“I’m not afraid of being called a loser”: the issue of agency in Finn’s identity construction in the television series Glee

Detalhes bibliográficos
Autor(a) principal: da Silva, Leonardo
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Pontos de Interrogação (Online)
Texto Completo: https://www.revistas.uneb.br/index.php/pontosdeint/article/view/10838
Resumo: This article analyzes the television series Glee and discusses the ways in which Finn’s identity construction – and his irresolution – can be read counter-hegemonically as fostering political agency. In order to do so, I discuss the concepts of identity and agency and notions such as social location and identification while conducting a textual analysis of specific scenes that pertain to the first season of the series. The analysis highlights that the character’s experience with the Glee club seems to be important for the constant re-construction of his identity. Such reconstruction is always part of a double movement: Finn, as a postmodern subject, is overtly contradictory. While his identity construction can be considered transgressive, at times his actions are in fact very conservative. Finn’s identity construction seems to demonstrate the ways in which Glee can be considered an example of postmodern contingency while being inserted simultaneously within restraining hegemonic discourse.
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spelling “I’m not afraid of being called a loser”: the issue of agency in Finn’s identity construction in the television series GleeThis article analyzes the television series Glee and discusses the ways in which Finn’s identity construction – and his irresolution – can be read counter-hegemonically as fostering political agency. In order to do so, I discuss the concepts of identity and agency and notions such as social location and identification while conducting a textual analysis of specific scenes that pertain to the first season of the series. The analysis highlights that the character’s experience with the Glee club seems to be important for the constant re-construction of his identity. Such reconstruction is always part of a double movement: Finn, as a postmodern subject, is overtly contradictory. While his identity construction can be considered transgressive, at times his actions are in fact very conservative. Finn’s identity construction seems to demonstrate the ways in which Glee can be considered an example of postmodern contingency while being inserted simultaneously within restraining hegemonic discourse.Universidade do Estado da Bahia (UNEB) – Programa de Pós-Graduação em Crítica Cultural2020-12-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.uneb.br/index.php/pontosdeint/article/view/1083810.30620/p.i..v10i2.10838Pontos de Interrogação – Journal of Cultural Criticism; Vol. 10 No. 2 (2020): Gêneros e Sexualidades Dissidentes na Literatura e na Cultura; 67-88Pontos de Interrogação – Revista de Crítica Cultural; Vol. 10 Núm. 2 (2020): Gêneros e Sexualidades Dissidentes na Literatura e na Cultura; 67-88Pontos de Interrogação – Revista de Crítica Cultural; v. 10 n. 2 (2020): Gêneros e Sexualidades Dissidentes na Literatura e na Cultura; 67-882237-9681reponame:Pontos de Interrogação (Online)instname:Universidade do Estado da Bahia (UNEB)instacron:UNEBenghttps://www.revistas.uneb.br/index.php/pontosdeint/article/view/10838/7574Copyright (c) 2020 Pontos de Interrogação – Revista de Crítica Culturalhttps://creativecommons.org/licenses/by-sa/4.0info:eu-repo/semantics/openAccessda Silva, Leonardo 2023-05-09T19:09:11Zoai:ojs.revistas.uneb.br:article/10838Revistahttps://www.revistas.uneb.br/index.php/pontosdeintPUBhttps://www.revistas.uneb.br/index.php/pontosdeint/oairevistaponti@gmail.com || osmar.moreira@uol.com.br2237-96812178-8952opendoar:2023-05-09T19:09:11Pontos de Interrogação (Online) - Universidade do Estado da Bahia (UNEB)false
dc.title.none.fl_str_mv “I’m not afraid of being called a loser”: the issue of agency in Finn’s identity construction in the television series Glee
title “I’m not afraid of being called a loser”: the issue of agency in Finn’s identity construction in the television series Glee
spellingShingle “I’m not afraid of being called a loser”: the issue of agency in Finn’s identity construction in the television series Glee
da Silva, Leonardo
title_short “I’m not afraid of being called a loser”: the issue of agency in Finn’s identity construction in the television series Glee
title_full “I’m not afraid of being called a loser”: the issue of agency in Finn’s identity construction in the television series Glee
title_fullStr “I’m not afraid of being called a loser”: the issue of agency in Finn’s identity construction in the television series Glee
title_full_unstemmed “I’m not afraid of being called a loser”: the issue of agency in Finn’s identity construction in the television series Glee
title_sort “I’m not afraid of being called a loser”: the issue of agency in Finn’s identity construction in the television series Glee
author da Silva, Leonardo
author_facet da Silva, Leonardo
author_role author
dc.contributor.author.fl_str_mv da Silva, Leonardo
description This article analyzes the television series Glee and discusses the ways in which Finn’s identity construction – and his irresolution – can be read counter-hegemonically as fostering political agency. In order to do so, I discuss the concepts of identity and agency and notions such as social location and identification while conducting a textual analysis of specific scenes that pertain to the first season of the series. The analysis highlights that the character’s experience with the Glee club seems to be important for the constant re-construction of his identity. Such reconstruction is always part of a double movement: Finn, as a postmodern subject, is overtly contradictory. While his identity construction can be considered transgressive, at times his actions are in fact very conservative. Finn’s identity construction seems to demonstrate the ways in which Glee can be considered an example of postmodern contingency while being inserted simultaneously within restraining hegemonic discourse.
publishDate 2020
dc.date.none.fl_str_mv 2020-12-22
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
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status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.uneb.br/index.php/pontosdeint/article/view/10838
10.30620/p.i..v10i2.10838
url https://www.revistas.uneb.br/index.php/pontosdeint/article/view/10838
identifier_str_mv 10.30620/p.i..v10i2.10838
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://www.revistas.uneb.br/index.php/pontosdeint/article/view/10838/7574
dc.rights.driver.fl_str_mv Copyright (c) 2020 Pontos de Interrogação – Revista de Crítica Cultural
https://creativecommons.org/licenses/by-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Pontos de Interrogação – Revista de Crítica Cultural
https://creativecommons.org/licenses/by-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado da Bahia (UNEB) – Programa de Pós-Graduação em Crítica Cultural
publisher.none.fl_str_mv Universidade do Estado da Bahia (UNEB) – Programa de Pós-Graduação em Crítica Cultural
dc.source.none.fl_str_mv Pontos de Interrogação – Journal of Cultural Criticism; Vol. 10 No. 2 (2020): Gêneros e Sexualidades Dissidentes na Literatura e na Cultura; 67-88
Pontos de Interrogação – Revista de Crítica Cultural; Vol. 10 Núm. 2 (2020): Gêneros e Sexualidades Dissidentes na Literatura e na Cultura; 67-88
Pontos de Interrogação – Revista de Crítica Cultural; v. 10 n. 2 (2020): Gêneros e Sexualidades Dissidentes na Literatura e na Cultura; 67-88
2237-9681
reponame:Pontos de Interrogação (Online)
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instname_str Universidade do Estado da Bahia (UNEB)
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reponame_str Pontos de Interrogação (Online)
collection Pontos de Interrogação (Online)
repository.name.fl_str_mv Pontos de Interrogação (Online) - Universidade do Estado da Bahia (UNEB)
repository.mail.fl_str_mv revistaponti@gmail.com || osmar.moreira@uol.com.br
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