Towards the intermedial study of authorial Latin American popular music
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | ArtCultura (Online) |
Texto Completo: | https://seer.ufu.br/index.php/artcultura/article/view/68252 |
Resumo: | This article raises the possibility of studying authorial Latin American and Brazilian popular music of the late twentieth century as a great unity, due to the existence of networks, collaborations, circuits, and common influences. By authorial popular music we mean music in which the artist is aware of and has control over the material in which he works, to the point of straining the very musical genre in which he operates. It is not about a single author but a multiple one, arising from the intermedial character of this music, formed by lyrics, music, vocality, and recording, to which are added video clip, cover art and associated discourses. This intermedia dialogues with the historical moment in which it unfolds, questioning the listener from its multiple materiality. |
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Towards the intermedial study of authorial Latin American popular musicHacia el estudio intermedial de la música popular latinoamericana autoralmúsica popularautoralidadintermediapopular musicauthorshipintermediaThis article raises the possibility of studying authorial Latin American and Brazilian popular music of the late twentieth century as a great unity, due to the existence of networks, collaborations, circuits, and common influences. By authorial popular music we mean music in which the artist is aware of and has control over the material in which he works, to the point of straining the very musical genre in which he operates. It is not about a single author but a multiple one, arising from the intermedial character of this music, formed by lyrics, music, vocality, and recording, to which are added video clip, cover art and associated discourses. This intermedia dialogues with the historical moment in which it unfolds, questioning the listener from its multiple materiality.Este artículo plantea la posibilidad del estudio de la música popular autoral latinoamericana y brasileña de fines del siglo XX como una gran unidad, debido a la existencia de redes, colaboraciones, circuitos e influencias comunes. Por música popular autoral entendemos aquella donde el artista tiene conciencia y control sobre el material en que trabaja, llegando a tensionar el propio género musical en que se desenvuelve. No se trata de un autor único sino que múltiple, surgido del carácter intermedial que posee esta música, formada por letra, música, vocalidad y grabación, a la que se suman el videoclip, el arte de carátula y los discursos asociados. Esta intermedia dialoga con el momento histórico en que se despliega, interpelando al auditor desde sus materialidades múltiples.Universidade Federal de Uberlândia2022-12-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/6825210.14393/artc-v24-n45-2022-68252ArtCultura; Vol. 24 No. 45 (2022): ArtCultura; 37-50ArtCultura; Vol. 24 Núm. 45 (2022): ArtCultura; 37-50ArtCultura; v. 24 n. 45 (2022): ArtCultura; 37-502178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/68252/35579González , Juan Pabloinfo:eu-repo/semantics/openAccess2023-10-16T15:23:16Zoai:ojs.www.seer.ufu.br:article/68252Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2023-10-16T15:23:16ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false |
dc.title.none.fl_str_mv |
Towards the intermedial study of authorial Latin American popular music Hacia el estudio intermedial de la música popular latinoamericana autoral |
title |
Towards the intermedial study of authorial Latin American popular music |
spellingShingle |
Towards the intermedial study of authorial Latin American popular music González , Juan Pablo música popular autoralidad intermedia popular music authorship intermedia |
title_short |
Towards the intermedial study of authorial Latin American popular music |
title_full |
Towards the intermedial study of authorial Latin American popular music |
title_fullStr |
Towards the intermedial study of authorial Latin American popular music |
title_full_unstemmed |
Towards the intermedial study of authorial Latin American popular music |
title_sort |
Towards the intermedial study of authorial Latin American popular music |
author |
González , Juan Pablo |
author_facet |
González , Juan Pablo |
author_role |
author |
dc.contributor.author.fl_str_mv |
González , Juan Pablo |
dc.subject.por.fl_str_mv |
música popular autoralidad intermedia popular music authorship intermedia |
topic |
música popular autoralidad intermedia popular music authorship intermedia |
description |
This article raises the possibility of studying authorial Latin American and Brazilian popular music of the late twentieth century as a great unity, due to the existence of networks, collaborations, circuits, and common influences. By authorial popular music we mean music in which the artist is aware of and has control over the material in which he works, to the point of straining the very musical genre in which he operates. It is not about a single author but a multiple one, arising from the intermedial character of this music, formed by lyrics, music, vocality, and recording, to which are added video clip, cover art and associated discourses. This intermedia dialogues with the historical moment in which it unfolds, questioning the listener from its multiple materiality. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-12-28 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufu.br/index.php/artcultura/article/view/68252 10.14393/artc-v24-n45-2022-68252 |
url |
https://seer.ufu.br/index.php/artcultura/article/view/68252 |
identifier_str_mv |
10.14393/artc-v24-n45-2022-68252 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.ufu.br/index.php/artcultura/article/view/68252/35579 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Uberlândia |
publisher.none.fl_str_mv |
Universidade Federal de Uberlândia |
dc.source.none.fl_str_mv |
ArtCultura; Vol. 24 No. 45 (2022): ArtCultura; 37-50 ArtCultura; Vol. 24 Núm. 45 (2022): ArtCultura; 37-50 ArtCultura; v. 24 n. 45 (2022): ArtCultura; 37-50 2178-3845 reponame:ArtCultura (Online) instname:Universidade Federal de Uberlândia (UFU) instacron:UFU |
instname_str |
Universidade Federal de Uberlândia (UFU) |
instacron_str |
UFU |
institution |
UFU |
reponame_str |
ArtCultura (Online) |
collection |
ArtCultura (Online) |
repository.name.fl_str_mv |
ArtCultura (Online) - Universidade Federal de Uberlândia (UFU) |
repository.mail.fl_str_mv |
akparanhos@uol.com.br|| |
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1797069138577850368 |