Os entre em as margens e os cimos: estudos do espaço em João Guimarães Rosa

• Autor(a) principal: Danese, Viviane Michelline Veloso
• Data de Publicação: 2014
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: LOCUS Repositório Institucional da UFV
• Texto Completo: http://locus.ufv.br/handle/123456789/4879
• topic: Regionalismo na literatura; Modernismo (Literatura); Percepção infantil; Contos; Guimarães Rosa; Regionalism in literature; Modernism (Literature); Tales; CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA

The present work consists in a research that turns around the meanings that the fictional space assumes in the Brazilian literature since its first manifestations and during colonial periods, until the third modernism's stage that corresponds to the generation of 45 that is inserted in the work of João Guimarães Rosa. In this sense, it is exposed a panoramic view of regionalism at Brazilian literature from the theoretical route presented by Antonio Candido that approaches the way how the fictional texts assume the space in its literal or symbolic dimension. In this last meaning, the range of the spatial focus incorporates proper elements from modernity as: the narrator, language and reader space. These elements are discussed in perspective of Rosa's work in a general way and more specifically in the short stories As margens da alegria e Os cimos, the first and last respectively from the book Primeiras estórias (1962). In the case of short stories, it is done a comparative analysis highlighting common aspects, notable in the structural composition; and differences evoked by the perception of childish character regarding space. The space is characterized as element that allows to conceive the immersion of the childish character as perceptive subject in a world socially shared. The character's displacement, as physical as internal, evokes the imagination and gives a sign to an existential learning. On the other hand, in the case of short story as genre, the narrative assumes an ambiguity associating fictional poetic and reality. Thus, it is also discussed aspects related to the production context of Guimarães Rosa's work, spatially linked to a more urban perspective, from a Brazil that had a strangeness of the modernization. The perception of the environment by the childish character emphasizes the study of fictional space in the short stories of Joao Guimarães Rosa.