Compondo temporalidades: o colonial e a ditadura nas narrativas brasileiras do século XXI

• Autor(a) principal: Gill da Cruz, Lua
• Data de Publicação: 2022
• Tipo de documento: Artigo
• Idioma: por
• Título da fonte: Estudos de Literatura Brasileira Contemporânea
• Texto Completo: https://periodicos.unb.br/index.php/estudos/article/view/44381
• topic: literatura contemporânea brasileira; ditadura militar; justiça de transição; colonialidade; literatura contemporánea brasileña; dictadura militar; justicia de transición; colonialidad; Brazilian contemporary literature; military dictatorship; transitional justice; coloniality

Narrating a historical period is directly related to political, social, historical, cultural and temporal issues. In the case of the Brazilian military dictatorship “what was” (or what is) is still being produced, whether in historiography or literature. Many of these stories, however, have yet to be told and remain forgotten, excluded or ignored. In this text, we will observe the blind spots of this history, observing the relationship and composition of colonial and dictatorial temporalities and seeking to observe which stories of violence and resistance were told, and how they were written and mobilized, even years after the transitional justice and reparation processes, in the present and in literature, looking at the narratives Nem tudo é silêncio (2010), by Sonia Bischain, the so-called Trilogia infernal, composed by the books Aqui, no coração do inferno (2016), O peso do coração do homem (2017), O amor, esse obstáculo (2018), by Micheliny Verunschk, to a greater extent, and, to a lesser extent, the works Ainda estou aqui (2015), by Marcelo Rubens Paiva, and Antes do passado (2012), by Liniane Brum.