A consciência nas obras de Fiódor Dostoiévski

• Autor(a) principal: Tagliacozzi, Gabriel Viviani
• Data de Publicação: 2019
• Tipo de documento: Trabalho de conclusão de curso
• Idioma: por
• Título da fonte: Repositório Institucional da UFU
• Texto Completo: https://repositorio.ufu.br/handle/123456789/31226
• topic: Filosofia; Dostoiévski; Literatura; CNPQ::CIENCIAS HUMANAS::FILOSOFIA

The beginning of the project is in the form of chronicle, my meeting with Fyodor Dostoevsky and the whole process that motivated this study, with the aim of passing to the reader through literature, part of my feeling towards the Russian author. Then, in the first essay, I begin the theoretical analysis of man's impulse and attitude toward killing God to become a new God, driven by Crime and Punishment along with Nietzsche's philosophical reflections in his books Antichrist and Aurora. . At the end of the preceptor essay, the latter is closely related to the former as a way of demonstrating the problems of conscience in relation to the mortifying attitude of murdering the divine figure. Concluding the relationship between Crime and Punishment and Nietzsche's works, the third essay is introduced, with the object of historically exposing Dostoevsky's influence on Nietzsche, explaining passages of the Russian writer in The Demons as a possible germ of the Nietzschean concept and its announcement. to the hyperbaric. Changing eyes, the following essay explores through the tale an unpleasant story written by the Russian author, as is evident in the impossibility of the Hegelian idea of liberal precepts being applied in nineteenth-century Russia. Finalizing, as the last essay, is the writing about the depth of the unconscious, presenting by the bias of the work The Ridiculous Man's Dream, the anticipation of ideas related to psychology even before the Freudian concretization.