Tropical sketches from Brasil: art and British anti-slavery politic

Detalhes bibliográficos
Autor(a) principal: Gomes de Oliveira, Emerson Dionisio
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: ArtCultura (Online)
Texto Completo: https://seer.ufu.br/index.php/artcultura/article/view/58643
Resumo: In 1840 the newspaper The African Colonizer sent the Danish artist Paul Harro-Harring to Rio de Janeiro. The trip resulted in the series of paintings titled Tropical sketches from Brazil. The author of a controversial biography, Harro-Harring crafted an important set of works that reveal aspects of everyday life of slavery at the Rio de Janeiro coast. This article seeks to understand how the works of Tropical sketches from Brazil relate to Harring's literary and polemista work, setting conditions to undestanding his observational capacity, which is situated between lyric perspective, estrangement and documental registry. Works linked to an ample set of images that derives from expeditions, trips and (missions) dedicated to popularizing natural and human-made landscapes from distant lands.
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spelling Tropical sketches from Brasil: art and British anti-slavery politicEsboços tropicais do Brasil: arte e política antiescravagista britânicaBrasilianaPaul Harro-HarringInstituto Moreira SallesBrasilianaPaul HarroHarringMoreira Salles InstituteIn 1840 the newspaper The African Colonizer sent the Danish artist Paul Harro-Harring to Rio de Janeiro. The trip resulted in the series of paintings titled Tropical sketches from Brazil. The author of a controversial biography, Harro-Harring crafted an important set of works that reveal aspects of everyday life of slavery at the Rio de Janeiro coast. This article seeks to understand how the works of Tropical sketches from Brazil relate to Harring's literary and polemista work, setting conditions to undestanding his observational capacity, which is situated between lyric perspective, estrangement and documental registry. Works linked to an ample set of images that derives from expeditions, trips and (missions) dedicated to popularizing natural and human-made landscapes from distant lands.Em 1840, o jornal The African Colonizer enviou o artista dinamarquês Paul Harro-Harring para o Rio de Janeiro. A viagem reverteu-se na série de pinturas intitulada Tropical sketches from Brazil. Autor de biografia controversa, Harro-Harring confeccionou um importante conjunto de obras que revelam aspectos do cotidiano da escravidão no litoral fluminense. O artigo busca compreender como os trabalhos de Esboços tropicais do Brasil estão relacionados às produções literária e polemista de Harring e às políticas antiescravistas britânicas, nos oferecendo condições de compreender o olhar anedótico, pontuado entre uma perspectiva lírica, o estranhamento e o registro documental. Para tanto, realizamos um levantamento documental e revisões biográficas desse artista pouco debatido, bem como, delineamos em qual projeto visual ele estava inserido.Universidade Federal de Uberlândia2020-12-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/5864310.14393/artc-v22-n41-2020-58643ArtCultura; Vol. 22 No. 41 (2020): ArtCultura; 74-89ArtCultura; Vol. 22 Núm. 41 (2020): ArtCultura; 74-89ArtCultura; v. 22 n. 41 (2020): ArtCultura; 74-892178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/58643/30618Gomes de Oliveira, Emerson Dionisio info:eu-repo/semantics/openAccess2022-05-27T16:15:41Zoai:ojs.www.seer.ufu.br:article/58643Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2022-05-27T16:15:41ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false
dc.title.none.fl_str_mv Tropical sketches from Brasil: art and British anti-slavery politic
Esboços tropicais do Brasil: arte e política antiescravagista britânica
title Tropical sketches from Brasil: art and British anti-slavery politic
spellingShingle Tropical sketches from Brasil: art and British anti-slavery politic
Gomes de Oliveira, Emerson Dionisio
Brasiliana
Paul Harro-Harring
Instituto Moreira Salles
Brasiliana
Paul HarroHarring
Moreira Salles Institute
title_short Tropical sketches from Brasil: art and British anti-slavery politic
title_full Tropical sketches from Brasil: art and British anti-slavery politic
title_fullStr Tropical sketches from Brasil: art and British anti-slavery politic
title_full_unstemmed Tropical sketches from Brasil: art and British anti-slavery politic
title_sort Tropical sketches from Brasil: art and British anti-slavery politic
author Gomes de Oliveira, Emerson Dionisio
author_facet Gomes de Oliveira, Emerson Dionisio
author_role author
dc.contributor.author.fl_str_mv Gomes de Oliveira, Emerson Dionisio
dc.subject.por.fl_str_mv Brasiliana
Paul Harro-Harring
Instituto Moreira Salles
Brasiliana
Paul HarroHarring
Moreira Salles Institute
topic Brasiliana
Paul Harro-Harring
Instituto Moreira Salles
Brasiliana
Paul HarroHarring
Moreira Salles Institute
description In 1840 the newspaper The African Colonizer sent the Danish artist Paul Harro-Harring to Rio de Janeiro. The trip resulted in the series of paintings titled Tropical sketches from Brazil. The author of a controversial biography, Harro-Harring crafted an important set of works that reveal aspects of everyday life of slavery at the Rio de Janeiro coast. This article seeks to understand how the works of Tropical sketches from Brazil relate to Harring's literary and polemista work, setting conditions to undestanding his observational capacity, which is situated between lyric perspective, estrangement and documental registry. Works linked to an ample set of images that derives from expeditions, trips and (missions) dedicated to popularizing natural and human-made landscapes from distant lands.
publishDate 2020
dc.date.none.fl_str_mv 2020-12-26
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/58643
10.14393/artc-v22-n41-2020-58643
url https://seer.ufu.br/index.php/artcultura/article/view/58643
identifier_str_mv 10.14393/artc-v22-n41-2020-58643
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/58643/30618
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Uberlândia
publisher.none.fl_str_mv Universidade Federal de Uberlândia
dc.source.none.fl_str_mv ArtCultura; Vol. 22 No. 41 (2020): ArtCultura; 74-89
ArtCultura; Vol. 22 Núm. 41 (2020): ArtCultura; 74-89
ArtCultura; v. 22 n. 41 (2020): ArtCultura; 74-89
2178-3845
reponame:ArtCultura (Online)
instname:Universidade Federal de Uberlândia (UFU)
instacron:UFU
instname_str Universidade Federal de Uberlândia (UFU)
instacron_str UFU
institution UFU
reponame_str ArtCultura (Online)
collection ArtCultura (Online)
repository.name.fl_str_mv ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)
repository.mail.fl_str_mv akparanhos@uol.com.br||
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