Writing as an experience of struggle and resistance: Maria Archer
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | ArtCultura (Online) |
Texto Completo: | https://seer.ufu.br/index.php/artcultura/article/view/61857 |
Resumo: | This article focuses on female protagonism in the actions and struggles of opposition to Salazarism, highlighting the trajectory and work of Maria Archer. For this, the context, life trajectory and production of Archer in Portugal is recovered, particularizing the actions of censorship of her works; next, it analyzes the performance and works produced in the years of exile in São Paulo (1955-1979). The research carried out valued a diversity of sources and references: the documentation of Pide (Polícia Internacional e de Defesa do Estado), the collection of Torre do Tombo and the Fundação Mário Soares (Portugal), Deops/SP (Departamento Estadual de Ordem Política e Social), literary texts, letters, photographs, interviews, chronicles, press, giving priority to the writings of Maria Archer in exile. |
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Writing as an experience of struggle and resistance: Maria ArcherA escrita como experiência de luta e resistência: Maria ArcherexílioantissalazarismoMaria Archerexileanti-salazarismMaria ArcherThis article focuses on female protagonism in the actions and struggles of opposition to Salazarism, highlighting the trajectory and work of Maria Archer. For this, the context, life trajectory and production of Archer in Portugal is recovered, particularizing the actions of censorship of her works; next, it analyzes the performance and works produced in the years of exile in São Paulo (1955-1979). The research carried out valued a diversity of sources and references: the documentation of Pide (Polícia Internacional e de Defesa do Estado), the collection of Torre do Tombo and the Fundação Mário Soares (Portugal), Deops/SP (Departamento Estadual de Ordem Política e Social), literary texts, letters, photographs, interviews, chronicles, press, giving priority to the writings of Maria Archer in exile.Este artigo focaliza o protagonismo feminino nas ações e lutas de oposição ao salazarismo, destacando a trajetória e obra de Maria Archer. Para tanto, recupera o contexto, trajetória de vida e produção de Archer em Portugal, em particular as ações de censura às suas obras; na sequência, analisa a atuação e obras produzidas nos anos de exílio em São Paulo (1955-1979). A pesquisa realizada valorizou uma diversidade de fontes e referências: a documenta- ção da Pide (Polícia Internacional e de Defesa do Estado), o acervo da Torre do Tombo e da Fundação Mário Soares (em Portugal), do Deops/SP (Departamento Estadual de Ordem Política e Social), textos literários, cartas, fotografias, entrevistas, crônicas, imprensa, priorizando os escritos de Maria Archer no exílio.Universidade Federal de Uberlândia2021-06-23info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/6185710.14393/artc-v23-n42-2021-61857ArtCultura; Vol. 23 No. 42 (2021): ArtCultura; 154-174ArtCultura; Vol. 23 Núm. 42 (2021): ArtCultura; 154-174ArtCultura; v. 23 n. 42 (2021): ArtCultura; 154-1742178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/61857/31960Santos de Matos, Maria Izilda info:eu-repo/semantics/openAccess2023-12-01T18:57:33Zoai:ojs.www.seer.ufu.br:article/61857Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2023-12-01T18:57:33ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false |
dc.title.none.fl_str_mv |
Writing as an experience of struggle and resistance: Maria Archer A escrita como experiência de luta e resistência: Maria Archer |
title |
Writing as an experience of struggle and resistance: Maria Archer |
spellingShingle |
Writing as an experience of struggle and resistance: Maria Archer Santos de Matos, Maria Izilda exílio antissalazarismo Maria Archer exile anti-salazarism Maria Archer |
title_short |
Writing as an experience of struggle and resistance: Maria Archer |
title_full |
Writing as an experience of struggle and resistance: Maria Archer |
title_fullStr |
Writing as an experience of struggle and resistance: Maria Archer |
title_full_unstemmed |
Writing as an experience of struggle and resistance: Maria Archer |
title_sort |
Writing as an experience of struggle and resistance: Maria Archer |
author |
Santos de Matos, Maria Izilda |
author_facet |
Santos de Matos, Maria Izilda |
author_role |
author |
dc.contributor.author.fl_str_mv |
Santos de Matos, Maria Izilda |
dc.subject.por.fl_str_mv |
exílio antissalazarismo Maria Archer exile anti-salazarism Maria Archer |
topic |
exílio antissalazarismo Maria Archer exile anti-salazarism Maria Archer |
description |
This article focuses on female protagonism in the actions and struggles of opposition to Salazarism, highlighting the trajectory and work of Maria Archer. For this, the context, life trajectory and production of Archer in Portugal is recovered, particularizing the actions of censorship of her works; next, it analyzes the performance and works produced in the years of exile in São Paulo (1955-1979). The research carried out valued a diversity of sources and references: the documentation of Pide (Polícia Internacional e de Defesa do Estado), the collection of Torre do Tombo and the Fundação Mário Soares (Portugal), Deops/SP (Departamento Estadual de Ordem Política e Social), literary texts, letters, photographs, interviews, chronicles, press, giving priority to the writings of Maria Archer in exile. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-06-23 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufu.br/index.php/artcultura/article/view/61857 10.14393/artc-v23-n42-2021-61857 |
url |
https://seer.ufu.br/index.php/artcultura/article/view/61857 |
identifier_str_mv |
10.14393/artc-v23-n42-2021-61857 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.ufu.br/index.php/artcultura/article/view/61857/31960 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Uberlândia |
publisher.none.fl_str_mv |
Universidade Federal de Uberlândia |
dc.source.none.fl_str_mv |
ArtCultura; Vol. 23 No. 42 (2021): ArtCultura; 154-174 ArtCultura; Vol. 23 Núm. 42 (2021): ArtCultura; 154-174 ArtCultura; v. 23 n. 42 (2021): ArtCultura; 154-174 2178-3845 reponame:ArtCultura (Online) instname:Universidade Federal de Uberlândia (UFU) instacron:UFU |
instname_str |
Universidade Federal de Uberlândia (UFU) |
instacron_str |
UFU |
institution |
UFU |
reponame_str |
ArtCultura (Online) |
collection |
ArtCultura (Online) |
repository.name.fl_str_mv |
ArtCultura (Online) - Universidade Federal de Uberlândia (UFU) |
repository.mail.fl_str_mv |
akparanhos@uol.com.br|| |
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1797069138479284224 |