Memory echoes: writing the helf as a way of denouncement in “Estátua de Sal” by Maria Ondina Braga

Detalhes bibliográficos
Autor(a) principal: d’Alte, Pedro
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Pontos de Interrogação (Online)
Texto Completo: https://www.revistas.uneb.br/index.php/pontosdeint/article/view/v13n1p239
Resumo: Maria Ondina Braga (1932-2003), an itinerant and contemporary Portuguese writer, frequently drew on the themes of travel and alterity for her literary aesthetics. Along these thematic lines, the work under study, Estátua de Sal (1983), constitutes a romanticized autobiography where Ondina Braga’s biographical experience is fictionalized, literarized and, above all, self-analyzed. Focusing exclusively on Maria Ondina Braga, the following is the purpose of this article: (i) reviewing aspects of literary theory by taking into consideration, on the one hand, the specifics of such a writing and, on the other hand, broadly presenting the work; (ii) then, presenting two main objectives. As the first step, the architecture of memory is being problematized, or in other words, how memory is positioned and shared within the narrative space; as a second step, an analysis of selected textual excerpts is being carried out; the third step involves revisiting and sharing the inner world of the character through a reading perspective that considers writing to be a space for condemning and criticizing social and cultural forces. [Received on: January 29, 2023 - Accepted on: June 10, 2023]
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spelling Memory echoes: writing the helf as a way of denouncement in “Estátua de Sal” by Maria Ondina BragaEcos da memória: a escrita do eu como forma de denúncia em “Estátua de Sal” de Maria Ondina BragaMaria Ondina BragaLiteratura portuguesa a OrienteLiteratura de MacauLiteratura no femininoEscrita do EuMaria Ondina BragaPortuguese literature in the OrientMacao’s literatureFeminine literatureWriting the self Maria Ondina Braga (1932-2003), an itinerant and contemporary Portuguese writer, frequently drew on the themes of travel and alterity for her literary aesthetics. Along these thematic lines, the work under study, Estátua de Sal (1983), constitutes a romanticized autobiography where Ondina Braga’s biographical experience is fictionalized, literarized and, above all, self-analyzed. Focusing exclusively on Maria Ondina Braga, the following is the purpose of this article: (i) reviewing aspects of literary theory by taking into consideration, on the one hand, the specifics of such a writing and, on the other hand, broadly presenting the work; (ii) then, presenting two main objectives. As the first step, the architecture of memory is being problematized, or in other words, how memory is positioned and shared within the narrative space; as a second step, an analysis of selected textual excerpts is being carried out; the third step involves revisiting and sharing the inner world of the character through a reading perspective that considers writing to be a space for condemning and criticizing social and cultural forces. [Received on: January 29, 2023 - Accepted on: June 10, 2023] Maria Ondina Braga (1932-2003), escritora portuguesa itinerante e contemporânea, convoca, frequentemente, os temas da viagem e da alteridade para a sua estética literária. A par destas linhas temáticas, a obra em estudo, Estátua de Sal (1983), constitui-se como autobiografia romanceada onde a experiência biográfica de Ondina Braga é ficcionada, literarizada e, sobretudo, autoanalisada. O presente artigo, debruçando-se exclusivamente sobre a obra referida, intenta o seguinte: (i) num primeiro momento, revisitar aspetos da teoria literária enquadrando, por um lado, especificidades da escrita do Eu em Maria Ondina Braga e, por outro, apresentando genericamente a obra; (ii) de seguida, dois objetivos primordiais. O primeiro é o de problematizar a arquitetura da memória, ou dito de forma diferente, o modo como a memória é estruturada no espaço da narração e partilhada com o leitor; o segundo aspeto relaciona-se com a concretização de uma primeira análise dos excertos textuais selecionados; (iii) num terceiro quadro, o exercício explora a revisitação e a partilha do mundo interior da personagem à luz de uma linha de leitura que entende a escrita como espaço de denúncia e de crítica de vetores sociais e culturais. [Recebido em: 29 jan. 2023 – Aceito em: 10 jun. 2023] Universidade do Estado da Bahia (UNEB) – Programa de Pós-Graduação em Crítica Cultural2023-08-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.uneb.br/index.php/pontosdeint/article/view/v13n1p23910.30620/pdi.v13n1.p239Pontos de Interrogação – Journal of Cultural Criticism; Vol. 13 No. 1 (2023): Dossiê: Corpos, gêneros e literatura de autoria feminina; 239-259Pontos de Interrogação – Revista de Crítica Cultural; Vol. 13 Núm. 1 (2023): Dossiê: Corpos, gêneros e literatura de autoria feminina; 239-259Pontos de Interrogação – Revista de Crítica Cultural; v. 13 n. 1 (2023): Dossiê: Corpos, gêneros e literatura de autoria feminina; 239-2592237-9681reponame:Pontos de Interrogação (Online)instname:Universidade do Estado da Bahia (UNEB)instacron:UNEBporhttps://www.revistas.uneb.br/index.php/pontosdeint/article/view/v13n1p239/v13n1p239Copyright (c) 2023 Pontos de Interrogação – Revista de Crítica Culturalhttps://creativecommons.org/licenses/by-sa/4.0info:eu-repo/semantics/openAccessd’Alte, Pedro2023-08-13T16:18:29Zoai:ojs.revistas.uneb.br:article/16339Revistahttps://www.revistas.uneb.br/index.php/pontosdeintPUBhttps://www.revistas.uneb.br/index.php/pontosdeint/oairevistaponti@gmail.com || osmar.moreira@uol.com.br2237-96812178-8952opendoar:2023-08-13T16:18:29Pontos de Interrogação (Online) - Universidade do Estado da Bahia (UNEB)false
dc.title.none.fl_str_mv Memory echoes: writing the helf as a way of denouncement in “Estátua de Sal” by Maria Ondina Braga
Ecos da memória: a escrita do eu como forma de denúncia em “Estátua de Sal” de Maria Ondina Braga
title Memory echoes: writing the helf as a way of denouncement in “Estátua de Sal” by Maria Ondina Braga
spellingShingle Memory echoes: writing the helf as a way of denouncement in “Estátua de Sal” by Maria Ondina Braga
d’Alte, Pedro
Maria Ondina Braga
Literatura portuguesa a Oriente
Literatura de Macau
Literatura no feminino
Escrita do Eu
Maria Ondina Braga
Portuguese literature in the Orient
Macao’s literature
Feminine literature
Writing the self
title_short Memory echoes: writing the helf as a way of denouncement in “Estátua de Sal” by Maria Ondina Braga
title_full Memory echoes: writing the helf as a way of denouncement in “Estátua de Sal” by Maria Ondina Braga
title_fullStr Memory echoes: writing the helf as a way of denouncement in “Estátua de Sal” by Maria Ondina Braga
title_full_unstemmed Memory echoes: writing the helf as a way of denouncement in “Estátua de Sal” by Maria Ondina Braga
title_sort Memory echoes: writing the helf as a way of denouncement in “Estátua de Sal” by Maria Ondina Braga
author d’Alte, Pedro
author_facet d’Alte, Pedro
author_role author
dc.contributor.author.fl_str_mv d’Alte, Pedro
dc.subject.por.fl_str_mv Maria Ondina Braga
Literatura portuguesa a Oriente
Literatura de Macau
Literatura no feminino
Escrita do Eu
Maria Ondina Braga
Portuguese literature in the Orient
Macao’s literature
Feminine literature
Writing the self
topic Maria Ondina Braga
Literatura portuguesa a Oriente
Literatura de Macau
Literatura no feminino
Escrita do Eu
Maria Ondina Braga
Portuguese literature in the Orient
Macao’s literature
Feminine literature
Writing the self
description Maria Ondina Braga (1932-2003), an itinerant and contemporary Portuguese writer, frequently drew on the themes of travel and alterity for her literary aesthetics. Along these thematic lines, the work under study, Estátua de Sal (1983), constitutes a romanticized autobiography where Ondina Braga’s biographical experience is fictionalized, literarized and, above all, self-analyzed. Focusing exclusively on Maria Ondina Braga, the following is the purpose of this article: (i) reviewing aspects of literary theory by taking into consideration, on the one hand, the specifics of such a writing and, on the other hand, broadly presenting the work; (ii) then, presenting two main objectives. As the first step, the architecture of memory is being problematized, or in other words, how memory is positioned and shared within the narrative space; as a second step, an analysis of selected textual excerpts is being carried out; the third step involves revisiting and sharing the inner world of the character through a reading perspective that considers writing to be a space for condemning and criticizing social and cultural forces. [Received on: January 29, 2023 - Accepted on: June 10, 2023]
publishDate 2023
dc.date.none.fl_str_mv 2023-08-13
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dc.identifier.uri.fl_str_mv https://www.revistas.uneb.br/index.php/pontosdeint/article/view/v13n1p239
10.30620/pdi.v13n1.p239
url https://www.revistas.uneb.br/index.php/pontosdeint/article/view/v13n1p239
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dc.language.iso.fl_str_mv por
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dc.relation.none.fl_str_mv https://www.revistas.uneb.br/index.php/pontosdeint/article/view/v13n1p239/v13n1p239
dc.rights.driver.fl_str_mv Copyright (c) 2023 Pontos de Interrogação – Revista de Crítica Cultural
https://creativecommons.org/licenses/by-sa/4.0
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rights_invalid_str_mv Copyright (c) 2023 Pontos de Interrogação – Revista de Crítica Cultural
https://creativecommons.org/licenses/by-sa/4.0
eu_rights_str_mv openAccess
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dc.publisher.none.fl_str_mv Universidade do Estado da Bahia (UNEB) – Programa de Pós-Graduação em Crítica Cultural
publisher.none.fl_str_mv Universidade do Estado da Bahia (UNEB) – Programa de Pós-Graduação em Crítica Cultural
dc.source.none.fl_str_mv Pontos de Interrogação – Journal of Cultural Criticism; Vol. 13 No. 1 (2023): Dossiê: Corpos, gêneros e literatura de autoria feminina; 239-259
Pontos de Interrogação – Revista de Crítica Cultural; Vol. 13 Núm. 1 (2023): Dossiê: Corpos, gêneros e literatura de autoria feminina; 239-259
Pontos de Interrogação – Revista de Crítica Cultural; v. 13 n. 1 (2023): Dossiê: Corpos, gêneros e literatura de autoria feminina; 239-259
2237-9681
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