Orientation and reflection: a research on Susan Sontag’s new sensibility

Detalhes bibliográficos
Autor(a) principal: Chen, Xingjun
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Trans/Form/Ação (Online)
Texto Completo: https://revistas.marilia.unesp.br/index.php/transformacao/article/view/13298
Resumo: Susan Sontag’s aesthetic thought - New Sensibility, is an accurate summary of her understandings and accurate grasp on the era of visual culture, which is also an effective way of appreciating them. New sensibility is one of the sensibility concepts put forward by Sontag at the early stage. Its definition can be summarized as an ability of aesthetic perception of the experiences in this new era. The ability is to appreciate visual arts, appeal to pure sensibility and devote to changing modern people’s consciousness and sensibility. However, New Sensibility overemphasizes sensory or perceptual experiences while ignoring the moral dimension, which leads to its inherent defects and cannot be ignored. It can be seen from the inconsistent critical comments of Sontag on the Riefenstahl’s artistic works. Susan Sontag. New Sensibility. Orientation. reflection
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spelling Orientation and reflection: a research on Susan Sontag’s new sensibilityOrientation and reflection:: a research on susan Sontag’s New SensibilitySusan SontagNew sensibilityThe demise of artCampthe visual artsSusan SontagNew SensibilityOrientationreflectionSusan Sontag’s aesthetic thought - New Sensibility, is an accurate summary of her understandings and accurate grasp on the era of visual culture, which is also an effective way of appreciating them. New sensibility is one of the sensibility concepts put forward by Sontag at the early stage. Its definition can be summarized as an ability of aesthetic perception of the experiences in this new era. The ability is to appreciate visual arts, appeal to pure sensibility and devote to changing modern people’s consciousness and sensibility. However, New Sensibility overemphasizes sensory or perceptual experiences while ignoring the moral dimension, which leads to its inherent defects and cannot be ignored. It can be seen from the inconsistent critical comments of Sontag on the Riefenstahl’s artistic works. Susan Sontag. New Sensibility. Orientation. reflectionThis paper uses the research method of historical context to place Sontag’s “New Sensibility” in the historical context in which “the demise of art” was prevalent, and puts forward that Sontag’s “New Sensibility” is the sensibility in line with the needs of that time by denying “the demise of art” and affirming the dominant position of visual art. Its definition can be summarized as an ability of aesthetic perception of arts. It appeals to pure sensibility to appreciate visual arts, and devotes to changing modern people’s consciousness and sensibility. At the same time, by comparing “New Sensibility” with “Camp Sensibility”, proposed by Sontag, and “new sensibility”, proposed by Marcuse, this paper points out that the main connotation of “New Sensibility” is to emphasize form,neglect content and suspend morality. However, “New Sensibility”, which overemphasizes perceptual experience and ignores moral dimension, has its inherent defects, which cannot be ignored. Therefore, this paper finally takes Sontag’s critical practice of Riefenstahl as an example to specifically explain the defects of “New Sensibility” and reflect on it. More than half a century after Sontag’s “New Criticism”, the orientation and reflection of it is conducive to re-facing the significance and value of it under the background of further development of science and technology and more diversified artistic styles at contemporary era.Faculdade de Filosofia e Ciências2023-01-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlapplication/x-mobipocket-ebookapplication/epub+ziphttps://revistas.marilia.unesp.br/index.php/transformacao/article/view/13298TRANS/FORM/AÇÃO: Revista de Filosofia da Unesp; v. 46 n. 01 (2023): Janeiro-Março/2023; 251-268TRANS/FORM/AÇÃO: Revista de Filosofia; Vol. 46 No. 01 (2023): January-March/2023; 251-268TRANS/FORM/AÇÃO: Revista de Filosofia; Vol. 46 Núm. 01 (2023): Janeiro-Março/2023; 251-268TRANS/FORM/AÇÃO: Revista de Filosofia; Vol. 46 No. 01 (2023): Janeiro-Março/2023; 251-268TRANS/FORM/AÇÃO: Revista de Filosofia; V. 46 N. 01 (2023): Janeiro-Março/2023; 251-2681980-539X0101-3173reponame:Trans/Form/Ação (Online)instname:Universidade Estadual Paulista (UNESP)instacron:UNESPenghttps://revistas.marilia.unesp.br/index.php/transformacao/article/view/13298/10183https://revistas.marilia.unesp.br/index.php/transformacao/article/view/13298/10184https://revistas.marilia.unesp.br/index.php/transformacao/article/view/13298/11330https://revistas.marilia.unesp.br/index.php/transformacao/article/view/13298/11331Copyright (c) 2023 TRANS/FORM/AÇÃO: Revista de Filosofiahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessChen, Xingjun2023-04-27T13:20:38Zoai:ojs.revistas.marilia.unesp.br:article/13298Revistahttps://revistas.marilia.unesp.br/index.php/transformacao/PUBhttps://old.scielo.br/oai/scielo-oai.phptransformacao@marilia.unesp.br1980-539X0101-3173opendoar:2023-04-27T13:20:38Trans/Form/Ação (Online) - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv Orientation and reflection: a research on Susan Sontag’s new sensibility
Orientation and reflection:: a research on susan Sontag’s New Sensibility
title Orientation and reflection: a research on Susan Sontag’s new sensibility
spellingShingle Orientation and reflection: a research on Susan Sontag’s new sensibility
Chen, Xingjun
Susan Sontag
New sensibility
The demise of art
Camp
the visual arts
Susan Sontag
New Sensibility
Orientation
reflection
title_short Orientation and reflection: a research on Susan Sontag’s new sensibility
title_full Orientation and reflection: a research on Susan Sontag’s new sensibility
title_fullStr Orientation and reflection: a research on Susan Sontag’s new sensibility
title_full_unstemmed Orientation and reflection: a research on Susan Sontag’s new sensibility
title_sort Orientation and reflection: a research on Susan Sontag’s new sensibility
author Chen, Xingjun
author_facet Chen, Xingjun
author_role author
dc.contributor.author.fl_str_mv Chen, Xingjun
dc.subject.por.fl_str_mv Susan Sontag
New sensibility
The demise of art
Camp
the visual arts
Susan Sontag
New Sensibility
Orientation
reflection
topic Susan Sontag
New sensibility
The demise of art
Camp
the visual arts
Susan Sontag
New Sensibility
Orientation
reflection
description Susan Sontag’s aesthetic thought - New Sensibility, is an accurate summary of her understandings and accurate grasp on the era of visual culture, which is also an effective way of appreciating them. New sensibility is one of the sensibility concepts put forward by Sontag at the early stage. Its definition can be summarized as an ability of aesthetic perception of the experiences in this new era. The ability is to appreciate visual arts, appeal to pure sensibility and devote to changing modern people’s consciousness and sensibility. However, New Sensibility overemphasizes sensory or perceptual experiences while ignoring the moral dimension, which leads to its inherent defects and cannot be ignored. It can be seen from the inconsistent critical comments of Sontag on the Riefenstahl’s artistic works. Susan Sontag. New Sensibility. Orientation. reflection
publishDate 2023
dc.date.none.fl_str_mv 2023-01-18
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.uri.fl_str_mv https://revistas.marilia.unesp.br/index.php/transformacao/article/view/13298
url https://revistas.marilia.unesp.br/index.php/transformacao/article/view/13298
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistas.marilia.unesp.br/index.php/transformacao/article/view/13298/10183
https://revistas.marilia.unesp.br/index.php/transformacao/article/view/13298/10184
https://revistas.marilia.unesp.br/index.php/transformacao/article/view/13298/11330
https://revistas.marilia.unesp.br/index.php/transformacao/article/view/13298/11331
dc.rights.driver.fl_str_mv Copyright (c) 2023 TRANS/FORM/AÇÃO: Revista de Filosofia
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 TRANS/FORM/AÇÃO: Revista de Filosofia
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/html
application/x-mobipocket-ebook
application/epub+zip
dc.publisher.none.fl_str_mv Faculdade de Filosofia e Ciências
publisher.none.fl_str_mv Faculdade de Filosofia e Ciências
dc.source.none.fl_str_mv TRANS/FORM/AÇÃO: Revista de Filosofia da Unesp; v. 46 n. 01 (2023): Janeiro-Março/2023; 251-268
TRANS/FORM/AÇÃO: Revista de Filosofia; Vol. 46 No. 01 (2023): January-March/2023; 251-268
TRANS/FORM/AÇÃO: Revista de Filosofia; Vol. 46 Núm. 01 (2023): Janeiro-Março/2023; 251-268
TRANS/FORM/AÇÃO: Revista de Filosofia; Vol. 46 No. 01 (2023): Janeiro-Março/2023; 251-268
TRANS/FORM/AÇÃO: Revista de Filosofia; V. 46 N. 01 (2023): Janeiro-Março/2023; 251-268
1980-539X
0101-3173
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instname_str Universidade Estadual Paulista (UNESP)
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repository.name.fl_str_mv Trans/Form/Ação (Online) - Universidade Estadual Paulista (UNESP)
repository.mail.fl_str_mv transformacao@marilia.unesp.br
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