmopolitan vocation and unwillingness to recognize itself as a mixed-race city, São Paulo had litt le space for a musical genre repeatedly associated with cultural blending and traditional Brazilian culture.   keywords: São Paulo samba; memory; African-Brazilian culture.A narrativa que aponta a especifi cidade do modelo regional paulista diante do samba carioca está empenhada em legitimar o gênero na capital do estado de São Paulo, forjando para ele uma história particular. Entender as razões que levam determinado grupo de sambistas a defender enfaticamente sua visão passa por tentar desvendar as tramas identitárias paulistanas e sua autoimagem pautada pela valorização de elementos culturais identifi cados com a vanguarda. Voltada à reafirmação de sua vocação cosmopolita e pouco afeita a se reconhecer como cidade mestiça, a cidade de São Paulo pouco espaço reservou para um gênero musical reiteradamente associado à mestiçagem, à brasilidade e à cultura tradicional. Palavras-chave: samba paulista; memória; cultura afro-brasileira.Universidade Federal de Uberlândia2018-10-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/4558710.14393/ArtC-V20n36-2018-1-03ArtCultura; Vol. 20 No. 36 (2018): ArtCulturaArtCultura; Vol. 20 Núm. 36 (2018): ArtCulturaArtCultura; v. 20 n. 36 (2018): ArtCultura2178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/45587/24389Copyright (c) 2018 Artculturainfo:eu-repo/semantics/openAccessConti, Lígia Nassif2022-05-27T16:17:09Zoai:ojs.www.seer.ufu.br:article/45587Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2022-05-27T16:17:09ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false
dc.title.none.fl_str_mv “Era só pizza que avuava junto com as brachola”: the São Paulo samba and the African-Brazilians’ obliteration from the memory of the cosmopolitan city
“Era só pizza que avuava junto com as brachola”: o samba paulista e a obliteração do negro na memória da São Paulo cosmopolita
title “Era só pizza que avuava junto com as brachola”: the São Paulo samba and the African-Brazilians’ obliteration from the memory of the cosmopolitan city
spellingShingle “Era só pizza que avuava junto com as brachola”: the São Paulo samba and the African-Brazilians’ obliteration from the memory of the cosmopolitan city
Conti, Lígia Nassif
title_short “Era só pizza que avuava junto com as brachola”: the São Paulo samba and the African-Brazilians’ obliteration from the memory of the cosmopolitan city
title_full “Era só pizza que avuava junto com as brachola”: the São Paulo samba and the African-Brazilians’ obliteration from the memory of the cosmopolitan city
title_fullStr “Era só pizza que avuava junto com as brachola”: the São Paulo samba and the African-Brazilians’ obliteration from the memory of the cosmopolitan city
title_full_unstemmed “Era só pizza que avuava junto com as brachola”: the São Paulo samba and the African-Brazilians’ obliteration from the memory of the cosmopolitan city
title_sort “Era só pizza que avuava junto com as brachola”: the São Paulo samba and the African-Brazilians’ obliteration from the memory of the cosmopolitan city
author Conti, Lígia Nassif
author_facet Conti, Lígia Nassif
author_role author
dc.contributor.author.fl_str_mv Conti, Lígia Nassif
description The narrative that points to the peculiarity of São Paulo’s regional samba model relative to Rio de Janeiro’s samba is committ ed to legitimizing such genre in the city of São Paulo by forging a particular history for it. Understanding the reasons that lead a certain group of samba musicians to emphatically defend their narrative would require unraveling the São Paulo identity intricacies and its self-image based on valuing cultural elements associated with avant-garde. Aiming to reaffirm its cosmopolitan vocation and unwillingness to recognize itself as a mixed-race city, São Paulo had litt le space for a musical genre repeatedly associated with cultural blending and traditional Brazilian culture.   keywords: São Paulo samba; memory; African-Brazilian culture.
publishDate 2018
dc.date.none.fl_str_mv 2018-10-22
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/45587
10.14393/ArtC-V20n36-2018-1-03
url https://seer.ufu.br/index.php/artcultura/article/view/45587
identifier_str_mv 10.14393/ArtC-V20n36-2018-1-03
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/45587/24389
dc.rights.driver.fl_str_mv Copyright (c) 2018 Artcultura
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Artcultura
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Uberlândia
publisher.none.fl_str_mv Universidade Federal de Uberlândia
dc.source.none.fl_str_mv ArtCultura; Vol. 20 No. 36 (2018): ArtCultura
ArtCultura; Vol. 20 Núm. 36 (2018): ArtCultura
ArtCultura; v. 20 n. 36 (2018): ArtCultura
2178-3845
reponame:ArtCultura (Online)
instname:Universidade Federal de Uberlândia (UFU)
instacron:UFU
instname_str Universidade Federal de Uberlândia (UFU)
instacron_str UFU
institution UFU
reponame_str ArtCultura (Online)
collection ArtCultura (Online)
repository.name.fl_str_mv ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)
repository.mail.fl_str_mv akparanhos@uol.com.br||
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