Exposição Gurlitt : Status Report “Degenerate Art” : Confiscated And Sold (2017) e o exercício de memória de “Arte” Degenerada (1937)

Detalhes bibliográficos
Autor(a) principal: Moretti, Luísa Coimbra
Data de Publicação: 2019
Tipo de documento: Trabalho de conclusão de curso
Idioma: por
Título da fonte: Biblioteca Digital de Monografias da UnB
Texto Completo: http://bdm.unb.br/handle/10483/23598
Resumo: Trabalho de Conclusão de Curso (graduação)—Universidade de Brasília, Faculdade de Ciência da Informação, 2019.
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spelling Moretti, Luísa CoimbraGomes, Ana Lúcia de AbreuMORETTI, Luísa Coimbra. Exposição Gurlitt: Status Report “Degenerate Art”: Confiscated And Sold (2017) e o exercício de memória de “Arte” Degenerada (1937). 2019. 74 f., il. Trabalho de Conclusão de Curso (Bacharelado em Museologia)—Universidade de Brasília, Brasília, 2019.http://bdm.unb.br/handle/10483/23598Trabalho de Conclusão de Curso (graduação)—Universidade de Brasília, Faculdade de Ciência da Informação, 2019.Esta pesquisa analisa o trabalho de memória presente no guia oficial da exposição Gurlitt: Status Report “Degenerate Art” - Confiscated and Sold (2017), que faz referência à exposição nazista Entartete Kunst (“Arte” Degenerada), de 1937. A metodologia desenvolvida ao longo da pesquisa constou de revisão de literatura de autores da História, Museologia e História das Exposições; o referencial teórico se utilizou dos conceitos de memória, discurso, arte degenerada e exposição para que se pudesse propor a aproximação de duas exposições que distam 80 anos; e pela análise documental de seus respectivos guias. A pesquisa descreve a atribuição nazista do termo “degenerado” à arte moderna e as circunstâncias sociopolíticas que culminaram, em 1937, no confisco de coleções de museus alemães e sua difamação em “Arte” Degenerada por autoridades nazistas. Apresenta o caso Gurlitt, caracterizado pela descoberta de cerca de 1.500 obras de arte declaradas desaparecidas após o término da Segunda Guerra Mundial (1939 - 1945), em 2012 na residência de Cornelius Gurlitt, filho de Hildebrand Gurlitt, merchant do regime nazista. Narra a doação dessas obras ao Museu de Belas Artes de Berna, na Suíça, e a exibição de obras dos artistas difamados e perseguidos em 1937 na exposição Gurlitt: Status Report “Degenerate Art” - Confiscated and Sold, inaugurada no final de 2017. Este trabalho relaciona os dois guias expositivos e constata uma reinterpretação do passado nazista exercida em Gurlitt: Status Report “Degenerate Art” - Confiscated and Sold de forma adequada à aprendizagem do público e à contínua investigação de proveniência das obras doadas.Submitted by Caroline Botelho Teixeira (carolinebotelhoteixeira@gmail.com) on 2019-12-23T14:39:23Z No. of bitstreams: 3 license_text: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) 2019_LuisaCoimbraMoretti_tcc.pdf: 1606804 bytes, checksum: 6d5fc9fcf49c7fae3803c927088cea6b (MD5)Approved for entry into archive by Luanna Maia (luanna@bce.unb.br) on 2020-04-03T18:41:41Z (GMT) No. of bitstreams: 3 license_text: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) 2019_LuisaCoimbraMoretti_tcc.pdf: 1606804 bytes, checksum: 6d5fc9fcf49c7fae3803c927088cea6b (MD5)Made available in DSpace on 2020-04-03T18:41:41Z (GMT). No. of bitstreams: 3 license_text: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) 2019_LuisaCoimbraMoretti_tcc.pdf: 1606804 bytes, checksum: 6d5fc9fcf49c7fae3803c927088cea6b (MD5)This research analyzes memory framework present in Gurlitt: Status Report "Degenerate Art" - Confiscated and Sold (2017) official exhibition guide, which refers to the Nazi exhibition Entartete Kunst ("Degenerate ‘Art’"), held in 1937. The methodology developed throughout the research consisted of literature review of History, Museology and History of Exhibitions authors; the theoretical reference based itself on the concepts of memory, discourse, degenerate art and exhibition so that one could propose the approximation of two expositions separated by 80 years; and by the documentary analysis of their respective guides. This research also describes the Nazi attribution of the term "degenerate" to modern art and the sociopolitical circumstances that culminated in the 1937 confiscations of German museum collections and their slander in Degenerate "Art" by Nazi authorities. It presents the Gurlitt case, characterized by the discovery in 2012 of around 1,500 artworks declared missing after the end of World War II (1939-1945) in Cornelius Gurlitt’s residence, son of Hildebrand Gurlitt, merchant of the Nazi regime. It narrates the donation of these works to the Museum of Fine Arts Bern, Switzerland, and the exhibition of works of artists defamed and persecuted in 1937 in the exhibition Gurlitt: Status Report “Degenerate Art” - Confiscated and Sold, inaugurated in late 2017. This work relates the two exhibition guides and notes a reinterpretation of Nazi past in Gurlitt: Status Report "Degenerate Art" - Confiscated and Sold, appropriated to educate the public and benefit the ongoing investigation of provenance of the donated artworks.MuseologiaMemóriaExposiçõesArteExposição Gurlitt : Status Report “Degenerate Art” : Confiscated And Sold (2017) e o exercício de memória de “Arte” Degenerada (1937)info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/bachelorThesis2020-04-03T18:41:41Z2020-04-03T18:41:41Z2019-07-05info:eu-repo/semantics/openAccessporreponame:Biblioteca Digital de Monografias da UnBinstname:Universidade de Brasília (UnB)instacron:UNBLICENSElicense.txtlicense.txttext/plain1817http://bdm.unb.br/xmlui/bitstream/10483/23598/5/license.txt21554873e56ad8ddc69c092699b98f95MD55CC-LICENSElicense_urllicense_urltext/plain49http://bdm.unb.br/xmlui/bitstream/10483/23598/2/license_url4afdbb8c545fd630ea7db775da747b2fMD52license_textlicense_textapplication/octet-stream0http://bdm.unb.br/xmlui/bitstream/10483/23598/3/license_textd41d8cd98f00b204e9800998ecf8427eMD53license_rdflicense_rdfapplication/octet-stream0http://bdm.unb.br/xmlui/bitstream/10483/23598/4/license_rdfd41d8cd98f00b204e9800998ecf8427eMD54ORIGINAL2019_LuisaCoimbraMoretti_tcc.pdf2019_LuisaCoimbraMoretti_tcc.pdfapplication/pdf1606804http://bdm.unb.br/xmlui/bitstream/10483/23598/1/2019_LuisaCoimbraMoretti_tcc.pdf6d5fc9fcf49c7fae3803c927088cea6bMD5110483/235982020-04-03 15:41:41.33oai:bdm.unb.br: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Biblioteca Digital de Monografiahttps://bdm.unb.br/PUBhttp://bdm.unb.br/oai/requestbdm@bce.unb.br||patricia@bce.unb.bropendoar:115712020-04-03T18:41:41Biblioteca Digital de Monografias da UnB - Universidade de Brasília (UnB)false
dc.title.pt_BR.fl_str_mv Exposição Gurlitt : Status Report “Degenerate Art” : Confiscated And Sold (2017) e o exercício de memória de “Arte” Degenerada (1937)
title Exposição Gurlitt : Status Report “Degenerate Art” : Confiscated And Sold (2017) e o exercício de memória de “Arte” Degenerada (1937)
spellingShingle Exposição Gurlitt : Status Report “Degenerate Art” : Confiscated And Sold (2017) e o exercício de memória de “Arte” Degenerada (1937)
Moretti, Luísa Coimbra
Museologia
Memória
Exposições
Arte
title_short Exposição Gurlitt : Status Report “Degenerate Art” : Confiscated And Sold (2017) e o exercício de memória de “Arte” Degenerada (1937)
title_full Exposição Gurlitt : Status Report “Degenerate Art” : Confiscated And Sold (2017) e o exercício de memória de “Arte” Degenerada (1937)
title_fullStr Exposição Gurlitt : Status Report “Degenerate Art” : Confiscated And Sold (2017) e o exercício de memória de “Arte” Degenerada (1937)
title_full_unstemmed Exposição Gurlitt : Status Report “Degenerate Art” : Confiscated And Sold (2017) e o exercício de memória de “Arte” Degenerada (1937)
title_sort Exposição Gurlitt : Status Report “Degenerate Art” : Confiscated And Sold (2017) e o exercício de memória de “Arte” Degenerada (1937)
author Moretti, Luísa Coimbra
author_facet Moretti, Luísa Coimbra
author_role author
dc.contributor.author.fl_str_mv Moretti, Luísa Coimbra
dc.contributor.advisor1.fl_str_mv Gomes, Ana Lúcia de Abreu
contributor_str_mv Gomes, Ana Lúcia de Abreu
dc.subject.keyword.pt_BR.fl_str_mv Museologia
Memória
Exposições
Arte
topic Museologia
Memória
Exposições
Arte
description Trabalho de Conclusão de Curso (graduação)—Universidade de Brasília, Faculdade de Ciência da Informação, 2019.
publishDate 2019
dc.date.submitted.none.fl_str_mv 2019-07-05
dc.date.accessioned.fl_str_mv 2020-04-03T18:41:41Z
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dc.identifier.citation.fl_str_mv MORETTI, Luísa Coimbra. Exposição Gurlitt: Status Report “Degenerate Art”: Confiscated And Sold (2017) e o exercício de memória de “Arte” Degenerada (1937). 2019. 74 f., il. Trabalho de Conclusão de Curso (Bacharelado em Museologia)—Universidade de Brasília, Brasília, 2019.
dc.identifier.uri.fl_str_mv http://bdm.unb.br/handle/10483/23598
identifier_str_mv MORETTI, Luísa Coimbra. Exposição Gurlitt: Status Report “Degenerate Art”: Confiscated And Sold (2017) e o exercício de memória de “Arte” Degenerada (1937). 2019. 74 f., il. Trabalho de Conclusão de Curso (Bacharelado em Museologia)—Universidade de Brasília, Brasília, 2019.
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