Rewriting of women: Orange is the New Black and female incarceration on screen of life
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Pontos de Interrogação (Online) |
Texto Completo: | https://www.revistas.uneb.br/index.php/pontosdeint/article/view/14397 |
Resumo: | The webseries Orange is the new black, produced mostly by women, is the result of an adaptation of the autobiographical book by another woman: Piper Kerman, who spent time in prison in the USA. For this article, we seek to reflect on how, from the story of the self, that Kerman tells, other female stories, with the webseries, are told, imagined, in the prison environment, leading us to debate about the writing prescribed for female subjects and as these have rewritten it. In order to do so, we will focus on the aforementioned audiovisual production, with the help of cultural, feminist and (auto)biographical criticism, through the reading of authors such as: Leonor Arfuch (2010), Eneida de Souza (2011), Saffioti, H. (2011), Davis, A. (2003), Osmar Santos (2016) among others. We realize that the challenges faced by female characters on the show's screen are directly created and perpetuated by the patriarchal system that imposes shackles on minds and bodies. With that, the narrated/acted experiences of these women lead us to observe the restriction of their lives inside and outside the prison, in a process of physical and symbolic incarceration. Finally, we found that, considering the bars that surround them, in addition to the official prison spaces, a work of refictionalization of the self, such as this one, engendered by women, and their biographical intersections, in favor of other existential series. [Received on: July 29, 2021 - Accepted on: October 30, 2021] |
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Rewriting of women: Orange is the New Black and female incarceration on screen of lifeReescrita de mulheres: Orange is the New Black e o encarceramento feminino na tela da vidaEncarceramento feminino(Auto)biografia de mulheresReescrita de siFemale incarceration(Auto)biography of womenRewriting of the selfThe webseries Orange is the new black, produced mostly by women, is the result of an adaptation of the autobiographical book by another woman: Piper Kerman, who spent time in prison in the USA. For this article, we seek to reflect on how, from the story of the self, that Kerman tells, other female stories, with the webseries, are told, imagined, in the prison environment, leading us to debate about the writing prescribed for female subjects and as these have rewritten it. In order to do so, we will focus on the aforementioned audiovisual production, with the help of cultural, feminist and (auto)biographical criticism, through the reading of authors such as: Leonor Arfuch (2010), Eneida de Souza (2011), Saffioti, H. (2011), Davis, A. (2003), Osmar Santos (2016) among others. We realize that the challenges faced by female characters on the show's screen are directly created and perpetuated by the patriarchal system that imposes shackles on minds and bodies. With that, the narrated/acted experiences of these women lead us to observe the restriction of their lives inside and outside the prison, in a process of physical and symbolic incarceration. Finally, we found that, considering the bars that surround them, in addition to the official prison spaces, a work of refictionalization of the self, such as this one, engendered by women, and their biographical intersections, in favor of other existential series. [Received on: July 29, 2021 - Accepted on: October 30, 2021]A websérie Orange is the new black, produzida de forma majoritária por mulheres, é fruto da adaptação do livro autobiográfico de outra mulher: Piper Kerman, que passou um tempo na prisão, nos EUA. Para este artigo, buscamos refletir sobre como, a partir da história de si, que Kerman conta, outras histórias femininas, com a websérie, são contadas, imaginadas, no ambiente prisional, levando-nos a debater sobre a escritura prescrita para sujeitos femininos e como estes a tem reescrito. Para tanto, nos debruçaremos sobre a citada produção audiovisual, contando com o auxílio da crítica cultural, feminista e (auto)biográfica, via leitura de autoras e autores como: Leonor Arfuch (2010), Eneida de Souza (2011), Saffioti, H. (2011), Davis, A. (2003), Osmar Santos (2016) entre outros. Percebemos que os desafios enfrentados pelas personagens femininas, na tela da série, são diretamente criados e perpetuados pelo sistema patriarcal que impõe algemas a mentes e corpos. Com isso, as vivências narradas/encenadas destas mulheres nos levam a observar o cerceamento de suas vidas dentro e fora da prisão, em um processo de encarceramento físico e simbólico. Por fim, constatamos que, considerando as grades que as cercam, para além dos espaços prisionais oficiais, é fundamental um trabalho de reficcionalização de si, como esse, engendrado por mulheres, e seus entrecruzamentos biográficos, em prol de outras séries existenciais. [Recebido em: 29 jul. 2021 – Aceito em: 30 out. 2021]Universidade do Estado da Bahia (UNEB) – Programa de Pós-Graduação em Crítica Cultural2021-12-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.uneb.br/index.php/pontosdeint/article/view/1439710.30620/pdi.v11n2.p343Pontos de Interrogação – Journal of Cultural Criticism; Vol. 11 No. 2 (2021): Dossiê: Memórias, narrativas e escritas de si nos processos identitários e formativos; 343-360Pontos de Interrogação – Revista de Crítica Cultural; Vol. 11 Núm. 2 (2021): Dossiê: Memórias, narrativas e escritas de si nos processos identitários e formativos; 343-360Pontos de Interrogação – Revista de Crítica Cultural; v. 11 n. 2 (2021): Dossiê: Memórias, narrativas e escritas de si nos processos identitários e formativos; 343-3602237-9681reponame:Pontos de Interrogação (Online)instname:Universidade do Estado da Bahia (UNEB)instacron:UNEBporhttps://www.revistas.uneb.br/index.php/pontosdeint/article/view/14397/9861Copyright (c) 2021 Pontos de Interrogação – Revista de Crítica Culturalhttps://creativecommons.org/licenses/by-sa/4.0info:eu-repo/semantics/openAccessCOSTA, Júlia dos AnjosMOREIRA, Jailma dos Santos Pedreira2023-05-11T23:10:42Zoai:ojs.revistas.uneb.br:article/14397Revistahttps://www.revistas.uneb.br/index.php/pontosdeintPUBhttps://www.revistas.uneb.br/index.php/pontosdeint/oairevistaponti@gmail.com || osmar.moreira@uol.com.br2237-96812178-8952opendoar:2023-05-11T23:10:42Pontos de Interrogação (Online) - Universidade do Estado da Bahia (UNEB)false |
dc.title.none.fl_str_mv |
Rewriting of women: Orange is the New Black and female incarceration on screen of life Reescrita de mulheres: Orange is the New Black e o encarceramento feminino na tela da vida |
title |
Rewriting of women: Orange is the New Black and female incarceration on screen of life |
spellingShingle |
Rewriting of women: Orange is the New Black and female incarceration on screen of life COSTA, Júlia dos Anjos Encarceramento feminino (Auto)biografia de mulheres Reescrita de si Female incarceration (Auto)biography of women Rewriting of the self |
title_short |
Rewriting of women: Orange is the New Black and female incarceration on screen of life |
title_full |
Rewriting of women: Orange is the New Black and female incarceration on screen of life |
title_fullStr |
Rewriting of women: Orange is the New Black and female incarceration on screen of life |
title_full_unstemmed |
Rewriting of women: Orange is the New Black and female incarceration on screen of life |
title_sort |
Rewriting of women: Orange is the New Black and female incarceration on screen of life |
author |
COSTA, Júlia dos Anjos |
author_facet |
COSTA, Júlia dos Anjos MOREIRA, Jailma dos Santos Pedreira |
author_role |
author |
author2 |
MOREIRA, Jailma dos Santos Pedreira |
author2_role |
author |
dc.contributor.author.fl_str_mv |
COSTA, Júlia dos Anjos MOREIRA, Jailma dos Santos Pedreira |
dc.subject.por.fl_str_mv |
Encarceramento feminino (Auto)biografia de mulheres Reescrita de si Female incarceration (Auto)biography of women Rewriting of the self |
topic |
Encarceramento feminino (Auto)biografia de mulheres Reescrita de si Female incarceration (Auto)biography of women Rewriting of the self |
description |
The webseries Orange is the new black, produced mostly by women, is the result of an adaptation of the autobiographical book by another woman: Piper Kerman, who spent time in prison in the USA. For this article, we seek to reflect on how, from the story of the self, that Kerman tells, other female stories, with the webseries, are told, imagined, in the prison environment, leading us to debate about the writing prescribed for female subjects and as these have rewritten it. In order to do so, we will focus on the aforementioned audiovisual production, with the help of cultural, feminist and (auto)biographical criticism, through the reading of authors such as: Leonor Arfuch (2010), Eneida de Souza (2011), Saffioti, H. (2011), Davis, A. (2003), Osmar Santos (2016) among others. We realize that the challenges faced by female characters on the show's screen are directly created and perpetuated by the patriarchal system that imposes shackles on minds and bodies. With that, the narrated/acted experiences of these women lead us to observe the restriction of their lives inside and outside the prison, in a process of physical and symbolic incarceration. Finally, we found that, considering the bars that surround them, in addition to the official prison spaces, a work of refictionalization of the self, such as this one, engendered by women, and their biographical intersections, in favor of other existential series. [Received on: July 29, 2021 - Accepted on: October 30, 2021] |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-12-28 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.uneb.br/index.php/pontosdeint/article/view/14397 10.30620/pdi.v11n2.p343 |
url |
https://www.revistas.uneb.br/index.php/pontosdeint/article/view/14397 |
identifier_str_mv |
10.30620/pdi.v11n2.p343 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.uneb.br/index.php/pontosdeint/article/view/14397/9861 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Pontos de Interrogação – Revista de Crítica Cultural https://creativecommons.org/licenses/by-sa/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Pontos de Interrogação – Revista de Crítica Cultural https://creativecommons.org/licenses/by-sa/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado da Bahia (UNEB) – Programa de Pós-Graduação em Crítica Cultural |
publisher.none.fl_str_mv |
Universidade do Estado da Bahia (UNEB) – Programa de Pós-Graduação em Crítica Cultural |
dc.source.none.fl_str_mv |
Pontos de Interrogação – Journal of Cultural Criticism; Vol. 11 No. 2 (2021): Dossiê: Memórias, narrativas e escritas de si nos processos identitários e formativos; 343-360 Pontos de Interrogação – Revista de Crítica Cultural; Vol. 11 Núm. 2 (2021): Dossiê: Memórias, narrativas e escritas de si nos processos identitários e formativos; 343-360 Pontos de Interrogação – Revista de Crítica Cultural; v. 11 n. 2 (2021): Dossiê: Memórias, narrativas e escritas de si nos processos identitários e formativos; 343-360 2237-9681 reponame:Pontos de Interrogação (Online) instname:Universidade do Estado da Bahia (UNEB) instacron:UNEB |
instname_str |
Universidade do Estado da Bahia (UNEB) |
instacron_str |
UNEB |
institution |
UNEB |
reponame_str |
Pontos de Interrogação (Online) |
collection |
Pontos de Interrogação (Online) |
repository.name.fl_str_mv |
Pontos de Interrogação (Online) - Universidade do Estado da Bahia (UNEB) |
repository.mail.fl_str_mv |
revistaponti@gmail.com || osmar.moreira@uol.com.br |
_version_ |
1797042191940452352 |