“Eu quero frátria”2: the rap community

Detalhes bibliográficos
Autor(a) principal: Naves, Santuza Cambraia
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: ArtCultura (Online)
Texto Completo: https://seer.ufu.br/index.php/artcultura/article/view/47250
Resumo: This paper discusses how rap has broken with the category “nation-state” by resorting, in terms of both discourse and music, to the idea of “community”. The notion of “nation” is displaced so that the geographical space that corresponds to its boundaries is replaced by another, bounded by that cross-section of the world determined by the trajectory of black people. In this way rappers reconstruct their own genealogy on the basis of negritude. By adopting this attitude, Brazilian rappers take as their ancestors not only traditional partido-alto sambistas and Northeastern repentistas but also North American musicians, in their search for a musical and behavioral heritage. This kind of “attitude” may be compared with the assumptions of the “national-popular” ideology that provided a guideline for MPB musicians in the 60s, who saw “Brazil” and “the people” from a totalizing perspective. keywords: rap; nation-state; community.
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spelling “Eu quero frátria”2: the rap community“Eu quero frátria”: a comunidade do rapThis paper discusses how rap has broken with the category “nation-state” by resorting, in terms of both discourse and music, to the idea of “community”. The notion of “nation” is displaced so that the geographical space that corresponds to its boundaries is replaced by another, bounded by that cross-section of the world determined by the trajectory of black people. In this way rappers reconstruct their own genealogy on the basis of negritude. By adopting this attitude, Brazilian rappers take as their ancestors not only traditional partido-alto sambistas and Northeastern repentistas but also North American musicians, in their search for a musical and behavioral heritage. This kind of “attitude” may be compared with the assumptions of the “national-popular” ideology that provided a guideline for MPB musicians in the 60s, who saw “Brazil” and “the people” from a totalizing perspective. keywords: rap; nation-state; community.O texto trata das rupturas empreendidas pelo rap com a categoria Estado-nação, ao recorrer discursiva e musicalmente à ideia de comunidade. Promove-se um deslocamento do conceito de “nação”, substituindo o espaço geográfico que corresponde às suas fronteiras por um outro, cujo limite obedece a um corte transversal no planeta marcado pela trajetória do negro. Assim, os rappers, ancorados na bandeira da negritude, reconstroem a própria genealogia. Quando adotam esta atitude, os rappers brasileiros tomam como ancestrais tanto os sambistas do partido-alto e repentistas quanto músicos norte-americanos, em busca de um legado musical e comportamental. Esse tipo de “atitude” será comparada com os pressupostos nacional-populares que nortearam a MPB na década de 1960, cujos músicos pensavam o “Brasil” e o “povo” numa perspectiva totalizante. palavras-chave: rap; Estado-nação; comunidade.Universidade Federal de Uberlândia2018-12-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/4725010.14393/artc-v20-n37-2018-47250ArtCultura; Vol. 20 No. 37 (2018): ArtCultura; 193 - 200ArtCultura; Vol. 20 Núm. 37 (2018): ArtCultura; 193 - 200ArtCultura; v. 20 n. 37 (2018): ArtCultura; 193 - 2002178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/47250/25575Naves, Santuza Cambraiainfo:eu-repo/semantics/openAccess2022-05-27T16:16:49Zoai:ojs.www.seer.ufu.br:article/47250Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2022-05-27T16:16:49ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false
dc.title.none.fl_str_mv “Eu quero frátria”2: the rap community
“Eu quero frátria”: a comunidade do rap
title “Eu quero frátria”2: the rap community
spellingShingle “Eu quero frátria”2: the rap community
Naves, Santuza Cambraia
title_short “Eu quero frátria”2: the rap community
title_full “Eu quero frátria”2: the rap community
title_fullStr “Eu quero frátria”2: the rap community
title_full_unstemmed “Eu quero frátria”2: the rap community
title_sort “Eu quero frátria”2: the rap community
author Naves, Santuza Cambraia
author_facet Naves, Santuza Cambraia
author_role author
dc.contributor.author.fl_str_mv Naves, Santuza Cambraia
description This paper discusses how rap has broken with the category “nation-state” by resorting, in terms of both discourse and music, to the idea of “community”. The notion of “nation” is displaced so that the geographical space that corresponds to its boundaries is replaced by another, bounded by that cross-section of the world determined by the trajectory of black people. In this way rappers reconstruct their own genealogy on the basis of negritude. By adopting this attitude, Brazilian rappers take as their ancestors not only traditional partido-alto sambistas and Northeastern repentistas but also North American musicians, in their search for a musical and behavioral heritage. This kind of “attitude” may be compared with the assumptions of the “national-popular” ideology that provided a guideline for MPB musicians in the 60s, who saw “Brazil” and “the people” from a totalizing perspective. keywords: rap; nation-state; community.
publishDate 2018
dc.date.none.fl_str_mv 2018-12-12
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/47250
10.14393/artc-v20-n37-2018-47250
url https://seer.ufu.br/index.php/artcultura/article/view/47250
identifier_str_mv 10.14393/artc-v20-n37-2018-47250
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/47250/25575
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Uberlândia
publisher.none.fl_str_mv Universidade Federal de Uberlândia
dc.source.none.fl_str_mv ArtCultura; Vol. 20 No. 37 (2018): ArtCultura; 193 - 200
ArtCultura; Vol. 20 Núm. 37 (2018): ArtCultura; 193 - 200
ArtCultura; v. 20 n. 37 (2018): ArtCultura; 193 - 200
2178-3845
reponame:ArtCultura (Online)
instname:Universidade Federal de Uberlândia (UFU)
instacron:UFU
instname_str Universidade Federal de Uberlândia (UFU)
instacron_str UFU
institution UFU
reponame_str ArtCultura (Online)
collection ArtCultura (Online)
repository.name.fl_str_mv ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)
repository.mail.fl_str_mv akparanhos@uol.com.br||
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