On the edge of rock: state censorship and the Portuguese folk song

Detalhes bibliográficos
Autor(a) principal: Fiuza, Alexandre Felipe
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: por
Título da fonte: ArtCultura (Online)
Texto Completo: https://seer.ufu.br/index.php/artcultura/article/view/36641
Resumo: This article presents a fragment of an investigation on state censorship on songs and musicals during the last two decades of Portuguese dictatorship. The research is based on a review and analysis of archive materials from Pide/DGS (Polícia Internacional de Defesa do Estado/ Direcção-Geral de Segurança – International Police for State Defense / General Security Directorate), as well as on the unpublished censorial processes available in the archives of the Secretariado Nacional de Informação (SNI) (National Information Office), both based in Torre do Tombo, Lisbon. The analyses of these documents revealed the main banned topics, based, particularly, on the legal principles these songs had to abide by, as well as on the censor’s justifications. One aditional reason for choosing to study songs in this paper is theis strong social insertion through the media and the phonographic and publishing industries. Keywords: censorship, song, rock.
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spelling On the edge of rock: state censorship and the Portuguese folk songNas margens do rock: a censura estatal e a canção popular portuguesaThis article presents a fragment of an investigation on state censorship on songs and musicals during the last two decades of Portuguese dictatorship. The research is based on a review and analysis of archive materials from Pide/DGS (Polícia Internacional de Defesa do Estado/ Direcção-Geral de Segurança – International Police for State Defense / General Security Directorate), as well as on the unpublished censorial processes available in the archives of the Secretariado Nacional de Informação (SNI) (National Information Office), both based in Torre do Tombo, Lisbon. The analyses of these documents revealed the main banned topics, based, particularly, on the legal principles these songs had to abide by, as well as on the censor’s justifications. One aditional reason for choosing to study songs in this paper is theis strong social insertion through the media and the phonographic and publishing industries. Keywords: censorship, song, rock.Este texto apresenta um fragmento de uma investigação sobre a censura estatal às canções e aos espetáculos musicais durante as duas últimas décadas da ditadura portuguesa. Tal pesquisa foi realizada a partir da consulta e da análise do material do Arquivo da Pide/DGS (Polícia Internacional de Defesa do Estado/ Direcção Geral de Segurança) e junto aos inéditos processos censórios disponíveis no arquivo do Secretariado Nacional de Informação (SNI), ambos sediados na Torre do Tombo, em Lisboa. O exame dessa documentação revelou os principais temas interditos, com base, em particular, nos preceitos legais a que estavam submetidas tais canções e nas justificativas empregadas pelos censores. Por outro lado, a opção por abordar a canção neste artigo também se deve à sua forte inserção social nos meios de comunicação e na indústria fonográfica e editorial. Palavras-chave: censura, canção, rock.Universidade Federal de Uberlândia2016-11-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/36641ArtCultura; Vol. 17 No. 31 (2015): ArtCulturaArtCultura; Vol. 17 Núm. 31 (2015): ArtCulturaArtCultura; v. 17 n. 31 (2015): ArtCultura2178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/36641/19315Copyright (c) 2016 Artculturainfo:eu-repo/semantics/openAccessFiuza, Alexandre Felipe2022-05-27T16:18:30Zoai:ojs.www.seer.ufu.br:article/36641Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2022-05-27T16:18:30ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false
dc.title.none.fl_str_mv On the edge of rock: state censorship and the Portuguese folk song
Nas margens do rock: a censura estatal e a canção popular portuguesa
title On the edge of rock: state censorship and the Portuguese folk song
spellingShingle On the edge of rock: state censorship and the Portuguese folk song
Fiuza, Alexandre Felipe
title_short On the edge of rock: state censorship and the Portuguese folk song
title_full On the edge of rock: state censorship and the Portuguese folk song
title_fullStr On the edge of rock: state censorship and the Portuguese folk song
title_full_unstemmed On the edge of rock: state censorship and the Portuguese folk song
title_sort On the edge of rock: state censorship and the Portuguese folk song
author Fiuza, Alexandre Felipe
author_facet Fiuza, Alexandre Felipe
author_role author
dc.contributor.author.fl_str_mv Fiuza, Alexandre Felipe
description This article presents a fragment of an investigation on state censorship on songs and musicals during the last two decades of Portuguese dictatorship. The research is based on a review and analysis of archive materials from Pide/DGS (Polícia Internacional de Defesa do Estado/ Direcção-Geral de Segurança – International Police for State Defense / General Security Directorate), as well as on the unpublished censorial processes available in the archives of the Secretariado Nacional de Informação (SNI) (National Information Office), both based in Torre do Tombo, Lisbon. The analyses of these documents revealed the main banned topics, based, particularly, on the legal principles these songs had to abide by, as well as on the censor’s justifications. One aditional reason for choosing to study songs in this paper is theis strong social insertion through the media and the phonographic and publishing industries. Keywords: censorship, song, rock.
publishDate 2016
dc.date.none.fl_str_mv 2016-11-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/36641
url https://seer.ufu.br/index.php/artcultura/article/view/36641
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/36641/19315
dc.rights.driver.fl_str_mv Copyright (c) 2016 Artcultura
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Artcultura
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Uberlândia
publisher.none.fl_str_mv Universidade Federal de Uberlândia
dc.source.none.fl_str_mv ArtCultura; Vol. 17 No. 31 (2015): ArtCultura
ArtCultura; Vol. 17 Núm. 31 (2015): ArtCultura
ArtCultura; v. 17 n. 31 (2015): ArtCultura
2178-3845
reponame:ArtCultura (Online)
instname:Universidade Federal de Uberlândia (UFU)
instacron:UFU
instname_str Universidade Federal de Uberlândia (UFU)
instacron_str UFU
institution UFU
reponame_str ArtCultura (Online)
collection ArtCultura (Online)
repository.name.fl_str_mv ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)
repository.mail.fl_str_mv akparanhos@uol.com.br||
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