Decaying icons and toppled statues: on the remnants of an uncomfortable past
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | ArtCultura (Online) |
Texto Completo: | https://seer.ufu.br/index.php/artcultura/article/view/64083 |
Resumo: | The iconography has been the protagonist in recent times of great memorial controversies. Some recent attacks on monuments of colonial figures show misplaced representations of the past, arousing collective ire. In this article we will concentrate on reviewing the role of monuments in the representation of the past, paying attention to the different paradigms to which they have obeyed. At the same time, we will put into play some conceptualizations relating to memory and the archive, to finally offer some reflections on anachronism, beyond the accusation of the Annales school. The contributions of Reinhart Koselleck and other contemporary thinkers related to the aforementioned theme will be of the utmost importance for this. |
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Decaying icons and toppled statues: on the remnants of an uncomfortable pastDe íconos en decadencia y estatuas derribadas: sobre los restos de un pasado incómodoanacronismomemoriaiconoclastíaanachronismmemoryiconoclastThe iconography has been the protagonist in recent times of great memorial controversies. Some recent attacks on monuments of colonial figures show misplaced representations of the past, arousing collective ire. In this article we will concentrate on reviewing the role of monuments in the representation of the past, paying attention to the different paradigms to which they have obeyed. At the same time, we will put into play some conceptualizations relating to memory and the archive, to finally offer some reflections on anachronism, beyond the accusation of the Annales school. The contributions of Reinhart Koselleck and other contemporary thinkers related to the aforementioned theme will be of the utmost importance for this.La iconografía ha sido protagonista en el último tiempo de grandes controversias memoriales. Algunos ataques recientes a monumentos de figuras coloniales muestran representaciones del pasado fuera de lugar, que despiertan la ira colectiva. En este artículo nos concentraremos en revisar el rol de los monumentos en la representación del pasado, ateniendo a los distintos paradigmas a los que estos han obedecido. Pondremos, al mismo tiempo, en juego, algunas conceptualizaciones en relación a la memoria, para, por último, ofrecer algunas reflexiones sobre el anacronismo, más allá de la acusaci- ón de la escuela de los Annales. Serán de suma importancia, para ello, las contribuciones de Reinhart Koselleck y otros pensadores contemporáneos afines a la temática señalada.Universidade Federal de Uberlândia2021-12-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/6408310.14393/artc-v23-n43-2021-64083ArtCultura; Vol. 23 No. 43 (2021): ArtCultura; 67-81ArtCultura; Vol. 23 Núm. 43 (2021): ArtCultura; 67-81ArtCultura; v. 23 n. 43 (2021): ArtCultura; 67-812178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/64083/32996Svampa, Lucila info:eu-repo/semantics/openAccess2023-12-01T18:57:55Zoai:ojs.www.seer.ufu.br:article/64083Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2023-12-01T18:57:55ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false |
dc.title.none.fl_str_mv |
Decaying icons and toppled statues: on the remnants of an uncomfortable past De íconos en decadencia y estatuas derribadas: sobre los restos de un pasado incómodo |
title |
Decaying icons and toppled statues: on the remnants of an uncomfortable past |
spellingShingle |
Decaying icons and toppled statues: on the remnants of an uncomfortable past Svampa, Lucila anacronismo memoria iconoclastía anachronism memory iconoclast |
title_short |
Decaying icons and toppled statues: on the remnants of an uncomfortable past |
title_full |
Decaying icons and toppled statues: on the remnants of an uncomfortable past |
title_fullStr |
Decaying icons and toppled statues: on the remnants of an uncomfortable past |
title_full_unstemmed |
Decaying icons and toppled statues: on the remnants of an uncomfortable past |
title_sort |
Decaying icons and toppled statues: on the remnants of an uncomfortable past |
author |
Svampa, Lucila |
author_facet |
Svampa, Lucila |
author_role |
author |
dc.contributor.author.fl_str_mv |
Svampa, Lucila |
dc.subject.por.fl_str_mv |
anacronismo memoria iconoclastía anachronism memory iconoclast |
topic |
anacronismo memoria iconoclastía anachronism memory iconoclast |
description |
The iconography has been the protagonist in recent times of great memorial controversies. Some recent attacks on monuments of colonial figures show misplaced representations of the past, arousing collective ire. In this article we will concentrate on reviewing the role of monuments in the representation of the past, paying attention to the different paradigms to which they have obeyed. At the same time, we will put into play some conceptualizations relating to memory and the archive, to finally offer some reflections on anachronism, beyond the accusation of the Annales school. The contributions of Reinhart Koselleck and other contemporary thinkers related to the aforementioned theme will be of the utmost importance for this. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-12-24 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufu.br/index.php/artcultura/article/view/64083 10.14393/artc-v23-n43-2021-64083 |
url |
https://seer.ufu.br/index.php/artcultura/article/view/64083 |
identifier_str_mv |
10.14393/artc-v23-n43-2021-64083 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.ufu.br/index.php/artcultura/article/view/64083/32996 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Uberlândia |
publisher.none.fl_str_mv |
Universidade Federal de Uberlândia |
dc.source.none.fl_str_mv |
ArtCultura; Vol. 23 No. 43 (2021): ArtCultura; 67-81 ArtCultura; Vol. 23 Núm. 43 (2021): ArtCultura; 67-81 ArtCultura; v. 23 n. 43 (2021): ArtCultura; 67-81 2178-3845 reponame:ArtCultura (Online) instname:Universidade Federal de Uberlândia (UFU) instacron:UFU |
instname_str |
Universidade Federal de Uberlândia (UFU) |
instacron_str |
UFU |
institution |
UFU |
reponame_str |
ArtCultura (Online) |
collection |
ArtCultura (Online) |
repository.name.fl_str_mv |
ArtCultura (Online) - Universidade Federal de Uberlândia (UFU) |
repository.mail.fl_str_mv |
akparanhos@uol.com.br|| |
_version_ |
1797069138507595776 |