Memory echoes: writing the helf as a way of denouncement in “Estátua de Sal” by Maria Ondina Braga
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Pontos de Interrogação (Online) |
Texto Completo: | https://www.revistas.uneb.br/index.php/pontosdeint/article/view/v13n1p239 |
Resumo: | Maria Ondina Braga (1932-2003), an itinerant and contemporary Portuguese writer, frequently drew on the themes of travel and alterity for her literary aesthetics. Along these thematic lines, the work under study, Estátua de Sal (1983), constitutes a romanticized autobiography where Ondina Braga’s biographical experience is fictionalized, literarized and, above all, self-analyzed. Focusing exclusively on Maria Ondina Braga, the following is the purpose of this article: (i) reviewing aspects of literary theory by taking into consideration, on the one hand, the specifics of such a writing and, on the other hand, broadly presenting the work; (ii) then, presenting two main objectives. As the first step, the architecture of memory is being problematized, or in other words, how memory is positioned and shared within the narrative space; as a second step, an analysis of selected textual excerpts is being carried out; the third step involves revisiting and sharing the inner world of the character through a reading perspective that considers writing to be a space for condemning and criticizing social and cultural forces. [Received on: January 29, 2023 - Accepted on: June 10, 2023] |
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Memory echoes: writing the helf as a way of denouncement in “Estátua de Sal” by Maria Ondina BragaEcos da memória: a escrita do eu como forma de denúncia em “Estátua de Sal” de Maria Ondina BragaMaria Ondina BragaLiteratura portuguesa a OrienteLiteratura de MacauLiteratura no femininoEscrita do EuMaria Ondina BragaPortuguese literature in the OrientMacao’s literatureFeminine literatureWriting the self Maria Ondina Braga (1932-2003), an itinerant and contemporary Portuguese writer, frequently drew on the themes of travel and alterity for her literary aesthetics. Along these thematic lines, the work under study, Estátua de Sal (1983), constitutes a romanticized autobiography where Ondina Braga’s biographical experience is fictionalized, literarized and, above all, self-analyzed. Focusing exclusively on Maria Ondina Braga, the following is the purpose of this article: (i) reviewing aspects of literary theory by taking into consideration, on the one hand, the specifics of such a writing and, on the other hand, broadly presenting the work; (ii) then, presenting two main objectives. As the first step, the architecture of memory is being problematized, or in other words, how memory is positioned and shared within the narrative space; as a second step, an analysis of selected textual excerpts is being carried out; the third step involves revisiting and sharing the inner world of the character through a reading perspective that considers writing to be a space for condemning and criticizing social and cultural forces. [Received on: January 29, 2023 - Accepted on: June 10, 2023] Maria Ondina Braga (1932-2003), escritora portuguesa itinerante e contemporânea, convoca, frequentemente, os temas da viagem e da alteridade para a sua estética literária. A par destas linhas temáticas, a obra em estudo, Estátua de Sal (1983), constitui-se como autobiografia romanceada onde a experiência biográfica de Ondina Braga é ficcionada, literarizada e, sobretudo, autoanalisada. O presente artigo, debruçando-se exclusivamente sobre a obra referida, intenta o seguinte: (i) num primeiro momento, revisitar aspetos da teoria literária enquadrando, por um lado, especificidades da escrita do Eu em Maria Ondina Braga e, por outro, apresentando genericamente a obra; (ii) de seguida, dois objetivos primordiais. O primeiro é o de problematizar a arquitetura da memória, ou dito de forma diferente, o modo como a memória é estruturada no espaço da narração e partilhada com o leitor; o segundo aspeto relaciona-se com a concretização de uma primeira análise dos excertos textuais selecionados; (iii) num terceiro quadro, o exercício explora a revisitação e a partilha do mundo interior da personagem à luz de uma linha de leitura que entende a escrita como espaço de denúncia e de crítica de vetores sociais e culturais. [Recebido em: 29 jan. 2023 – Aceito em: 10 jun. 2023] Universidade do Estado da Bahia (UNEB) – Programa de Pós-Graduação em Crítica Cultural2023-08-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.uneb.br/index.php/pontosdeint/article/view/v13n1p23910.30620/pdi.v13n1.p239Pontos de Interrogação – Journal of Cultural Criticism; Vol. 13 No. 1 (2023): Dossiê: Corpos, gêneros e literatura de autoria feminina; 239-259Pontos de Interrogação – Revista de Crítica Cultural; Vol. 13 Núm. 1 (2023): Dossiê: Corpos, gêneros e literatura de autoria feminina; 239-259Pontos de Interrogação – Revista de Crítica Cultural; v. 13 n. 1 (2023): Dossiê: Corpos, gêneros e literatura de autoria feminina; 239-2592237-9681reponame:Pontos de Interrogação (Online)instname:Universidade do Estado da Bahia (UNEB)instacron:UNEBporhttps://www.revistas.uneb.br/index.php/pontosdeint/article/view/v13n1p239/v13n1p239Copyright (c) 2023 Pontos de Interrogação – Revista de Crítica Culturalhttps://creativecommons.org/licenses/by-sa/4.0info:eu-repo/semantics/openAccessd’Alte, Pedro2023-08-13T16:18:29Zoai:ojs.revistas.uneb.br:article/16339Revistahttps://www.revistas.uneb.br/index.php/pontosdeintPUBhttps://www.revistas.uneb.br/index.php/pontosdeint/oairevistaponti@gmail.com || osmar.moreira@uol.com.br2237-96812178-8952opendoar:2023-08-13T16:18:29Pontos de Interrogação (Online) - Universidade do Estado da Bahia (UNEB)false |
dc.title.none.fl_str_mv |
Memory echoes: writing the helf as a way of denouncement in “Estátua de Sal” by Maria Ondina Braga Ecos da memória: a escrita do eu como forma de denúncia em “Estátua de Sal” de Maria Ondina Braga |
title |
Memory echoes: writing the helf as a way of denouncement in “Estátua de Sal” by Maria Ondina Braga |
spellingShingle |
Memory echoes: writing the helf as a way of denouncement in “Estátua de Sal” by Maria Ondina Braga d’Alte, Pedro Maria Ondina Braga Literatura portuguesa a Oriente Literatura de Macau Literatura no feminino Escrita do Eu Maria Ondina Braga Portuguese literature in the Orient Macao’s literature Feminine literature Writing the self |
title_short |
Memory echoes: writing the helf as a way of denouncement in “Estátua de Sal” by Maria Ondina Braga |
title_full |
Memory echoes: writing the helf as a way of denouncement in “Estátua de Sal” by Maria Ondina Braga |
title_fullStr |
Memory echoes: writing the helf as a way of denouncement in “Estátua de Sal” by Maria Ondina Braga |
title_full_unstemmed |
Memory echoes: writing the helf as a way of denouncement in “Estátua de Sal” by Maria Ondina Braga |
title_sort |
Memory echoes: writing the helf as a way of denouncement in “Estátua de Sal” by Maria Ondina Braga |
author |
d’Alte, Pedro |
author_facet |
d’Alte, Pedro |
author_role |
author |
dc.contributor.author.fl_str_mv |
d’Alte, Pedro |
dc.subject.por.fl_str_mv |
Maria Ondina Braga Literatura portuguesa a Oriente Literatura de Macau Literatura no feminino Escrita do Eu Maria Ondina Braga Portuguese literature in the Orient Macao’s literature Feminine literature Writing the self |
topic |
Maria Ondina Braga Literatura portuguesa a Oriente Literatura de Macau Literatura no feminino Escrita do Eu Maria Ondina Braga Portuguese literature in the Orient Macao’s literature Feminine literature Writing the self |
description |
Maria Ondina Braga (1932-2003), an itinerant and contemporary Portuguese writer, frequently drew on the themes of travel and alterity for her literary aesthetics. Along these thematic lines, the work under study, Estátua de Sal (1983), constitutes a romanticized autobiography where Ondina Braga’s biographical experience is fictionalized, literarized and, above all, self-analyzed. Focusing exclusively on Maria Ondina Braga, the following is the purpose of this article: (i) reviewing aspects of literary theory by taking into consideration, on the one hand, the specifics of such a writing and, on the other hand, broadly presenting the work; (ii) then, presenting two main objectives. As the first step, the architecture of memory is being problematized, or in other words, how memory is positioned and shared within the narrative space; as a second step, an analysis of selected textual excerpts is being carried out; the third step involves revisiting and sharing the inner world of the character through a reading perspective that considers writing to be a space for condemning and criticizing social and cultural forces. [Received on: January 29, 2023 - Accepted on: June 10, 2023] |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-08-13 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.uneb.br/index.php/pontosdeint/article/view/v13n1p239 10.30620/pdi.v13n1.p239 |
url |
https://www.revistas.uneb.br/index.php/pontosdeint/article/view/v13n1p239 |
identifier_str_mv |
10.30620/pdi.v13n1.p239 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.uneb.br/index.php/pontosdeint/article/view/v13n1p239/v13n1p239 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Pontos de Interrogação – Revista de Crítica Cultural https://creativecommons.org/licenses/by-sa/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Pontos de Interrogação – Revista de Crítica Cultural https://creativecommons.org/licenses/by-sa/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado da Bahia (UNEB) – Programa de Pós-Graduação em Crítica Cultural |
publisher.none.fl_str_mv |
Universidade do Estado da Bahia (UNEB) – Programa de Pós-Graduação em Crítica Cultural |
dc.source.none.fl_str_mv |
Pontos de Interrogação – Journal of Cultural Criticism; Vol. 13 No. 1 (2023): Dossiê: Corpos, gêneros e literatura de autoria feminina; 239-259 Pontos de Interrogação – Revista de Crítica Cultural; Vol. 13 Núm. 1 (2023): Dossiê: Corpos, gêneros e literatura de autoria feminina; 239-259 Pontos de Interrogação – Revista de Crítica Cultural; v. 13 n. 1 (2023): Dossiê: Corpos, gêneros e literatura de autoria feminina; 239-259 2237-9681 reponame:Pontos de Interrogação (Online) instname:Universidade do Estado da Bahia (UNEB) instacron:UNEB |
instname_str |
Universidade do Estado da Bahia (UNEB) |
instacron_str |
UNEB |
institution |
UNEB |
reponame_str |
Pontos de Interrogação (Online) |
collection |
Pontos de Interrogação (Online) |
repository.name.fl_str_mv |
Pontos de Interrogação (Online) - Universidade do Estado da Bahia (UNEB) |
repository.mail.fl_str_mv |
revistaponti@gmail.com || osmar.moreira@uol.com.br |
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