Cenografia, ethos e autoria: uma abordagem discursiva do romance The picture of Dorian Gray
Autor(a) principal: | |
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Data de Publicação: | 2009 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFU |
Texto Completo: | https://repositorio.ufu.br/handle/123456789/15353 |
Resumo: | The main objective of this paper is to show how a discursive approach of the literary phenomenon, as it was understood by Dominique Maingueneau (2006), can bring new contributions to the treatment of the literary object. The material for analysis consists in the only novel written by Oscar Wilde The Picture of Dorian Gray (1890-91), published in 1891. The book constitutes a masterpiece of aestheticism-decadent and presents a particular vision of the artistic phenomenon. What will be taken from this material as a corpus of analysis are some set designs built in the novel as well as the speech of the character called Lord Henry, especially when he talks to the character of Dorian Gray. The concept of ethos is highlighted in this work. We have chosen to deal with it by approaching the features which form it, due to the fact that our hypothesis is the one that the construction of Lord Henry s ethos is a result of his hedonistic position in the novel. It was from this relation that we established the central hypothesis of this work, namely the category of the ethos allows us to relate Lord Henry s hedonistic position in the novel to the aesthete-decadent position of Oscar Wilde in the literary field. However, while we tried to analyse the ethos in a literary discourse we could observe that the question was in fact much more significant. We could not ignore the questions inherent in the literary object itself. For this reason, we bent our efforts to the question of the enunciation scene, the authorship, the writer s position in the field, on the status of the literary discourse, its constituent and paratopic character categories which explicate the epistemological place in which this work is inscribed . From our perspective, the literary fact is neither approached as text nor as context; in the same way, the preoccupation is not how one goes from text to context or from context to text. Differently, the literary fact is approached as an enunciative event and it will be in the theoretical-methodological proposal of Dominique Maingueneau, as already presented, more specifically in her book Discurso literário, that we will find support for this kind of approach. |
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Cenografia, ethos e autoria: uma abordagem discursiva do romance The picture of Dorian GrayCena de enunciaçãoEthosAutoriaAnálise do discurso literárioRetóricaEthosDiscourse analysisLiterary discourseEnunciation sceneEthosAuthorshipCNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICAThe main objective of this paper is to show how a discursive approach of the literary phenomenon, as it was understood by Dominique Maingueneau (2006), can bring new contributions to the treatment of the literary object. The material for analysis consists in the only novel written by Oscar Wilde The Picture of Dorian Gray (1890-91), published in 1891. The book constitutes a masterpiece of aestheticism-decadent and presents a particular vision of the artistic phenomenon. What will be taken from this material as a corpus of analysis are some set designs built in the novel as well as the speech of the character called Lord Henry, especially when he talks to the character of Dorian Gray. The concept of ethos is highlighted in this work. We have chosen to deal with it by approaching the features which form it, due to the fact that our hypothesis is the one that the construction of Lord Henry s ethos is a result of his hedonistic position in the novel. It was from this relation that we established the central hypothesis of this work, namely the category of the ethos allows us to relate Lord Henry s hedonistic position in the novel to the aesthete-decadent position of Oscar Wilde in the literary field. However, while we tried to analyse the ethos in a literary discourse we could observe that the question was in fact much more significant. We could not ignore the questions inherent in the literary object itself. For this reason, we bent our efforts to the question of the enunciation scene, the authorship, the writer s position in the field, on the status of the literary discourse, its constituent and paratopic character categories which explicate the epistemological place in which this work is inscribed . From our perspective, the literary fact is neither approached as text nor as context; in the same way, the preoccupation is not how one goes from text to context or from context to text. Differently, the literary fact is approached as an enunciative event and it will be in the theoretical-methodological proposal of Dominique Maingueneau, as already presented, more specifically in her book Discurso literário, that we will find support for this kind of approach.Coordenação de Aperfeiçoamento de Pessoal de Nível SuperiorMestre em LinguísticaO objetivo maior desta dissertação é mostrar como uma abordagem discursiva do fenômeno literário, tal como concebida por Dominique Maingueneau (2006), pode trazer novas contribuições para o tratamento do objeto literário. O material de análise deste trabalho consiste no único romance de Oscar Wilde The Picture of Dorian Gray (1890-91), publicado em livro em 1891. O livro constitui uma obra prima do estetismo-decadentista, apresentando uma visão particular do fenômeno artístico. O que tomaremos, deste material, como corpus de análise são algumas cenografias construídas no/pelo romance, bem como os dizeres da personagem Lord Henry, em especial os proferidos nas conversas com a personagem Dorian Gray. O conceito de ethos tem lugar de destaque neste trabalho. Optamos por abordá-lo a partir do enfoque nos traços que o constituem, visto que nossa hipótese é de que a construção do ethos da personagem Lord Henry decorre dos traços característicos de seu posicionamento hedonista no romance. Foi a partir dessa relação que estabelecemos a hipótese central deste trabalho, a saber, que a categoria do ethos permite-nos relacionar o posicionamento hedonista de Lord Henry no romance e o posicionamento esteto-decadentista de Oscar Wilde no campo literário. Entretanto, ao buscarmos analisar o ethos em um discurso literário, pudemos perceber que a questão era, na realidade, de uma amplitude muito mais significativa. Não nos era possível ignorar indagações inerentes ao próprio objeto literário. Por esse motivo, nos debruçamos sobre a questão da cena de enunciação, da autoria, do posicionamento do escritor no campo, sobre o estatuto do discurso literário, seu caráter constituinte e paratópico categorias que, na verdade, explicitam o lugar epistemológico em que se inscreve este trabalho. Da perspectiva que assumimos, não se aborda o fato literário nem como texto, nem como contexto; do mesmo modo, a preocupação não é mais como se vai do texto ao contexto, nem do contexto ao texto. Diferentemente, o fato literário é abordado como evento enunciativo, e será, como já apontado, na proposta teórico-metodológica de Dominique Maingueneau, mais especificamente em sua obra Discurso literário, que encontraremos suporte para esse tipo de abordagem.Universidade Federal de UberlândiaBRPrograma de Pós-graduação em Estudos LinguísticosLinguística Letras e ArtesUFUMussalim, Fernandahttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4777971U2Silveira, Eliane Marahttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4768966E7Brunelli, Anna Florahttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4799421Y7Rodrigues, Kelen Cristina2016-06-22T18:42:19Z2009-06-192016-06-22T18:42:19Z2009-02-27info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfapplication/pdfRODRIGUES, Kelen Cristina. Cenografia, ethos e autoria: uma abordagem discursiva do romance The picture of Dorian Gray. 2009. 100 f. Dissertação (Mestrado em Linguística Letras e Artes) - Universidade Federal de Uberlândia, Uberlândia, 2009.https://repositorio.ufu.br/handle/123456789/15353porinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFUinstname:Universidade Federal de Uberlândia (UFU)instacron:UFU2016-06-23T07:21:49Zoai:repositorio.ufu.br:123456789/15353Repositório InstitucionalONGhttp://repositorio.ufu.br/oai/requestdiinf@dirbi.ufu.bropendoar:2016-06-23T07:21:49Repositório Institucional da UFU - Universidade Federal de Uberlândia (UFU)false |
dc.title.none.fl_str_mv |
Cenografia, ethos e autoria: uma abordagem discursiva do romance The picture of Dorian Gray |
title |
Cenografia, ethos e autoria: uma abordagem discursiva do romance The picture of Dorian Gray |
spellingShingle |
Cenografia, ethos e autoria: uma abordagem discursiva do romance The picture of Dorian Gray Rodrigues, Kelen Cristina Cena de enunciação Ethos Autoria Análise do discurso literário Retórica Ethos Discourse analysis Literary discourse Enunciation scene Ethos Authorship CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA |
title_short |
Cenografia, ethos e autoria: uma abordagem discursiva do romance The picture of Dorian Gray |
title_full |
Cenografia, ethos e autoria: uma abordagem discursiva do romance The picture of Dorian Gray |
title_fullStr |
Cenografia, ethos e autoria: uma abordagem discursiva do romance The picture of Dorian Gray |
title_full_unstemmed |
Cenografia, ethos e autoria: uma abordagem discursiva do romance The picture of Dorian Gray |
title_sort |
Cenografia, ethos e autoria: uma abordagem discursiva do romance The picture of Dorian Gray |
author |
Rodrigues, Kelen Cristina |
author_facet |
Rodrigues, Kelen Cristina |
author_role |
author |
dc.contributor.none.fl_str_mv |
Mussalim, Fernanda http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4777971U2 Silveira, Eliane Mara http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4768966E7 Brunelli, Anna Flora http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4799421Y7 |
dc.contributor.author.fl_str_mv |
Rodrigues, Kelen Cristina |
dc.subject.por.fl_str_mv |
Cena de enunciação Ethos Autoria Análise do discurso literário Retórica Ethos Discourse analysis Literary discourse Enunciation scene Ethos Authorship CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA |
topic |
Cena de enunciação Ethos Autoria Análise do discurso literário Retórica Ethos Discourse analysis Literary discourse Enunciation scene Ethos Authorship CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA |
description |
The main objective of this paper is to show how a discursive approach of the literary phenomenon, as it was understood by Dominique Maingueneau (2006), can bring new contributions to the treatment of the literary object. The material for analysis consists in the only novel written by Oscar Wilde The Picture of Dorian Gray (1890-91), published in 1891. The book constitutes a masterpiece of aestheticism-decadent and presents a particular vision of the artistic phenomenon. What will be taken from this material as a corpus of analysis are some set designs built in the novel as well as the speech of the character called Lord Henry, especially when he talks to the character of Dorian Gray. The concept of ethos is highlighted in this work. We have chosen to deal with it by approaching the features which form it, due to the fact that our hypothesis is the one that the construction of Lord Henry s ethos is a result of his hedonistic position in the novel. It was from this relation that we established the central hypothesis of this work, namely the category of the ethos allows us to relate Lord Henry s hedonistic position in the novel to the aesthete-decadent position of Oscar Wilde in the literary field. However, while we tried to analyse the ethos in a literary discourse we could observe that the question was in fact much more significant. We could not ignore the questions inherent in the literary object itself. For this reason, we bent our efforts to the question of the enunciation scene, the authorship, the writer s position in the field, on the status of the literary discourse, its constituent and paratopic character categories which explicate the epistemological place in which this work is inscribed . From our perspective, the literary fact is neither approached as text nor as context; in the same way, the preoccupation is not how one goes from text to context or from context to text. Differently, the literary fact is approached as an enunciative event and it will be in the theoretical-methodological proposal of Dominique Maingueneau, as already presented, more specifically in her book Discurso literário, that we will find support for this kind of approach. |
publishDate |
2009 |
dc.date.none.fl_str_mv |
2009-06-19 2009-02-27 2016-06-22T18:42:19Z 2016-06-22T18:42:19Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
RODRIGUES, Kelen Cristina. Cenografia, ethos e autoria: uma abordagem discursiva do romance The picture of Dorian Gray. 2009. 100 f. Dissertação (Mestrado em Linguística Letras e Artes) - Universidade Federal de Uberlândia, Uberlândia, 2009. https://repositorio.ufu.br/handle/123456789/15353 |
identifier_str_mv |
RODRIGUES, Kelen Cristina. Cenografia, ethos e autoria: uma abordagem discursiva do romance The picture of Dorian Gray. 2009. 100 f. Dissertação (Mestrado em Linguística Letras e Artes) - Universidade Federal de Uberlândia, Uberlândia, 2009. |
url |
https://repositorio.ufu.br/handle/123456789/15353 |
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por |
language |
por |
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info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Uberlândia BR Programa de Pós-graduação em Estudos Linguísticos Linguística Letras e Artes UFU |
publisher.none.fl_str_mv |
Universidade Federal de Uberlândia BR Programa de Pós-graduação em Estudos Linguísticos Linguística Letras e Artes UFU |
dc.source.none.fl_str_mv |
reponame:Repositório Institucional da UFU instname:Universidade Federal de Uberlândia (UFU) instacron:UFU |
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Universidade Federal de Uberlândia (UFU) |
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UFU |
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UFU |
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Repositório Institucional da UFU |
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Repositório Institucional da UFU |
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Repositório Institucional da UFU - Universidade Federal de Uberlândia (UFU) |
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diinf@dirbi.ufu.br |
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1805569635034071040 |