O teatro do oprimido e A corda: : interfaces entre a estética teatral de Augusto Boal e a obra de Pepetela
Autor(a) principal: | |
---|---|
Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Tabuleiro de Letras |
Texto Completo: | https://revistas.uneb.br/index.php/tabuleirodeletras/article/view/14842 |
Resumo: | The aim of this article is to investigate possibilities of interfaces that intertwine theatrical literary expressions, more precisely the theater of the oppressed by the theater director, playwright and essayist Augusto Boal, and The rope, by the Angolan author Pepetela. In our analytical course, we will focus on Boal proposal and its specificities, especially in the works Theater of the oppressed and other political poetics (1980) and Aesthetics of the oppressed (2009), with a critical and theoretical approach to the concepts of this aesthetic that he wanted, through theatrical techniques and pedagogical, social and political aspects, to encourage the participation and protagonism of the population in the social issues they experienced. Similarly, we will approach the structure and historiographical theme of the play The rope (1978) by Pepetela, which marks the passage of the African author from the novel to the theatrical genre. The work, inserted in the context of the post-independence period, deals with political issues and the struggle for power in Angola. We propose to seek evidence of points of convergence that stand out between the two artistic expressions, in them we access the idea of sensitization to sociopolitical ideals and the exercise of critical thinking regarding the anti-colonialist struggle. |
id |
UNEB-4_71a267aba1508960971deda413fe93e0 |
---|---|
oai_identifier_str |
oai:ojs.revistas.uneb.br:article/14842 |
network_acronym_str |
UNEB-4 |
network_name_str |
Tabuleiro de Letras |
repository_id_str |
|
spelling |
O teatro do oprimido e A corda: : interfaces entre a estética teatral de Augusto Boal e a obra de PepetelaThe aim of this article is to investigate possibilities of interfaces that intertwine theatrical literary expressions, more precisely the theater of the oppressed by the theater director, playwright and essayist Augusto Boal, and The rope, by the Angolan author Pepetela. In our analytical course, we will focus on Boal proposal and its specificities, especially in the works Theater of the oppressed and other political poetics (1980) and Aesthetics of the oppressed (2009), with a critical and theoretical approach to the concepts of this aesthetic that he wanted, through theatrical techniques and pedagogical, social and political aspects, to encourage the participation and protagonism of the population in the social issues they experienced. Similarly, we will approach the structure and historiographical theme of the play The rope (1978) by Pepetela, which marks the passage of the African author from the novel to the theatrical genre. The work, inserted in the context of the post-independence period, deals with political issues and the struggle for power in Angola. We propose to seek evidence of points of convergence that stand out between the two artistic expressions, in them we access the idea of sensitization to sociopolitical ideals and the exercise of critical thinking regarding the anti-colonialist struggle.Pretende-se, por meio deste artigo, investigar possibilidades de interfaces que entrelacem expressões literárias teatrais, mais exatamente o teatro do oprimido do diretor de teatro, dramaturgo e ensaísta Augusto Boal, e A corda, do autor angolano Pepetela. Em nosso percurso analítico, nos deteremos na proposta de Boal e em suas especificidades, mormente se encontrem contempladas nas obras Teatro do oprimido e outras poéticas políticas (1980) e Estética do oprimido (2009), com abordagem crítica e teórica dos conceitos dessa estética que almejava, por intermédio de técnicas teatrais e aspectos pedagógicos, sociais e políticos, fomentar a participação e o protagonismo da população nas questões sociais que vivenciavam. Analogamente, abordaremos a estrutura e a temática historiográfica da peça A Corda (1978), de Pepetela, que marca a passagem do autor africano do gênero romanesco para o teatral. A obra, inserida no contexto do período pós-independência, trata das questões políticas e da luta pelo poder em Angola. Propomo-nos a buscar evidências de pontos de convergências que se sobressaiam entre as duas expressões artísticas, nelas acedemos à ideia de sensibilização para os ideais sociopolíticos e o exercício do pensamento crítico no que tange à luta anticolonialista.Programa de Pós Graduação em Estudo de Linguagens - PPGEL2022-12-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.uneb.br/index.php/tabuleirodeletras/article/view/1484210.35499/tl.v16i2.14842Tabuleiro de Letras; v. 16 n. 2 (2022); 120-1292176-578210.35499/tl.v16i2reponame:Tabuleiro de Letrasinstname:Universidade do Estado da Bahia (UNEB)instacron:UNEBporhttps://revistas.uneb.br/index.php/tabuleirodeletras/article/view/14842/10760Copyright (c) 2022 Tabuleiro de Letrasinfo:eu-repo/semantics/openAccessCiecoski, Altair Sofientini2022-12-22T14:04:23Zoai:ojs.revistas.uneb.br:article/14842Revistahttps://revistas.uneb.br/index.php/tabuleirodeletrasPUBhttps://revistas.uneb.br/index.php/tabuleirodeletras/oainlopes@uneb.br2176-57822176-5782opendoar:2022-12-22T14:04:23Tabuleiro de Letras - Universidade do Estado da Bahia (UNEB)false |
dc.title.none.fl_str_mv |
O teatro do oprimido e A corda: : interfaces entre a estética teatral de Augusto Boal e a obra de Pepetela |
title |
O teatro do oprimido e A corda: : interfaces entre a estética teatral de Augusto Boal e a obra de Pepetela |
spellingShingle |
O teatro do oprimido e A corda: : interfaces entre a estética teatral de Augusto Boal e a obra de Pepetela Ciecoski, Altair Sofientini |
title_short |
O teatro do oprimido e A corda: : interfaces entre a estética teatral de Augusto Boal e a obra de Pepetela |
title_full |
O teatro do oprimido e A corda: : interfaces entre a estética teatral de Augusto Boal e a obra de Pepetela |
title_fullStr |
O teatro do oprimido e A corda: : interfaces entre a estética teatral de Augusto Boal e a obra de Pepetela |
title_full_unstemmed |
O teatro do oprimido e A corda: : interfaces entre a estética teatral de Augusto Boal e a obra de Pepetela |
title_sort |
O teatro do oprimido e A corda: : interfaces entre a estética teatral de Augusto Boal e a obra de Pepetela |
author |
Ciecoski, Altair Sofientini |
author_facet |
Ciecoski, Altair Sofientini |
author_role |
author |
dc.contributor.author.fl_str_mv |
Ciecoski, Altair Sofientini |
description |
The aim of this article is to investigate possibilities of interfaces that intertwine theatrical literary expressions, more precisely the theater of the oppressed by the theater director, playwright and essayist Augusto Boal, and The rope, by the Angolan author Pepetela. In our analytical course, we will focus on Boal proposal and its specificities, especially in the works Theater of the oppressed and other political poetics (1980) and Aesthetics of the oppressed (2009), with a critical and theoretical approach to the concepts of this aesthetic that he wanted, through theatrical techniques and pedagogical, social and political aspects, to encourage the participation and protagonism of the population in the social issues they experienced. Similarly, we will approach the structure and historiographical theme of the play The rope (1978) by Pepetela, which marks the passage of the African author from the novel to the theatrical genre. The work, inserted in the context of the post-independence period, deals with political issues and the struggle for power in Angola. We propose to seek evidence of points of convergence that stand out between the two artistic expressions, in them we access the idea of sensitization to sociopolitical ideals and the exercise of critical thinking regarding the anti-colonialist struggle. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-12-21 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.uneb.br/index.php/tabuleirodeletras/article/view/14842 10.35499/tl.v16i2.14842 |
url |
https://revistas.uneb.br/index.php/tabuleirodeletras/article/view/14842 |
identifier_str_mv |
10.35499/tl.v16i2.14842 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.uneb.br/index.php/tabuleirodeletras/article/view/14842/10760 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Tabuleiro de Letras info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Tabuleiro de Letras |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Programa de Pós Graduação em Estudo de Linguagens - PPGEL |
publisher.none.fl_str_mv |
Programa de Pós Graduação em Estudo de Linguagens - PPGEL |
dc.source.none.fl_str_mv |
Tabuleiro de Letras; v. 16 n. 2 (2022); 120-129 2176-5782 10.35499/tl.v16i2 reponame:Tabuleiro de Letras instname:Universidade do Estado da Bahia (UNEB) instacron:UNEB |
instname_str |
Universidade do Estado da Bahia (UNEB) |
instacron_str |
UNEB |
institution |
UNEB |
reponame_str |
Tabuleiro de Letras |
collection |
Tabuleiro de Letras |
repository.name.fl_str_mv |
Tabuleiro de Letras - Universidade do Estado da Bahia (UNEB) |
repository.mail.fl_str_mv |
nlopes@uneb.br |
_version_ |
1800211680411516928 |