"Um defunto não escreve nada por acaso": a recepção do mash up Memórias Desmortas de Brás Cubas na plataforma Skoob

• Autor(a) principal: Santos, Rebeca Fabiana Ferreira da Silva
• Data de Publicação: 2020
• Outros Autores: Santos, Oton Magno Santana dos
• Tipo de documento: Artigo
• Idioma: por
• Título da fonte: Tabuleiro de Letras
• Texto Completo: https://revistas.uneb.br/index.php/tabuleirodeletras/article/view/8628
• topic: Recepção

This study aims to investigate how readers of the collaborative social network Skoob, on the rise in the context of Brazilian reading, conceive the texual appropriation effected by the literary mash up Memórias Desmortas de Brás Cubas (2010), by Pedro Vieira , or triggers the process of re-reading the classic work Memórias Póstumas de Brás Cubas (1881), by Machado de Assis. The research is based on the perspective of the highlighted figure of the reader in contemporary times, having as basis the assumptions of Aesthetics of Reception, by Hans Robert Jauss (1982) and Karlheinz Stierle (1979). This theoretical subsidy subsidizes the participation and criticality of the reading community in relation to the works it consume, going through issues of aesthetic value, recognition of the figure of the contemporary author (owner) and acceptance of the appropriate writing technique derived from a canonical plot. In addition to the aforementioned theorists, scholars such as Roland Barthes (2004), Nicolas Bourriaud (2009), Antoine Compagnon (2003), Roger Chartier (2010), among other foundations of this study.