A figura de Sócrates segundo Pierre Hadot
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Archai (Online) |
Texto Completo: | https://periodicos.unb.br/index.php/archai/article/view/8702 |
Resumo: | This article aims to show how the figure of Socrates was analised by Hadot as a fundamental piece of his thesis about philosophy as a way of life. Here Socrates is studying from the point of view of two of his masks, that of Silenus and Eros. Hadot utilised the idea of the masks to trace the figure of Socrates. The mask of Silenus enables us to understand the atopia of Socrates. This strangeness of philosophy, goads the interlocutor into the path of dialectics. The mask of Silenus hides the socratical irony, but the heart of irony observes the meeting between Silenus and Eros. The mask of Eros permits the philosopher to define himself as a philosopher, assisting the interlocutor to discover the truth of beauty and bring it forth. Keywords: Silenus, Eros, irony, maieutics, way of life. |
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A figura de Sócrates segundo Pierre HadotSilenoErosironiamaiêuticamodo de vidaThis article aims to show how the figure of Socrates was analised by Hadot as a fundamental piece of his thesis about philosophy as a way of life. Here Socrates is studying from the point of view of two of his masks, that of Silenus and Eros. Hadot utilised the idea of the masks to trace the figure of Socrates. The mask of Silenus enables us to understand the atopia of Socrates. This strangeness of philosophy, goads the interlocutor into the path of dialectics. The mask of Silenus hides the socratical irony, but the heart of irony observes the meeting between Silenus and Eros. The mask of Eros permits the philosopher to define himself as a philosopher, assisting the interlocutor to discover the truth of beauty and bring it forth. Keywords: Silenus, Eros, irony, maieutics, way of life. Este artigo enseja mostrar como a figura de Sócrates, tal como analisada por Hadot, é peça fundamental para a sua tese da filosofia como modo de vida. Sócrates é aqui estudado do ponto de vista de duas de suas máscaras, a do sileno e a de Eros. Hadot serve”‘se da ideia de máscara para delinear a figura de Sócrates. A máscara do sileno permite compreender a atopia socrática, essa estranheza do filósofo que pica o interlocutor, colocando na rota dialética. Na máscara do sileno, esconde”‘ se a ironia socrática, mas o coração da ironia se nota no encontro do sileno e de Eros. A máscara de Eros permite ao filósofo definir”‘ se como tal, e auxiliar o interlocutor a parir na beleza.Cátedra UNESCO Archai (Universidade de Brasília); Imprensa da Universidade de Coimbra, Portugal; Annablume Editora, São Paulo, Brasil2016-08-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionDossierDossiêapplication/pdfhttps://periodicos.unb.br/index.php/archai/article/view/870210.14195/1984-249X_18_9Revista Archai; No. 18 (2016): Revista Archai nº18 (setembro, 2016); 291Archai Journal; n. 18 (2016): Revista Archai nº18 (setembro, 2016); 2911984-249X2179-496010.14195/1984-249X_18reponame:Revista Archai (Online)instname:Universidade de Brasília (UnB)instacron:UNBporhttps://periodicos.unb.br/index.php/archai/article/view/8702/7382Oliveira, Loraineinfo:eu-repo/semantics/openAccess2018-06-08T14:25:43Zoai:ojs.pkp.sfu.ca:article/8702Revistahttps://periodicos.unb.br/index.php/archaiPUBhttps://periodicos.unb.br/index.php/archai/oai||archaijournal@unb.br|| cornelli@unb.br1984-249X1984-249Xopendoar:2018-06-08T14:25:43Revista Archai (Online) - Universidade de Brasília (UnB)false |
dc.title.none.fl_str_mv |
A figura de Sócrates segundo Pierre Hadot |
title |
A figura de Sócrates segundo Pierre Hadot |
spellingShingle |
A figura de Sócrates segundo Pierre Hadot Oliveira, Loraine Sileno Eros ironia maiêutica modo de vida |
title_short |
A figura de Sócrates segundo Pierre Hadot |
title_full |
A figura de Sócrates segundo Pierre Hadot |
title_fullStr |
A figura de Sócrates segundo Pierre Hadot |
title_full_unstemmed |
A figura de Sócrates segundo Pierre Hadot |
title_sort |
A figura de Sócrates segundo Pierre Hadot |
author |
Oliveira, Loraine |
author_facet |
Oliveira, Loraine |
author_role |
author |
dc.contributor.author.fl_str_mv |
Oliveira, Loraine |
dc.subject.por.fl_str_mv |
Sileno Eros ironia maiêutica modo de vida |
topic |
Sileno Eros ironia maiêutica modo de vida |
description |
This article aims to show how the figure of Socrates was analised by Hadot as a fundamental piece of his thesis about philosophy as a way of life. Here Socrates is studying from the point of view of two of his masks, that of Silenus and Eros. Hadot utilised the idea of the masks to trace the figure of Socrates. The mask of Silenus enables us to understand the atopia of Socrates. This strangeness of philosophy, goads the interlocutor into the path of dialectics. The mask of Silenus hides the socratical irony, but the heart of irony observes the meeting between Silenus and Eros. The mask of Eros permits the philosopher to define himself as a philosopher, assisting the interlocutor to discover the truth of beauty and bring it forth. Keywords: Silenus, Eros, irony, maieutics, way of life. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-08-25 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Dossier Dossiê |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.unb.br/index.php/archai/article/view/8702 10.14195/1984-249X_18_9 |
url |
https://periodicos.unb.br/index.php/archai/article/view/8702 |
identifier_str_mv |
10.14195/1984-249X_18_9 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.unb.br/index.php/archai/article/view/8702/7382 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Cátedra UNESCO Archai (Universidade de Brasília); Imprensa da Universidade de Coimbra, Portugal; Annablume Editora, São Paulo, Brasil |
publisher.none.fl_str_mv |
Cátedra UNESCO Archai (Universidade de Brasília); Imprensa da Universidade de Coimbra, Portugal; Annablume Editora, São Paulo, Brasil |
dc.source.none.fl_str_mv |
Revista Archai; No. 18 (2016): Revista Archai nº18 (setembro, 2016); 291 Archai Journal; n. 18 (2016): Revista Archai nº18 (setembro, 2016); 291 1984-249X 2179-4960 10.14195/1984-249X_18 reponame:Revista Archai (Online) instname:Universidade de Brasília (UnB) instacron:UNB |
instname_str |
Universidade de Brasília (UnB) |
instacron_str |
UNB |
institution |
UNB |
reponame_str |
Revista Archai (Online) |
collection |
Revista Archai (Online) |
repository.name.fl_str_mv |
Revista Archai (Online) - Universidade de Brasília (UnB) |
repository.mail.fl_str_mv |
||archaijournal@unb.br|| cornelli@unb.br |
_version_ |
1798319944888221696 |