SOFT MASCULINITIES IN THE K-DRAMA HELLO, MY TWENTIES!
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista da FAEEBA (Online) |
Texto Completo: | https://www.revistas.uneb.br/index.php/faeeba/article/view/17659 |
Resumo: | The article is part of the theoretical perspective of Cultural and Gender Studies and analyzes the way in which the k-drama Hello, My Twenties! conveys representations of youthful masculinities. The methodology is associated with screen ethnography, making visible and problematizing images, thus observing manifestations of masculinities from South Korean cultural products. We pay attention to the behaviors, characteristics and feelings that young people should incorporate as gender subjects, enabling us not only to pluralize the understandings of contemporary youth, but to broaden the understanding that institutions and different places of culture convey pedagogies. According to the analysis, “soft” masculinity presents meanings linked to the feminine, but which do not contest the experience of heterosexuality. We understand that the artifact makes it possible to think of possible and plural ways of being a man and living masculinity, linked to the diversity of interests of a society. |
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SOFT MASCULINITIES IN THE K-DRAMA HELLO, MY TWENTIES!MASCULINIDADES SUAVES EN EL K-DRAMA HELLO, MY TWENTIES! Masculinidades Suaves no K-Drama Hello, My Twenties!youthsmasculinitiesGenderCultural Studiesk-dramasjovenesmasculinidadesgénero Estudos Culturalesk-dramasJuventudesmasculinidadesGêneroEstudos culturaisk-dramasfrancesThe article is part of the theoretical perspective of Cultural and Gender Studies and analyzes the way in which the k-drama Hello, My Twenties! conveys representations of youthful masculinities. The methodology is associated with screen ethnography, making visible and problematizing images, thus observing manifestations of masculinities from South Korean cultural products. We pay attention to the behaviors, characteristics and feelings that young people should incorporate as gender subjects, enabling us not only to pluralize the understandings of contemporary youth, but to broaden the understanding that institutions and different places of culture convey pedagogies. According to the analysis, “soft” masculinity presents meanings linked to the feminine, but which do not contest the experience of heterosexuality. We understand that the artifact makes it possible to think of possible and plural ways of being a man and living masculinity, linked to the diversity of interests of a society.El artículo forma parte de la perspectiva teórica de los Estudios Culturales y de Género y analiza la forma en que el k-drama Hello, My Twenties! transmite representaciones de masculinidades juveniles. La metodología se asocia con la etnografía de pantalla, visibilizando y problematizando imágenes, observando así manifestaciones de masculinidades de productos culturales surcoreanos. Prestamos atención a los comportamientos, características y sentimientos que los jóvenes deben incorporar como sujetos de género, permitiéndonos no solo pluralizar las comprensiones de la juventud contemporánea, sino ampliar la comprensión de que las instituciones y los diferentes lugares de la cultura transmiten pedagogías. Según el análisis, la masculinidad “suave” presenta significados vinculados a lo femenino, pero que no cuestionan la experiencia de la heterosexualidad. Entendemos que el artefacto permite pensar formas posibles y plurales de ser hombre y vivir la masculinidad, vinculadas a la diversidad de intereses de una sociedad.O artigo insere-se na perspectiva teórica dos Estudos Culturais e de Gênero e analisa o modo pelo qual o k-drama Hello, My Twenties! veicula representações de masculinidades juvenis. A metodologia associa-se à etnografia de tela, visibilizando e problematizando imagens, observando, assim, manifestações de masculinidades a partir de produtos culturais da Coreia do Sul. Atentamos para os comportamentos, as características e os sentimentos que os jovens devem incorporar enquanto sujeitos de gênero, possibilitando-nos não apenas pluralizar as compreensões da juventude contemporânea, mas ampliar o entendimento de que as instituições e os diferentes locais da cultura veiculam pedagogias. Pela análise, a masculinidade “suave” apresenta sentidos ligados ao feminino, mas que não contestam a vivência da heterossexualidade. Entendemos que o artefato possibilita pensar em modos possíveis e plurais de ser homem e viver a masculinidade, ligados à diversidade de interesses de uma sociedade.UNEB2023-11-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.uneb.br/index.php/faeeba/article/view/1765910.21879/faeeba2358-0194.2023.v32.n72.p82-96Revista da FAEEBA - Educação e Contemporaneidade; v. 32 n. 72 (2023): Corpos, Gêneros e Sexualidades; 82-962358-01940104-704310.21879/faeeba2358-0194.v32.n72reponame:Revista da FAEEBA (Online)instname:Universidade do Estado da Bahia (UNEB)instacron:UNEBporhttps://www.revistas.uneb.br/index.php/faeeba/article/view/17659/12508Copyright (c) 2023 Carin Klein, Justina Bechi Robaskihttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessKlein, CarinRobaski, Justina Bechi2023-11-21T17:35:11Zoai:ojs.revistas.uneb.br:article/17659Revistahttps://revistas.uneb.br/index.php/faeeba/PUBhttps://www.revistas.uneb.br/index.php/faeeba/oairevistadafaeeba.uneb@gmail.com||esclementino@uol.com.br|| fialho2021@gmail.com|| mauraiclea@gmail.com||refaeeba.dedc1@listas.uneb.br2358-01940104-7043opendoar:2023-11-21T17:35:11Revista da FAEEBA (Online) - Universidade do Estado da Bahia (UNEB)false |
dc.title.none.fl_str_mv |
SOFT MASCULINITIES IN THE K-DRAMA HELLO, MY TWENTIES! MASCULINIDADES SUAVES EN EL K-DRAMA HELLO, MY TWENTIES! Masculinidades Suaves no K-Drama Hello, My Twenties! |
title |
SOFT MASCULINITIES IN THE K-DRAMA HELLO, MY TWENTIES! |
spellingShingle |
SOFT MASCULINITIES IN THE K-DRAMA HELLO, MY TWENTIES! Klein, Carin youths masculinities Gender Cultural Studies k-dramas jovenes masculinidades género Estudos Culturales k-dramas Juventudes masculinidades Gênero Estudos culturais k-dramas frances |
title_short |
SOFT MASCULINITIES IN THE K-DRAMA HELLO, MY TWENTIES! |
title_full |
SOFT MASCULINITIES IN THE K-DRAMA HELLO, MY TWENTIES! |
title_fullStr |
SOFT MASCULINITIES IN THE K-DRAMA HELLO, MY TWENTIES! |
title_full_unstemmed |
SOFT MASCULINITIES IN THE K-DRAMA HELLO, MY TWENTIES! |
title_sort |
SOFT MASCULINITIES IN THE K-DRAMA HELLO, MY TWENTIES! |
author |
Klein, Carin |
author_facet |
Klein, Carin Robaski, Justina Bechi |
author_role |
author |
author2 |
Robaski, Justina Bechi |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Klein, Carin Robaski, Justina Bechi |
dc.subject.por.fl_str_mv |
youths masculinities Gender Cultural Studies k-dramas jovenes masculinidades género Estudos Culturales k-dramas Juventudes masculinidades Gênero Estudos culturais k-dramas frances |
topic |
youths masculinities Gender Cultural Studies k-dramas jovenes masculinidades género Estudos Culturales k-dramas Juventudes masculinidades Gênero Estudos culturais k-dramas frances |
description |
The article is part of the theoretical perspective of Cultural and Gender Studies and analyzes the way in which the k-drama Hello, My Twenties! conveys representations of youthful masculinities. The methodology is associated with screen ethnography, making visible and problematizing images, thus observing manifestations of masculinities from South Korean cultural products. We pay attention to the behaviors, characteristics and feelings that young people should incorporate as gender subjects, enabling us not only to pluralize the understandings of contemporary youth, but to broaden the understanding that institutions and different places of culture convey pedagogies. According to the analysis, “soft” masculinity presents meanings linked to the feminine, but which do not contest the experience of heterosexuality. We understand that the artifact makes it possible to think of possible and plural ways of being a man and living masculinity, linked to the diversity of interests of a society. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-11-17 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.uneb.br/index.php/faeeba/article/view/17659 10.21879/faeeba2358-0194.2023.v32.n72.p82-96 |
url |
https://www.revistas.uneb.br/index.php/faeeba/article/view/17659 |
identifier_str_mv |
10.21879/faeeba2358-0194.2023.v32.n72.p82-96 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.uneb.br/index.php/faeeba/article/view/17659/12508 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Carin Klein, Justina Bechi Robaski http://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Carin Klein, Justina Bechi Robaski http://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UNEB |
publisher.none.fl_str_mv |
UNEB |
dc.source.none.fl_str_mv |
Revista da FAEEBA - Educação e Contemporaneidade; v. 32 n. 72 (2023): Corpos, Gêneros e Sexualidades; 82-96 2358-0194 0104-7043 10.21879/faeeba2358-0194.v32.n72 reponame:Revista da FAEEBA (Online) instname:Universidade do Estado da Bahia (UNEB) instacron:UNEB |
instname_str |
Universidade do Estado da Bahia (UNEB) |
instacron_str |
UNEB |
institution |
UNEB |
reponame_str |
Revista da FAEEBA (Online) |
collection |
Revista da FAEEBA (Online) |
repository.name.fl_str_mv |
Revista da FAEEBA (Online) - Universidade do Estado da Bahia (UNEB) |
repository.mail.fl_str_mv |
revistadafaeeba.uneb@gmail.com||esclementino@uol.com.br|| fialho2021@gmail.com|| mauraiclea@gmail.com||refaeeba.dedc1@listas.uneb.br |
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1800210958749007872 |