A configuração de gêneros multimodais: um estudo sobre a relação gênero-suporte nos gêneros discursivos tira cômica, cartum, charge e caricatura

• Autor(a) principal: Simões, Alex Caldas
• Data de Publicação: 2010
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: LOCUS Repositório Institucional da UFV
• Texto Completo: http://locus.ufv.br/handle/123456789/4831
• topic: Gêneros discursivos; Lingüística Sistêmico-Funcional; Estrutura Potencial do Gênero (EPG); Suporte; Discursive genres; Systemic-Functional Linguistics; Generic Structure Potential (GSP); Support; CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA

How to recognize, characterize and differentiate the genders multimodal comic strip, cartoon, cartoons and caricature? How relationships are established genres such genre-support? Based on the theoretical and methodological studies of gender linked to Systemic-Functional Linguistics – SFL – (HALLIDAY; HASAN, 1989) and comics (RAMOS, 2009; MCCLOUD, 1995; EISNER, 1999), we tried to reflect these issues in order to: (1) describe the Generic Structure Potential (GSP) genres strip comics, cartoon, cartoon and caricature; (2) characterize the support of the genres in focus from the perspective of SFL, and (3) investigate the relationship between gender-holder in the genres mentioned above. In order to fulfill these research objectives, we, through qualitative research, from the analysis of texts and images, study the book and its supporters following genres: (a) Aline (I, II, III), by Adão Iturrusgarai ( 2007, 2009a, 2009b), with the comics strips, (b) So Crawls Humanity, by Allan Sieber (2006), with the cartoons, (c) Risk Factors, by Júlio Erthal (1998), with the cartoons, and (d) Caricatures and caricatured, by Mario Mendez, with the cartoons. From our research, we conclude that it is difficult to differentiate the genders comics strip, cartoon, cartoons and caricatures, because they present the same variable mode (written/ multimodal) and tenor (author versus reader) of registers, where as the variable field of register is respectful, which thus elects stages of completion for each specific genre, what sets them apart. As for the gender-support ratio, we can say that the support – as an organization of language material, entered in register – elects elements of realization that qualify as material support required in a given culture and individually with their peers, these elements we call grafic elements that take place according to the relationship author versus editor (a).