Displacement and belonging: the place of passage in Rio Doce / CDU
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | P@ranoá |
Texto Completo: | https://periodicos.unb.br/index.php/paranoa/article/view/29161 |
Resumo: | This paper deals with the film representation of belonging in space within the images built by Pernambuco’s contemporary cinema to discuss about the notion of place of passage and the subjective implications related to the subject’s identity in its relation to a certain urban space. The place of passage is the one built in Pernambuco’s documentary film Rio Doce/CDU (2013), written and directed by Adelina Pontual. From the analysis of the moving images of and through urban space of two cities: Olinda and Recife, it will be considered that the filmed and projected spaces (in their cinematic and geographic senses) are wrapped in a cultural frame of the perception of lived and imagined space which enables new understandings about the notions of identity and belonging to a place. Here we consider the links between the urban images in the film, by the speech analysis, from the spatiality of place that is evidently culturally built, to establish a paradigm of understanding of the relationship between the moving images of urban space, the human experience in space, and the geographic imagination that constitutes itself from the representation of spatial experience and the identity of place. |
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Displacement and belonging: the place of passage in Rio Doce / CDUDeslocamento e pertencimento: o lugar de passagem em Rio Doce / CDULugar de passagem, Espaço Urbano, Deslocamento, PertencimentoPlace of passage, Urban Space, Displacement, BelongingThis paper deals with the film representation of belonging in space within the images built by Pernambuco’s contemporary cinema to discuss about the notion of place of passage and the subjective implications related to the subject’s identity in its relation to a certain urban space. The place of passage is the one built in Pernambuco’s documentary film Rio Doce/CDU (2013), written and directed by Adelina Pontual. From the analysis of the moving images of and through urban space of two cities: Olinda and Recife, it will be considered that the filmed and projected spaces (in their cinematic and geographic senses) are wrapped in a cultural frame of the perception of lived and imagined space which enables new understandings about the notions of identity and belonging to a place. Here we consider the links between the urban images in the film, by the speech analysis, from the spatiality of place that is evidently culturally built, to establish a paradigm of understanding of the relationship between the moving images of urban space, the human experience in space, and the geographic imagination that constitutes itself from the representation of spatial experience and the identity of place.Esse trabalho trata da representação fílmica de pertencimento do sujeito no espaço nas imagens construídas pelo cinema pernambucano contemporâneo com o objetivo de discutir sobre a noção de lugar de passagem e as implicações subjetivas relacionadas à identidade do sujeito em sua relação com determinado espaço urbano. O lugar de passagem aqui é o construído no filme/documentário pernambucano Rio Doce/CDU (2013), roteirizado e dirigido por Adelina Pontual. Parte-se da análise das imagens em movimento do e no espaço urbano de duas cidades pernambucanas: Olinda e Recife, consideradas no âmbito de uma representação através da qual os espaços filmado e projetado (no sentido cinemático e geográfico) está envolto em uma moldura cultural de percepção do espaço vivido e imaginado que possibilita novos entendimentos sobre identidade e pertencimento ao lugar. Consideramos o entrecruzamento das imagens urbanas no filme, por meio da análise crítica do discurso a partir de uma “espacialidade do lugar”, que evidentemente é construída culturalmente, e estabelecemos parâmetros de entendimento da relação posta entre as imagens em movimento do espaço urbano, a experiência humana de deslocamento no espaço, e a imaginação geográfica constituída a partir da representação da experiência espacial e da identidade do lugar.Programa de Pós-graduação em Arquitetura e Urbanismo, Faculdade de Arquitetura e Urbanismo2020-03-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.unb.br/index.php/paranoa/article/view/2916110.18830/issn.1679-0944.n24.2019.04Paranoá; Vol. 12 No. 24 (2019): Paranoá 24 - July/December - Cinema Urbana: Memories under Construction; 22-30Paranoá; v. 12 n. 24 (2019): Fluxo Contínuo - Julho/Dezembro; 22-301679-09441677-7395reponame:P@ranoáinstname:Universidade de Brasília (UnB)instacron:UNBporhttps://periodicos.unb.br/index.php/paranoa/article/view/29161/25324Copyright (c) 2019 Paranoá: cadernos de arquitetura e urbanismoinfo:eu-repo/semantics/openAccessBraga e Vaz da Costa, Maria Helena2024-02-08T12:36:02Zoai:ojs.pkp.sfu.ca:article/29161Revistahttps://periodicos.unb.br/index.php/paranoaPUBhttps://periodicos.unb.br/index.php/paranoa/oaiparanoa@unb.br1679-09441677-7395opendoar:2024-02-08T12:36:02P@ranoá - Universidade de Brasília (UnB)false |
dc.title.none.fl_str_mv |
Displacement and belonging: the place of passage in Rio Doce / CDU Deslocamento e pertencimento: o lugar de passagem em Rio Doce / CDU |
title |
Displacement and belonging: the place of passage in Rio Doce / CDU |
spellingShingle |
Displacement and belonging: the place of passage in Rio Doce / CDU Braga e Vaz da Costa, Maria Helena Lugar de passagem, Espaço Urbano, Deslocamento, Pertencimento Place of passage, Urban Space, Displacement, Belonging |
title_short |
Displacement and belonging: the place of passage in Rio Doce / CDU |
title_full |
Displacement and belonging: the place of passage in Rio Doce / CDU |
title_fullStr |
Displacement and belonging: the place of passage in Rio Doce / CDU |
title_full_unstemmed |
Displacement and belonging: the place of passage in Rio Doce / CDU |
title_sort |
Displacement and belonging: the place of passage in Rio Doce / CDU |
author |
Braga e Vaz da Costa, Maria Helena |
author_facet |
Braga e Vaz da Costa, Maria Helena |
author_role |
author |
dc.contributor.author.fl_str_mv |
Braga e Vaz da Costa, Maria Helena |
dc.subject.por.fl_str_mv |
Lugar de passagem, Espaço Urbano, Deslocamento, Pertencimento Place of passage, Urban Space, Displacement, Belonging |
topic |
Lugar de passagem, Espaço Urbano, Deslocamento, Pertencimento Place of passage, Urban Space, Displacement, Belonging |
description |
This paper deals with the film representation of belonging in space within the images built by Pernambuco’s contemporary cinema to discuss about the notion of place of passage and the subjective implications related to the subject’s identity in its relation to a certain urban space. The place of passage is the one built in Pernambuco’s documentary film Rio Doce/CDU (2013), written and directed by Adelina Pontual. From the analysis of the moving images of and through urban space of two cities: Olinda and Recife, it will be considered that the filmed and projected spaces (in their cinematic and geographic senses) are wrapped in a cultural frame of the perception of lived and imagined space which enables new understandings about the notions of identity and belonging to a place. Here we consider the links between the urban images in the film, by the speech analysis, from the spatiality of place that is evidently culturally built, to establish a paradigm of understanding of the relationship between the moving images of urban space, the human experience in space, and the geographic imagination that constitutes itself from the representation of spatial experience and the identity of place. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-03-05 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.unb.br/index.php/paranoa/article/view/29161 10.18830/issn.1679-0944.n24.2019.04 |
url |
https://periodicos.unb.br/index.php/paranoa/article/view/29161 |
identifier_str_mv |
10.18830/issn.1679-0944.n24.2019.04 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.unb.br/index.php/paranoa/article/view/29161/25324 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Paranoá: cadernos de arquitetura e urbanismo info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Paranoá: cadernos de arquitetura e urbanismo |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Programa de Pós-graduação em Arquitetura e Urbanismo, Faculdade de Arquitetura e Urbanismo |
publisher.none.fl_str_mv |
Programa de Pós-graduação em Arquitetura e Urbanismo, Faculdade de Arquitetura e Urbanismo |
dc.source.none.fl_str_mv |
Paranoá; Vol. 12 No. 24 (2019): Paranoá 24 - July/December - Cinema Urbana: Memories under Construction; 22-30 Paranoá; v. 12 n. 24 (2019): Fluxo Contínuo - Julho/Dezembro; 22-30 1679-0944 1677-7395 reponame:P@ranoá instname:Universidade de Brasília (UnB) instacron:UNB |
instname_str |
Universidade de Brasília (UnB) |
instacron_str |
UNB |
institution |
UNB |
reponame_str |
P@ranoá |
collection |
P@ranoá |
repository.name.fl_str_mv |
P@ranoá - Universidade de Brasília (UnB) |
repository.mail.fl_str_mv |
paranoa@unb.br |
_version_ |
1797066979594469376 |