Dramaturgic and staging processes of intermediality

Detalhes bibliográficos
Autor(a) principal: Sassi, Giovanna
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Rascunhos
Texto Completo: https://seer.ufu.br/index.php/rascunhos/article/view/68034
Resumo: Hybridism, polyphonic juxtapositions, frictions, collaborative creations, performativity are some aspects that we identify in contemporary performing arts. All these aspects reverberate in the processes of creating the scenes and the dramaturgy, mainly through intermediality. To analyze this context, four plays were studied in the light of contemporary theories: Wooster Group's Hamlet and Poor Theatre, and Cia Ex-Machina's 887 and Needles and Opium. Documentary materials produced by the theater companies themselves such as their books of processes and recordings of theatrical plays were consulted. This paper analyzes the resources and ways of expansion of this theatricality in which, through intermediality, a scene involves the spectator with a sensory overload.
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spelling Dramaturgic and staging processes of intermedialityProcesos dramaturgicos y escénicos de intermedialidadPROCESSOS DRAMATÚRGICOS E CÊNICOS DA INTERMEDIALIDADE Hybridism, polyphonic juxtapositions, frictions, collaborative creations, performativity are some aspects that we identify in contemporary performing arts. All these aspects reverberate in the processes of creating the scenes and the dramaturgy, mainly through intermediality. To analyze this context, four plays were studied in the light of contemporary theories: Wooster Group's Hamlet and Poor Theatre, and Cia Ex-Machina's 887 and Needles and Opium. Documentary materials produced by the theater companies themselves such as their books of processes and recordings of theatrical plays were consulted. This paper analyzes the resources and ways of expansion of this theatricality in which, through intermediality, a scene involves the spectator with a sensory overload.Hibridismo, yuxtaposiciones polifónicas, fricción, creaciones colaborativas, performatividad son algunos aspectos identificados en las artes escénicas contemporáneas. Todos esos aspectos repercuten en los procesos de creación de la escena y la dramaturgia, principalmente a través de la intermediación. Para analizar ese contexto, se estudiaron cuatro obras a la luz de las teorías contemporáneas: Hamlet and Poor Theatre de The Wooster Group y 887 y Needles and Opium de Cia Ex-Machina. Se analizaron los materiales documentales disponibles de las compañías teatrales, como sus libros de procesos y grabaciones de obras teatrales. El artículo analiza los recursos y modos de expansión de esa teatralidad en la que, a través de la intermedialidad, la escena envuelve al espectador con una sobrecarga sensorial.Hibridismo, justaposições polifonias, fricções, criações colaborativas, performatividade são alguns aspectos identificados nas artes cênicas contemporâneas. Todos esses aspectos reverberam nos processos de criação da cena e da dramaturgia, principalmente por meio da intermedialidade. Para analisar esse contexto, foram estudadas quatro peças à luz das teorias contemporâneas: Hamlet e Poor Theatre do The Wooster Group e 887 e Needles and Opium da Cia Ex-Machina. Foram analisados materiais documentais acessados por disponibilização das companhias teatrais como seus livros de processos e gravações das peças teatrais. O artigo analisa os recursos e modos de expansão dessa teatralidade em que, pela intermedialidade, a cena envolve o espectador com uma sobrecarga sensorial.Portal de Periódicos da UFU2023-12-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/rascunhos/article/view/6803410.14393/issn2358-3703.v10n1a2023-09Rascunhos - Caminos da la Investigación en Artes Escénicas; Vol. 10 Núm. 1 (2023): Educação Estética e as Artes Cênicas; 141-155Revista Rascunhos - Caminhos da Pesquisa em Artes Cênicas; v. 10 n. 1 (2023): Educação Estética e as Artes Cênicas; 141-1552358-3703reponame:Rascunhosinstname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/rascunhos/article/view/68034/37291Copyright (c) 2023 Revista Rascunhos - Caminhos da Pesquisa em Artes Cênicasinfo:eu-repo/semantics/openAccessSassi, Giovanna2023-12-12T14:32:39Zoai:ojs.www.seer.ufu.br:article/68034Revistahttps://seer.ufu.br/index.php/rascunhosPUBhttps://seer.ufu.br/index.php/rascunhos/oai||rascunhos.geac@gmail.com2358-37032358-3703opendoar:2023-12-12T14:32:39Rascunhos - Universidade Federal de Uberlândia (UFU)false
dc.title.none.fl_str_mv Dramaturgic and staging processes of intermediality
Procesos dramaturgicos y escénicos de intermedialidad
PROCESSOS DRAMATÚRGICOS E CÊNICOS DA INTERMEDIALIDADE
title Dramaturgic and staging processes of intermediality
spellingShingle Dramaturgic and staging processes of intermediality
Sassi, Giovanna
title_short Dramaturgic and staging processes of intermediality
title_full Dramaturgic and staging processes of intermediality
title_fullStr Dramaturgic and staging processes of intermediality
title_full_unstemmed Dramaturgic and staging processes of intermediality
title_sort Dramaturgic and staging processes of intermediality
author Sassi, Giovanna
author_facet Sassi, Giovanna
author_role author
dc.contributor.author.fl_str_mv Sassi, Giovanna
description Hybridism, polyphonic juxtapositions, frictions, collaborative creations, performativity are some aspects that we identify in contemporary performing arts. All these aspects reverberate in the processes of creating the scenes and the dramaturgy, mainly through intermediality. To analyze this context, four plays were studied in the light of contemporary theories: Wooster Group's Hamlet and Poor Theatre, and Cia Ex-Machina's 887 and Needles and Opium. Documentary materials produced by the theater companies themselves such as their books of processes and recordings of theatrical plays were consulted. This paper analyzes the resources and ways of expansion of this theatricality in which, through intermediality, a scene involves the spectator with a sensory overload.
publishDate 2023
dc.date.none.fl_str_mv 2023-12-12
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufu.br/index.php/rascunhos/article/view/68034
10.14393/issn2358-3703.v10n1a2023-09
url https://seer.ufu.br/index.php/rascunhos/article/view/68034
identifier_str_mv 10.14393/issn2358-3703.v10n1a2023-09
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufu.br/index.php/rascunhos/article/view/68034/37291
dc.rights.driver.fl_str_mv Copyright (c) 2023 Revista Rascunhos - Caminhos da Pesquisa em Artes Cênicas
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Revista Rascunhos - Caminhos da Pesquisa em Artes Cênicas
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Portal de Periódicos da UFU
publisher.none.fl_str_mv Portal de Periódicos da UFU
dc.source.none.fl_str_mv Rascunhos - Caminos da la Investigación en Artes Escénicas; Vol. 10 Núm. 1 (2023): Educação Estética e as Artes Cênicas; 141-155
Revista Rascunhos - Caminhos da Pesquisa em Artes Cênicas; v. 10 n. 1 (2023): Educação Estética e as Artes Cênicas; 141-155
2358-3703
reponame:Rascunhos
instname:Universidade Federal de Uberlândia (UFU)
instacron:UFU
instname_str Universidade Federal de Uberlândia (UFU)
instacron_str UFU
institution UFU
reponame_str Rascunhos
collection Rascunhos
repository.name.fl_str_mv Rascunhos - Universidade Federal de Uberlândia (UFU)
repository.mail.fl_str_mv ||rascunhos.geac@gmail.com
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