The tambobambino's fate: musical archives and the social biography of an indigenous song from the Peruvian Andes

Detalhes bibliográficos
Autor(a) principal: Mendívil , Julio
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: ArtCultura (Online)
Texto Completo: https://seer.ufu.br/index.php/artcultura/article/view/68251
Resumo: In this articleI arguethat, beyond the original intentions of the states that finance them and the officials who lead them, music archives not only preserve music, but in doing so, potentially favor its transformation. I work the hypothesis through an analysis of the metamorphoses undergone by the indigenous song “Carnaval de Tambobamba,” a song recorded a Capella by the well-known Peruvian writer José María Arguedas in the 1960s for the traditional music archive he formed at the Casa de la Cultura del Perú. I show that this recording unleashed a series of recontextualizations, giving rise to a social biography of the indigenous song that returns it to what Diana Taylor calls the repertoire
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spelling The tambobambino's fate: musical archives and the social biography of an indigenous song from the Peruvian AndesLa suerte del tambobambino: archivos musicales y la biografía social de una canción indígena de los Andes peruanosarchivos musicalesmúsica andinaJosé María Arguedasmusic archivesAndean musicJosé María ArguedasIn this articleI arguethat, beyond the original intentions of the states that finance them and the officials who lead them, music archives not only preserve music, but in doing so, potentially favor its transformation. I work the hypothesis through an analysis of the metamorphoses undergone by the indigenous song “Carnaval de Tambobamba,” a song recorded a Capella by the well-known Peruvian writer José María Arguedas in the 1960s for the traditional music archive he formed at the Casa de la Cultura del Perú. I show that this recording unleashed a series of recontextualizations, giving rise to a social biography of the indigenous song that returns it to what Diana Taylor calls the repertoireEn este artículo sostengo que, más allá de las intenciones primigenias de los Estados que los financian y de los funcionarios que los dirigen, los archivos musicales no solo preservan la música, sino que, al hacerlo, favorecen potencialmente su transformación. Trabajo la hipótesis a partir de una revisión de las metamorfosis sufridas por la canción indígena “Carnaval de Tambobamba”, un tema grabado a capella por el conocido escritor peruano José María Arguedas en la década de los sesenta para el archivo de música tradicional que él había formado en la Casa de la Cultura del Perú. Demuestro que dicha grabación desató una serie de recontextualizaciones, suscitando una biografía social de la canción indígena que la regresa a lo que Diana Taylor denomina repertorio.Universidade Federal de Uberlândia2022-12-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/6825110.14393/artc-v24-n45-2022-68251ArtCultura; Vol. 24 No. 45 (2022): ArtCultura; 9-36ArtCultura; Vol. 24 Núm. 45 (2022): ArtCultura; 9-36ArtCultura; v. 24 n. 45 (2022): ArtCultura; 9-362178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/68251/35578Mendívil , Julioinfo:eu-repo/semantics/openAccess2023-10-16T15:23:16Zoai:ojs.www.seer.ufu.br:article/68251Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2023-10-16T15:23:16ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false
dc.title.none.fl_str_mv The tambobambino's fate: musical archives and the social biography of an indigenous song from the Peruvian Andes
La suerte del tambobambino: archivos musicales y la biografía social de una canción indígena de los Andes peruanos
title The tambobambino's fate: musical archives and the social biography of an indigenous song from the Peruvian Andes
spellingShingle The tambobambino's fate: musical archives and the social biography of an indigenous song from the Peruvian Andes
Mendívil , Julio
archivos musicales
música andina
José María Arguedas
music archives
Andean music
José María Arguedas
title_short The tambobambino's fate: musical archives and the social biography of an indigenous song from the Peruvian Andes
title_full The tambobambino's fate: musical archives and the social biography of an indigenous song from the Peruvian Andes
title_fullStr The tambobambino's fate: musical archives and the social biography of an indigenous song from the Peruvian Andes
title_full_unstemmed The tambobambino's fate: musical archives and the social biography of an indigenous song from the Peruvian Andes
title_sort The tambobambino's fate: musical archives and the social biography of an indigenous song from the Peruvian Andes
author Mendívil , Julio
author_facet Mendívil , Julio
author_role author
dc.contributor.author.fl_str_mv Mendívil , Julio
dc.subject.por.fl_str_mv archivos musicales
música andina
José María Arguedas
music archives
Andean music
José María Arguedas
topic archivos musicales
música andina
José María Arguedas
music archives
Andean music
José María Arguedas
description In this articleI arguethat, beyond the original intentions of the states that finance them and the officials who lead them, music archives not only preserve music, but in doing so, potentially favor its transformation. I work the hypothesis through an analysis of the metamorphoses undergone by the indigenous song “Carnaval de Tambobamba,” a song recorded a Capella by the well-known Peruvian writer José María Arguedas in the 1960s for the traditional music archive he formed at the Casa de la Cultura del Perú. I show that this recording unleashed a series of recontextualizations, giving rise to a social biography of the indigenous song that returns it to what Diana Taylor calls the repertoire
publishDate 2022
dc.date.none.fl_str_mv 2022-12-28
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/68251
10.14393/artc-v24-n45-2022-68251
url https://seer.ufu.br/index.php/artcultura/article/view/68251
identifier_str_mv 10.14393/artc-v24-n45-2022-68251
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/68251/35578
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Uberlândia
publisher.none.fl_str_mv Universidade Federal de Uberlândia
dc.source.none.fl_str_mv ArtCultura; Vol. 24 No. 45 (2022): ArtCultura; 9-36
ArtCultura; Vol. 24 Núm. 45 (2022): ArtCultura; 9-36
ArtCultura; v. 24 n. 45 (2022): ArtCultura; 9-36
2178-3845
reponame:ArtCultura (Online)
instname:Universidade Federal de Uberlândia (UFU)
instacron:UFU
instname_str Universidade Federal de Uberlândia (UFU)
instacron_str UFU
institution UFU
reponame_str ArtCultura (Online)
collection ArtCultura (Online)
repository.name.fl_str_mv ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)
repository.mail.fl_str_mv akparanhos@uol.com.br||
_version_ 1797069138575753216

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