Jean-Pierre Melville’s resistance cinema

Detalhes bibliográficos
Autor(a) principal: Dalenogare Neto , Waldemar
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: por
Título da fonte: ArtCultura (Online)
Texto Completo: https://seer.ufu.br/index.php/artcultura/article/view/50167
Resumo: This article discusses how french director Jean Pierre-Melville worked with the concept of resistance in his film career through three different perspectives, breaking with the model of heroic celebration adopted by the film industry. From the analysis of the films le Silence de la mer (1949), léon Morin, prêtre (1961) and l’armée des ombres (1969), the aim is to discuss the concepts of passive resistance, non-resistance and active resistance during World War II in France from the narrative and aesthetic review of these feature films.  
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spelling Jean-Pierre Melville’s resistance cinema O cinema de resistência de Jean-Pierre Melville cinema francêsresistênciaSegunda guerra MundialFrench CinemaResistanceWorld War IIThis article discusses how french director Jean Pierre-Melville worked with the concept of resistance in his film career through three different perspectives, breaking with the model of heroic celebration adopted by the film industry. From the analysis of the films le Silence de la mer (1949), léon Morin, prêtre (1961) and l’armée des ombres (1969), the aim is to discuss the concepts of passive resistance, non-resistance and active resistance during World War II in France from the narrative and aesthetic review of these feature films.  Este artigo discute como o diretor francês Jean-Pierre Melville trabalhou com o conceito de resistência em sua carreira no cinema a partir de três diferentes perspectivas, rompendo com o modelo de celebração heroica adotado pela indústria. Através da análise dos filmes Le silence de la mer (1949), Léon Morin, prêtre (1961) e L’armée des ombres (1969), o objetivo é tratar sobre os conceitos de resistência passiva, nãoresistência e a resistência ativa durante a Segunda guerra Mundial na frança a partir da revisão narrativa e estética destes longas-metragens.  Universidade Federal de Uberlândia2019-06-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/5016710.14393/artc-v21-n38-2019-50167ArtCultura; Vol. 21 No. 38 (2019): ArtCultura; 149 - 162ArtCultura; Vol. 21 Núm. 38 (2019): ArtCultura; 149 - 162ArtCultura; v. 21 n. 38 (2019): ArtCultura; 149 - 1622178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/50167/26723Dalenogare Neto , Waldemar info:eu-repo/semantics/openAccess2022-05-27T16:16:34Zoai:ojs.www.seer.ufu.br:article/50167Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2022-05-27T16:16:34ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false
dc.title.none.fl_str_mv Jean-Pierre Melville’s resistance cinema
O cinema de resistência de Jean-Pierre Melville
title Jean-Pierre Melville’s resistance cinema
spellingShingle Jean-Pierre Melville’s resistance cinema
Dalenogare Neto , Waldemar
cinema francês
resistência
Segunda guerra Mundial
French Cinema
Resistance
World War II
title_short Jean-Pierre Melville’s resistance cinema
title_full Jean-Pierre Melville’s resistance cinema
title_fullStr Jean-Pierre Melville’s resistance cinema
title_full_unstemmed Jean-Pierre Melville’s resistance cinema
title_sort Jean-Pierre Melville’s resistance cinema
author Dalenogare Neto , Waldemar
author_facet Dalenogare Neto , Waldemar
author_role author
dc.contributor.author.fl_str_mv Dalenogare Neto , Waldemar
dc.subject.por.fl_str_mv cinema francês
resistência
Segunda guerra Mundial
French Cinema
Resistance
World War II
topic cinema francês
resistência
Segunda guerra Mundial
French Cinema
Resistance
World War II
description This article discusses how french director Jean Pierre-Melville worked with the concept of resistance in his film career through three different perspectives, breaking with the model of heroic celebration adopted by the film industry. From the analysis of the films le Silence de la mer (1949), léon Morin, prêtre (1961) and l’armée des ombres (1969), the aim is to discuss the concepts of passive resistance, non-resistance and active resistance during World War II in France from the narrative and aesthetic review of these feature films.  
publishDate 2019
dc.date.none.fl_str_mv 2019-06-12
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/50167
10.14393/artc-v21-n38-2019-50167
url https://seer.ufu.br/index.php/artcultura/article/view/50167
identifier_str_mv 10.14393/artc-v21-n38-2019-50167
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/50167/26723
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Uberlândia
publisher.none.fl_str_mv Universidade Federal de Uberlândia
dc.source.none.fl_str_mv ArtCultura; Vol. 21 No. 38 (2019): ArtCultura; 149 - 162
ArtCultura; Vol. 21 Núm. 38 (2019): ArtCultura; 149 - 162
ArtCultura; v. 21 n. 38 (2019): ArtCultura; 149 - 162
2178-3845
reponame:ArtCultura (Online)
instname:Universidade Federal de Uberlândia (UFU)
instacron:UFU
instname_str Universidade Federal de Uberlândia (UFU)
instacron_str UFU
institution UFU
reponame_str ArtCultura (Online)
collection ArtCultura (Online)
repository.name.fl_str_mv ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)
repository.mail.fl_str_mv akparanhos@uol.com.br||
_version_ 1797069142726017024

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