Playing a role, making an impression: sociotechnical vectors in the extended space of independent publishing
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Sociedade e Estado |
Texto Completo: | https://periodicos.unb.br/index.php/sociedade/article/view/19436 |
Resumo: | This article is based on the analysis of the practices and representations of publishers who attend the fairs of printed art held in the city of São Paulo in recent years. Our goal is to understanding the sociotechnical vectors that organize these practices and the materialities of the editorial objects published and marketed there. At the heart of the analysis is the relationship between the technicities (codex, paper, and print) mobilized by these publishers and certain conceptions of the past, present, and future that are inscribed in their individual and collective investments, between the "return to the artisanal" and the pretension to build a viable future for the publication. It is concluded that the new forms of fetishization of the printed book are conditioned by both the technical evolutions provided by digital technologies and by the programmatic denial of the conventional book identified with the mainstream publishing market. |
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Sociedade e Estado |
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Playing a role, making an impression: sociotechnical vectors in the extended space of independent publishingDesempenhar um papel, causar uma impressão: vetores sociotécnicos no espaço ampliado da publicação independentepublicaçãoimpressãopapeltecnologias digitaispublishingprintpaperdigital technologiesThis article is based on the analysis of the practices and representations of publishers who attend the fairs of printed art held in the city of São Paulo in recent years. Our goal is to understanding the sociotechnical vectors that organize these practices and the materialities of the editorial objects published and marketed there. At the heart of the analysis is the relationship between the technicities (codex, paper, and print) mobilized by these publishers and certain conceptions of the past, present, and future that are inscribed in their individual and collective investments, between the "return to the artisanal" and the pretension to build a viable future for the publication. It is concluded that the new forms of fetishization of the printed book are conditioned by both the technical evolutions provided by digital technologies and by the programmatic denial of the conventional book identified with the mainstream publishing market.O presente artigo parte da análise das práticas e representações de publicadores que frequentam as feiras de arte impressa realizadas na cidade de São Paulo nos últimos anos para compreender os vetores sociotécnicos que organizam essas práticas e as materialidades dos objetos editoriais que aí se publicam e comercializam. Coloca-se, no centro da análise, a relação entre as tecnicidades (o códice, o papel e a impressão) mobilizadas por esses publicadores e certas concepções de passado, presente e futuro inscritas em seus investimentos individuais e coletivos, com destaque para a tensão entre o “retorno ao artesanal” e a pretensão de construir um futuro viável para a publicação. Conclui-se que as novas formas de fetichização do livro impresso estão condicionadas tanto pelas evoluções técnicas proporcionadas pelas tecnologias digitais como pela negação programática do livro convencional, identificado com o mercado editorial mainstream.Departamento de Sociologia - UnB/SOL2019-04-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.unb.br/index.php/sociedade/article/view/1943610.1590/s0102-6992-201934010005Sociedade e Estado; Vol. 34 No. 01 (2019): Dossiê: Tecnologia e mercados culturais; 107-128Sociedade e Estado; Vol. 34 Núm. 01 (2019): Dossiê: Tecnologia e mercados culturais; 107-128Sociedade e Estado; v. 34 n. 01 (2019): Dossiê: Tecnologia e mercados culturais; 107-1281980-54620102-6992reponame:Sociedade e Estadoinstname:Universidade de Brasília (UnB)instacron:UNBporhttps://periodicos.unb.br/index.php/sociedade/article/view/19436/21740Copyright (c) 2019 Sociedade e Estadoinfo:eu-repo/semantics/openAccessMuniz Jr., José de Souza2019-05-07T19:33:08Zoai:ojs.pkp.sfu.ca:article/19436Revistahttps://periodicos.unb.br/index.php/sociedade/indexPUBhttps://periodicos.unb.br/index.php/sociedade/oaiportaldeperiodicos@bce.unb.br||revistasol@unb.br1980-54620102-6992opendoar:2019-05-07T19:33:08Sociedade e Estado - Universidade de Brasília (UnB)false |
dc.title.none.fl_str_mv |
Playing a role, making an impression: sociotechnical vectors in the extended space of independent publishing Desempenhar um papel, causar uma impressão: vetores sociotécnicos no espaço ampliado da publicação independente |
title |
Playing a role, making an impression: sociotechnical vectors in the extended space of independent publishing |
spellingShingle |
Playing a role, making an impression: sociotechnical vectors in the extended space of independent publishing Muniz Jr., José de Souza publicação impressão papel tecnologias digitais publishing paper digital technologies |
title_short |
Playing a role, making an impression: sociotechnical vectors in the extended space of independent publishing |
title_full |
Playing a role, making an impression: sociotechnical vectors in the extended space of independent publishing |
title_fullStr |
Playing a role, making an impression: sociotechnical vectors in the extended space of independent publishing |
title_full_unstemmed |
Playing a role, making an impression: sociotechnical vectors in the extended space of independent publishing |
title_sort |
Playing a role, making an impression: sociotechnical vectors in the extended space of independent publishing |
author |
Muniz Jr., José de Souza |
author_facet |
Muniz Jr., José de Souza |
author_role |
author |
dc.contributor.author.fl_str_mv |
Muniz Jr., José de Souza |
dc.subject.por.fl_str_mv |
publicação impressão papel tecnologias digitais publishing paper digital technologies |
topic |
publicação impressão papel tecnologias digitais publishing paper digital technologies |
description |
This article is based on the analysis of the practices and representations of publishers who attend the fairs of printed art held in the city of São Paulo in recent years. Our goal is to understanding the sociotechnical vectors that organize these practices and the materialities of the editorial objects published and marketed there. At the heart of the analysis is the relationship between the technicities (codex, paper, and print) mobilized by these publishers and certain conceptions of the past, present, and future that are inscribed in their individual and collective investments, between the "return to the artisanal" and the pretension to build a viable future for the publication. It is concluded that the new forms of fetishization of the printed book are conditioned by both the technical evolutions provided by digital technologies and by the programmatic denial of the conventional book identified with the mainstream publishing market. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-04-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion texto info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.unb.br/index.php/sociedade/article/view/19436 10.1590/s0102-6992-201934010005 |
url |
https://periodicos.unb.br/index.php/sociedade/article/view/19436 |
identifier_str_mv |
10.1590/s0102-6992-201934010005 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.unb.br/index.php/sociedade/article/view/19436/21740 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Sociedade e Estado info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Sociedade e Estado |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Departamento de Sociologia - UnB/SOL |
publisher.none.fl_str_mv |
Departamento de Sociologia - UnB/SOL |
dc.source.none.fl_str_mv |
Sociedade e Estado; Vol. 34 No. 01 (2019): Dossiê: Tecnologia e mercados culturais; 107-128 Sociedade e Estado; Vol. 34 Núm. 01 (2019): Dossiê: Tecnologia e mercados culturais; 107-128 Sociedade e Estado; v. 34 n. 01 (2019): Dossiê: Tecnologia e mercados culturais; 107-128 1980-5462 0102-6992 reponame:Sociedade e Estado instname:Universidade de Brasília (UnB) instacron:UNB |
instname_str |
Universidade de Brasília (UnB) |
instacron_str |
UNB |
institution |
UNB |
reponame_str |
Sociedade e Estado |
collection |
Sociedade e Estado |
repository.name.fl_str_mv |
Sociedade e Estado - Universidade de Brasília (UnB) |
repository.mail.fl_str_mv |
portaldeperiodicos@bce.unb.br||revistasol@unb.br |
_version_ |
1800211064618483712 |