Rococo drawing in eighteenth-century brazilian manuscripts: routes and expressions

Detalhes bibliográficos
Autor(a) principal: Silva de Souza, Antonio Wilson
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: por
Título da fonte: ArtCultura (Online)
Texto Completo: https://seer.ufu.br/index.php/artcultura/article/view/52035
Resumo: The present article considers the origins, characteristics and diffusion of the rococo, highlighting, especially, ornamentation in eighteenth-century Brazilian manuscripts. Despite the existence of stylistic studies, the peculiarities of rococo development deserve analysis that is always current and detailed, above all in order to understand better the influence that Frenchen graving exercised over the creation, development and diffusion of the style in Europe and Brazil. An emphasis on graphic ornamentation is the basis of the analysis concerning the particularities of the style, making possible a greater understanding of the significance which the design assumes as an authentic manifestation of art and allowing it to be established that the rococo became a singular reality in Brazilian artistic expression.  
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spelling Rococo drawing in eighteenth-century brazilian manuscripts: routes and expressionsDesenho rococó nos manuscritos do Brasil do século XVIII: caminhos e expressõesornatorococóarte brasileiraornaterococoBrazilian artThe present article considers the origins, characteristics and diffusion of the rococo, highlighting, especially, ornamentation in eighteenth-century Brazilian manuscripts. Despite the existence of stylistic studies, the peculiarities of rococo development deserve analysis that is always current and detailed, above all in order to understand better the influence that Frenchen graving exercised over the creation, development and diffusion of the style in Europe and Brazil. An emphasis on graphic ornamentation is the basis of the analysis concerning the particularities of the style, making possible a greater understanding of the significance which the design assumes as an authentic manifestation of art and allowing it to be established that the rococo became a singular reality in Brazilian artistic expression.  Este artigo aborda origens, características e difusão do rococó, destacando, de modo especial, a ornamentação dos manuscritos do Brasil no século XVIII. Apesar dos estudos realizados sobre o estilo, as peculiaridades do desenvolvimento do rococó merecem uma análise sempre atualizada e pormenorizada, sobretudo para se entender melhor a influência que a gravura francesa exerceu sobre a criação, o desenvolvimento e a propagação do estilo na Europa e no Brasil. A ênfase na ornamentação gráfica fundamenta o exame das suas particularidades, ao possibilitar maior entendimento sobre o significado que o desenho assume como manifestação autêntica da arte, o que permite afirmar que o rococó se tornou uma singular realidade na expressão da arte brasileira.  Universidade Federal de Uberlândia2019-12-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/5203510.14393/artc-v21-n39-2019-52035ArtCultura; Vol. 21 No. 39 (2019): ArtCultura; 187 - 204ArtCultura; Vol. 21 Núm. 39 (2019): ArtCultura; 187 - 204ArtCultura; v. 21 n. 39 (2019): ArtCultura; 187 - 2042178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/52035/27631Silva de Souza, Antonio Wilson info:eu-repo/semantics/openAccess2022-05-27T16:16:19Zoai:ojs.www.seer.ufu.br:article/52035Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2022-05-27T16:16:19ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false
dc.title.none.fl_str_mv Rococo drawing in eighteenth-century brazilian manuscripts: routes and expressions
Desenho rococó nos manuscritos do Brasil do século XVIII: caminhos e expressões
title Rococo drawing in eighteenth-century brazilian manuscripts: routes and expressions
spellingShingle Rococo drawing in eighteenth-century brazilian manuscripts: routes and expressions
Silva de Souza, Antonio Wilson
ornato
rococó
arte brasileira
ornate
rococo
Brazilian art
title_short Rococo drawing in eighteenth-century brazilian manuscripts: routes and expressions
title_full Rococo drawing in eighteenth-century brazilian manuscripts: routes and expressions
title_fullStr Rococo drawing in eighteenth-century brazilian manuscripts: routes and expressions
title_full_unstemmed Rococo drawing in eighteenth-century brazilian manuscripts: routes and expressions
title_sort Rococo drawing in eighteenth-century brazilian manuscripts: routes and expressions
author Silva de Souza, Antonio Wilson
author_facet Silva de Souza, Antonio Wilson
author_role author
dc.contributor.author.fl_str_mv Silva de Souza, Antonio Wilson
dc.subject.por.fl_str_mv ornato
rococó
arte brasileira
ornate
rococo
Brazilian art
topic ornato
rococó
arte brasileira
ornate
rococo
Brazilian art
description The present article considers the origins, characteristics and diffusion of the rococo, highlighting, especially, ornamentation in eighteenth-century Brazilian manuscripts. Despite the existence of stylistic studies, the peculiarities of rococo development deserve analysis that is always current and detailed, above all in order to understand better the influence that Frenchen graving exercised over the creation, development and diffusion of the style in Europe and Brazil. An emphasis on graphic ornamentation is the basis of the analysis concerning the particularities of the style, making possible a greater understanding of the significance which the design assumes as an authentic manifestation of art and allowing it to be established that the rococo became a singular reality in Brazilian artistic expression.  
publishDate 2019
dc.date.none.fl_str_mv 2019-12-16
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/52035
10.14393/artc-v21-n39-2019-52035
url https://seer.ufu.br/index.php/artcultura/article/view/52035
identifier_str_mv 10.14393/artc-v21-n39-2019-52035
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/52035/27631
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Uberlândia
publisher.none.fl_str_mv Universidade Federal de Uberlândia
dc.source.none.fl_str_mv ArtCultura; Vol. 21 No. 39 (2019): ArtCultura; 187 - 204
ArtCultura; Vol. 21 Núm. 39 (2019): ArtCultura; 187 - 204
ArtCultura; v. 21 n. 39 (2019): ArtCultura; 187 - 204
2178-3845
reponame:ArtCultura (Online)
instname:Universidade Federal de Uberlândia (UFU)
instacron:UFU
instname_str Universidade Federal de Uberlândia (UFU)
instacron_str UFU
institution UFU
reponame_str ArtCultura (Online)
collection ArtCultura (Online)
repository.name.fl_str_mv ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)
repository.mail.fl_str_mv akparanhos@uol.com.br||
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