The Brazilian black films and the transformation of the image: paths of an aesthetic-political term

Detalhes bibliográficos
Autor(a) principal: Rodrigues, Anthony
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Sociedade e Estado
Texto Completo: https://periodicos.unb.br/index.php/sociedade/article/view/43159
Resumo: This article discusses the historical, political and social processes that promote the diffusion of festivals, movie’s shows, movie’s meetings, film clubs and black cinema/audiovisual collectives in the last decade in Brazil. The text points out how the greatest technical and artistic training of black people in the face of the democratization and expansion of higher education, together with collective mobilizations of black people in the audiovisual sector, creates a growing scenario for the production and circulation of films by authorship black in the country. Finally, it is reflected how these films can indicate new ways of thinking and making cinema, in proposing a transformation in racial representation.
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spelling The Brazilian black films and the transformation of the image: paths of an aesthetic-political termOs cinemas negros brasileiros e a transformação da imagem: percursos de um termo estético-políticocinemacinema negroraçarepresentaçãoaudiovisual brasileiroCinema studies; Black film; Race; Representation; Brazilian audiovisualThis article discusses the historical, political and social processes that promote the diffusion of festivals, movie’s shows, movie’s meetings, film clubs and black cinema/audiovisual collectives in the last decade in Brazil. The text points out how the greatest technical and artistic training of black people in the face of the democratization and expansion of higher education, together with collective mobilizations of black people in the audiovisual sector, creates a growing scenario for the production and circulation of films by authorship black in the country. Finally, it is reflected how these films can indicate new ways of thinking and making cinema, in proposing a transformation in racial representation.O presente artigo discute os processos históricos, políticos e sociais que favoreceram a difusão de festivais, mostras, encontros, cineclubes e coletivos de cinema/audiovisual negro na última década no Brasil. O texto aponta como a maior formação técnica e artística de pessoas negras diante da democratização e expansão do ensino superior, em conjunto com mobilizações coletivas de profissionais negros(as) do audiovisual, criaram um crescente cenário de produção e circulação de filmes de autoria negra no país. Por fim, reflete-se como esses filmes podem indicar novas formas de se pensar e fazer cinema, ao proporem uma transformação na representação racial.Departamento de Sociologia - UnB/SOL2022-12-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://periodicos.unb.br/index.php/sociedade/article/view/4315910.1590/s0102-6992-202237030012Sociedade e Estado; Vol. 37 No. 03 (2022); 1027-1049Sociedade e Estado; Vol. 37 Núm. 03 (2022); 1027-1049Sociedade e Estado; v. 37 n. 03 (2022); 1027-10491980-54620102-6992reponame:Sociedade e Estadoinstname:Universidade de Brasília (UnB)instacron:UNBporhttps://periodicos.unb.br/index.php/sociedade/article/view/43159/35367Copyright (c) 2022 Sociedade e Estadohttps://creativecommons.org/licenses/by-nc/4.0/deed.eninfo:eu-repo/semantics/openAccessRodrigues, Anthony2022-12-19T17:25:14Zoai:ojs.pkp.sfu.ca:article/43159Revistahttps://periodicos.unb.br/index.php/sociedade/indexPUBhttps://periodicos.unb.br/index.php/sociedade/oaiportaldeperiodicos@bce.unb.br||revistasol@unb.br1980-54620102-6992opendoar:2022-12-19T17:25:14Sociedade e Estado - Universidade de Brasília (UnB)false
dc.title.none.fl_str_mv The Brazilian black films and the transformation of the image: paths of an aesthetic-political term
Os cinemas negros brasileiros e a transformação da imagem: percursos de um termo estético-político
title The Brazilian black films and the transformation of the image: paths of an aesthetic-political term
spellingShingle The Brazilian black films and the transformation of the image: paths of an aesthetic-political term
Rodrigues, Anthony
cinema
cinema negro
raça
representação
audiovisual brasileiro
Cinema studies; Black film; Race; Representation; Brazilian audiovisual
title_short The Brazilian black films and the transformation of the image: paths of an aesthetic-political term
title_full The Brazilian black films and the transformation of the image: paths of an aesthetic-political term
title_fullStr The Brazilian black films and the transformation of the image: paths of an aesthetic-political term
title_full_unstemmed The Brazilian black films and the transformation of the image: paths of an aesthetic-political term
title_sort The Brazilian black films and the transformation of the image: paths of an aesthetic-political term
author Rodrigues, Anthony
author_facet Rodrigues, Anthony
author_role author
dc.contributor.author.fl_str_mv Rodrigues, Anthony
dc.subject.por.fl_str_mv cinema
cinema negro
raça
representação
audiovisual brasileiro
Cinema studies; Black film; Race; Representation; Brazilian audiovisual
topic cinema
cinema negro
raça
representação
audiovisual brasileiro
Cinema studies; Black film; Race; Representation; Brazilian audiovisual
description This article discusses the historical, political and social processes that promote the diffusion of festivals, movie’s shows, movie’s meetings, film clubs and black cinema/audiovisual collectives in the last decade in Brazil. The text points out how the greatest technical and artistic training of black people in the face of the democratization and expansion of higher education, together with collective mobilizations of black people in the audiovisual sector, creates a growing scenario for the production and circulation of films by authorship black in the country. Finally, it is reflected how these films can indicate new ways of thinking and making cinema, in proposing a transformation in racial representation.
publishDate 2022
dc.date.none.fl_str_mv 2022-12-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.unb.br/index.php/sociedade/article/view/43159
10.1590/s0102-6992-202237030012
url https://periodicos.unb.br/index.php/sociedade/article/view/43159
identifier_str_mv 10.1590/s0102-6992-202237030012
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.unb.br/index.php/sociedade/article/view/43159/35367
dc.rights.driver.fl_str_mv Copyright (c) 2022 Sociedade e Estado
https://creativecommons.org/licenses/by-nc/4.0/deed.en
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Sociedade e Estado
https://creativecommons.org/licenses/by-nc/4.0/deed.en
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Departamento de Sociologia - UnB/SOL
publisher.none.fl_str_mv Departamento de Sociologia - UnB/SOL
dc.source.none.fl_str_mv Sociedade e Estado; Vol. 37 No. 03 (2022); 1027-1049
Sociedade e Estado; Vol. 37 Núm. 03 (2022); 1027-1049
Sociedade e Estado; v. 37 n. 03 (2022); 1027-1049
1980-5462
0102-6992
reponame:Sociedade e Estado
instname:Universidade de Brasília (UnB)
instacron:UNB
instname_str Universidade de Brasília (UnB)
instacron_str UNB
institution UNB
reponame_str Sociedade e Estado
collection Sociedade e Estado
repository.name.fl_str_mv Sociedade e Estado - Universidade de Brasília (UnB)
repository.mail.fl_str_mv portaldeperiodicos@bce.unb.br||revistasol@unb.br
_version_ 1800211066105364480

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