O banquete fantástico no conto “O dia em que comemos Maria Dulce”, de Antônio Mariano
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Tabuleiro de Letras |
Texto Completo: | https://revistas.uneb.br/index.php/tabuleirodeletras/article/view/15307 |
Resumo: | Hunger, misery, and childhood are common themes in literature. These themes come together in the short story “O dia em que comemos Maria Dulce” (2015), extracted from the work of the same name, by Paraíba’s writer Antônio Mariano. In a fantastic narrative that attracts readers not only for its rupture with reality - especially in the configuration of a character with a dubious nature of girl and sweet -, we see the social factor as a driving force for the unfolding of the plot tied of the disturbing perception of reality, which carries with it a certain plasticity and lyrism typical of a literature capable of ravishing their readers by confronting and attracting them in relation to the text. With the aim of observing how the limits between reality and unusual are established, the study analyses the presence of fantastic literature in the mentioned narrative. There is a succession of metaphors that gradually slides into the plane of literalness and, as a consequence, breaks to the stability of the diegetic universe, in order to introduce the fantasticity. Based on the conceptions of Roas (2014), Todorov (1975), and Jaime Alazraki (2001), it will be highlighted some discursive strategies that cooperate to the conversion of the plot, described from the perspective of the consequences of an overwhelming drought, the fantastic atmosphere. |
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O banquete fantástico no conto “O dia em que comemos Maria Dulce”, de Antônio MarianoHunger, misery, and childhood are common themes in literature. These themes come together in the short story “O dia em que comemos Maria Dulce” (2015), extracted from the work of the same name, by Paraíba’s writer Antônio Mariano. In a fantastic narrative that attracts readers not only for its rupture with reality - especially in the configuration of a character with a dubious nature of girl and sweet -, we see the social factor as a driving force for the unfolding of the plot tied of the disturbing perception of reality, which carries with it a certain plasticity and lyrism typical of a literature capable of ravishing their readers by confronting and attracting them in relation to the text. With the aim of observing how the limits between reality and unusual are established, the study analyses the presence of fantastic literature in the mentioned narrative. There is a succession of metaphors that gradually slides into the plane of literalness and, as a consequence, breaks to the stability of the diegetic universe, in order to introduce the fantasticity. Based on the conceptions of Roas (2014), Todorov (1975), and Jaime Alazraki (2001), it will be highlighted some discursive strategies that cooperate to the conversion of the plot, described from the perspective of the consequences of an overwhelming drought, the fantastic atmosphere.A fome, a miséria e a infância são temas comuns à literatura, e eles se unem no conto “O dia em que comemos Maria Dulce” (2015), extraído da obra com mesmo nome, do escritor paraibano Antônio Mariano. Em uma narrativa fantástica que atrai os leitores não apenas por sua ruptura com o real — principalmente na configuração de uma personagem de natureza dúbia de menina e doce —, vemos o fator social enquanto mola propulsora para o desenrolar da trama, atrelado à inquietante percepção da realidade, que carrega consigo certa plasticidade e lirismo próprios de uma literatura capaz de arrebatar seus leitores por confrontá-los e atraí-los ao texto. Com o objetivo de observar como se estabelecem os limites entre a realidade e o insólito, o trabalho em questão analisa a presença do fantástico na referida narrativa. Nela, há uma sucessão de metáforas que deslizam paulatinamente para o plano da literalidade e, como consequência, rompe com a estabilidade do universo diegético para instaurar a fantasticidade. A partir das concepções de Roas (2011, 2014), Todorov (1975) e Jaime Alazraki (2001), evidenciaremos algumas estratégias discursivas que cooperam para a conversão do enredo, descrito pela ótica das consequências de uma seca avassaladora, à atmosfera fantástica.Programa de Pós Graduação em Estudo de Linguagens - PPGEL2022-12-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.uneb.br/index.php/tabuleirodeletras/article/view/1530710.35499/tl.v16i2.15307Tabuleiro de Letras; v. 16 n. 2 (2022); 187-2002176-578210.35499/tl.v16i2reponame:Tabuleiro de Letrasinstname:Universidade do Estado da Bahia (UNEB)instacron:UNEBporhttps://revistas.uneb.br/index.php/tabuleirodeletras/article/view/15307/10769Copyright (c) 2022 Tabuleiro de Letrasinfo:eu-repo/semantics/openAccessBarbosa, JaineSantos, Luciane Alves2022-12-22T14:03:21Zoai:ojs.revistas.uneb.br:article/15307Revistahttps://revistas.uneb.br/index.php/tabuleirodeletrasPUBhttps://revistas.uneb.br/index.php/tabuleirodeletras/oainlopes@uneb.br2176-57822176-5782opendoar:2022-12-22T14:03:21Tabuleiro de Letras - Universidade do Estado da Bahia (UNEB)false |
dc.title.none.fl_str_mv |
O banquete fantástico no conto “O dia em que comemos Maria Dulce”, de Antônio Mariano |
title |
O banquete fantástico no conto “O dia em que comemos Maria Dulce”, de Antônio Mariano |
spellingShingle |
O banquete fantástico no conto “O dia em que comemos Maria Dulce”, de Antônio Mariano Barbosa, Jaine |
title_short |
O banquete fantástico no conto “O dia em que comemos Maria Dulce”, de Antônio Mariano |
title_full |
O banquete fantástico no conto “O dia em que comemos Maria Dulce”, de Antônio Mariano |
title_fullStr |
O banquete fantástico no conto “O dia em que comemos Maria Dulce”, de Antônio Mariano |
title_full_unstemmed |
O banquete fantástico no conto “O dia em que comemos Maria Dulce”, de Antônio Mariano |
title_sort |
O banquete fantástico no conto “O dia em que comemos Maria Dulce”, de Antônio Mariano |
author |
Barbosa, Jaine |
author_facet |
Barbosa, Jaine Santos, Luciane Alves |
author_role |
author |
author2 |
Santos, Luciane Alves |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Barbosa, Jaine Santos, Luciane Alves |
description |
Hunger, misery, and childhood are common themes in literature. These themes come together in the short story “O dia em que comemos Maria Dulce” (2015), extracted from the work of the same name, by Paraíba’s writer Antônio Mariano. In a fantastic narrative that attracts readers not only for its rupture with reality - especially in the configuration of a character with a dubious nature of girl and sweet -, we see the social factor as a driving force for the unfolding of the plot tied of the disturbing perception of reality, which carries with it a certain plasticity and lyrism typical of a literature capable of ravishing their readers by confronting and attracting them in relation to the text. With the aim of observing how the limits between reality and unusual are established, the study analyses the presence of fantastic literature in the mentioned narrative. There is a succession of metaphors that gradually slides into the plane of literalness and, as a consequence, breaks to the stability of the diegetic universe, in order to introduce the fantasticity. Based on the conceptions of Roas (2014), Todorov (1975), and Jaime Alazraki (2001), it will be highlighted some discursive strategies that cooperate to the conversion of the plot, described from the perspective of the consequences of an overwhelming drought, the fantastic atmosphere. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-12-21 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.uneb.br/index.php/tabuleirodeletras/article/view/15307 10.35499/tl.v16i2.15307 |
url |
https://revistas.uneb.br/index.php/tabuleirodeletras/article/view/15307 |
identifier_str_mv |
10.35499/tl.v16i2.15307 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.uneb.br/index.php/tabuleirodeletras/article/view/15307/10769 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Tabuleiro de Letras info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Tabuleiro de Letras |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Programa de Pós Graduação em Estudo de Linguagens - PPGEL |
publisher.none.fl_str_mv |
Programa de Pós Graduação em Estudo de Linguagens - PPGEL |
dc.source.none.fl_str_mv |
Tabuleiro de Letras; v. 16 n. 2 (2022); 187-200 2176-5782 10.35499/tl.v16i2 reponame:Tabuleiro de Letras instname:Universidade do Estado da Bahia (UNEB) instacron:UNEB |
instname_str |
Universidade do Estado da Bahia (UNEB) |
instacron_str |
UNEB |
institution |
UNEB |
reponame_str |
Tabuleiro de Letras |
collection |
Tabuleiro de Letras |
repository.name.fl_str_mv |
Tabuleiro de Letras - Universidade do Estado da Bahia (UNEB) |
repository.mail.fl_str_mv |
nlopes@uneb.br |
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1800211680423051264 |