Human sciences as pragmatic to the cultures: between art, dishes and paradoxes

Detalhes bibliográficos
Autor(a) principal: Gadea, Carlos A.
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: spa
Título da fonte: Estudos de Sociologia
Texto Completo: https://periodicos.fclar.unesp.br/estudos/article/view/11931
Resumo: Renaissance art and considerations from Sociology. The idea is to show how different worldviews in the art scene of the 15th and 16th centuries can become interesting examples of seeing and narrating the world, of incorporating oneself in it, and essentially in admitting or not the possible indissoluble correlation between represented reality and transcendent truth. Through a brief analysis of some artworks from the Renaissance and the so-called Mannerism, the present text tries to reflect on science and art, and on the current challenges of the Humanities, as a field of knowledge. Jean-François Lyotard’s phenomenology is used as an analytical framework for such reflections, as well as Georg Simmel’s sociological impressionism, enabling to correlate everyday life metaphors in an attempt to reintroduce the themes and concerns proper to the field of Humanities, and Sociology in particular.
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spelling Human sciences as pragmatic to the cultures: between art, dishes and paradoxesLas ciencias humanas como pragmática de las culturas: Entre arte, platos y paradojasAs ciências humanas como pragmática das culturas: entre arte, pratos e paradoxosHumanitiesArtSociologySocial theoryHumanidadesArteSociologíaEstudios CulturalesHumanidadesArteSociologiaEstudos CulturaisRenaissance art and considerations from Sociology. The idea is to show how different worldviews in the art scene of the 15th and 16th centuries can become interesting examples of seeing and narrating the world, of incorporating oneself in it, and essentially in admitting or not the possible indissoluble correlation between represented reality and transcendent truth. Through a brief analysis of some artworks from the Renaissance and the so-called Mannerism, the present text tries to reflect on science and art, and on the current challenges of the Humanities, as a field of knowledge. Jean-François Lyotard’s phenomenology is used as an analytical framework for such reflections, as well as Georg Simmel’s sociological impressionism, enabling to correlate everyday life metaphors in an attempt to reintroduce the themes and concerns proper to the field of Humanities, and Sociology in particular.Arte renacentista y reflexiones desde la Sociología. El interés es evidenciar como visiones del mundo diferentes en la escena del arte de los siglos XV y XVI europeos pueden convertirse en un interesante ejemplo sobre las maneras de ver y narra el mundo, de incorporarse a él y, fundamentalmente, de cómo admitir o no la eventual correlación indisoluble entre realidad representada y verdad trascendente. A través de un breve análisis de algunas obras de arte características del Renacimiento y del llamado Manierismo, el presente texto procura reflexionar sobre la ciencia y el arte, sobre los actuales desafíos de las Humanidades, como campo de conocimiento. La fenomenología de Jean-François Lyotard se constituye en cuadro analítico para tales reflexiones, y el impresionismo sociológico de Georg Simmel lo que permite correlacionar metáforas de la vida cotidiana con la intención de reintroducir los temas y preocupaciones propias del campo de las Humanidades, y de la Sociología en particular.Arte renascentista e reflexões desde a Sociologia. O interesse é evidenciar como visões do mundo diferentes na cena da arte dos séculos XV e XVI europeus podem se converter em um interessante exemplo sobre as maneiras de ver e narrar o mundo, de incorporar-se a ele e, fundamentalmente, de como admitir ou não a eventual correlação indissolúvel entre realidade representada e verdade transcendente. Através de uma breve análise de algumas obras de arte características do Renascimento e do chamado Maneirismo, o presente texto tenta refletir sobre ciência e arte, sobre os atuais desafios das Humanidades, como campo de conhecimento. A fenomenologia de Jean-François Lyotard se constitui em quadro analítico para tais reflexões, e o impressionismo sociológico de Georg Simmel o que permite correlacionar metáforas da vida cotidiana com a tentativa de reintroduzir os temas e inquietações próprios do campo das Humanidades, e da Sociologia em particular.FCL-UNESP Laboratório Editorial2019-07-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.fclar.unesp.br/estudos/article/view/1193110.52780/res.11931Estudos de Sociologia; v. 24 n. 46 (2019): Dossiê: Para além da distinção: condicionantes sociais do gosto e disputas simbólicas na contemporaneidade1982-47181414-0144reponame:Estudos de Sociologiainstname:Universidade Estadual Paulista (UNESP)instacron:UNESPspahttps://periodicos.fclar.unesp.br/estudos/article/view/11931/8395Copyright (c) 2019 Estudos de Sociologiainfo:eu-repo/semantics/openAccessGadea, Carlos A.2019-07-29T21:59:09Zoai:ojs.pkp.sfu.ca:article/11931Revistahttp://seer.fclar.unesp.br/estudosPUBhttp://seer.fclar.unesp.br/estudos/oaistraud.fclar@unesp.br||estudosdesociologia@fclar.unesp.br||maria.jardim@unesp.br1982-47181414-0144opendoar:2019-07-29T21:59:09Estudos de Sociologia - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv Human sciences as pragmatic to the cultures: between art, dishes and paradoxes
Las ciencias humanas como pragmática de las culturas: Entre arte, platos y paradojas
As ciências humanas como pragmática das culturas: entre arte, pratos e paradoxos
title Human sciences as pragmatic to the cultures: between art, dishes and paradoxes
spellingShingle Human sciences as pragmatic to the cultures: between art, dishes and paradoxes
Gadea, Carlos A.
Humanities
Art
Sociology
Social theory
Humanidades
Arte
Sociología
Estudios Culturales
Humanidades
Arte
Sociologia
Estudos Culturais
title_short Human sciences as pragmatic to the cultures: between art, dishes and paradoxes
title_full Human sciences as pragmatic to the cultures: between art, dishes and paradoxes
title_fullStr Human sciences as pragmatic to the cultures: between art, dishes and paradoxes
title_full_unstemmed Human sciences as pragmatic to the cultures: between art, dishes and paradoxes
title_sort Human sciences as pragmatic to the cultures: between art, dishes and paradoxes
author Gadea, Carlos A.
author_facet Gadea, Carlos A.
author_role author
dc.contributor.author.fl_str_mv Gadea, Carlos A.
dc.subject.por.fl_str_mv Humanities
Art
Sociology
Social theory
Humanidades
Arte
Sociología
Estudios Culturales
Humanidades
Arte
Sociologia
Estudos Culturais
topic Humanities
Art
Sociology
Social theory
Humanidades
Arte
Sociología
Estudios Culturales
Humanidades
Arte
Sociologia
Estudos Culturais
description Renaissance art and considerations from Sociology. The idea is to show how different worldviews in the art scene of the 15th and 16th centuries can become interesting examples of seeing and narrating the world, of incorporating oneself in it, and essentially in admitting or not the possible indissoluble correlation between represented reality and transcendent truth. Through a brief analysis of some artworks from the Renaissance and the so-called Mannerism, the present text tries to reflect on science and art, and on the current challenges of the Humanities, as a field of knowledge. Jean-François Lyotard’s phenomenology is used as an analytical framework for such reflections, as well as Georg Simmel’s sociological impressionism, enabling to correlate everyday life metaphors in an attempt to reintroduce the themes and concerns proper to the field of Humanities, and Sociology in particular.
publishDate 2019
dc.date.none.fl_str_mv 2019-07-29
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.fclar.unesp.br/estudos/article/view/11931
10.52780/res.11931
url https://periodicos.fclar.unesp.br/estudos/article/view/11931
identifier_str_mv 10.52780/res.11931
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://periodicos.fclar.unesp.br/estudos/article/view/11931/8395
dc.rights.driver.fl_str_mv Copyright (c) 2019 Estudos de Sociologia
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Estudos de Sociologia
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv FCL-UNESP Laboratório Editorial
publisher.none.fl_str_mv FCL-UNESP Laboratório Editorial
dc.source.none.fl_str_mv Estudos de Sociologia; v. 24 n. 46 (2019): Dossiê: Para além da distinção: condicionantes sociais do gosto e disputas simbólicas na contemporaneidade
1982-4718
1414-0144
reponame:Estudos de Sociologia
instname:Universidade Estadual Paulista (UNESP)
instacron:UNESP
instname_str Universidade Estadual Paulista (UNESP)
instacron_str UNESP
institution UNESP
reponame_str Estudos de Sociologia
collection Estudos de Sociologia
repository.name.fl_str_mv Estudos de Sociologia - Universidade Estadual Paulista (UNESP)
repository.mail.fl_str_mv straud.fclar@unesp.br||estudosdesociologia@fclar.unesp.br||maria.jardim@unesp.br
_version_ 1788171030185902080

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